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Les Crimes de l'amour

Two adaptations. First, "Le Rideau cramoisi" by Jules-Amédée Barbey d'Aurevilly is about a young second lieutenant of hussars, garrisoned in the provinces, who evokes a strange adventure. Staying with an old couple, he acts as acquaintance with Albertine, the daughter of his hosts, fell in love with her and, after paying her assiduous courtship, made her his mistress. But one night, she died in his arms. He tried in vain to get rid of the corpse and ended up run away. Second, "Mina de Vanghel" by Stendhal is about Mina, a young German, who came to settle in France with her mother in 1820. Her father, a deceased Prussian general, left her a immense fortune. Courted, she falls in love with Monsieur de Ruppert, a ruined man whose castle her mother bought. But Mina does not take long to unmask the dowry hunter.

Les Crimes de l'amour

6.5 1953
La Cage aux souris

During the Occupation, a boarding school in Moulins was placed under the rule of a headmistress committed to collaboration. It is within these walls that Michel, Arthur and Franck, escaped prisoners seeking to cross the demarcation line, find themselves stranded. Three boarders, Manouche, Jo and La Tigresse, discreetly devote themselves to them. Until the day when, aware of the danger, they alert the Resistance through the intermediary of a warden. The three men cross into the free zone, and Michel promises to find Manouche.

La Cage aux souris

3.5 1954
Si le roi savait ça

Pascal's life should have been normal and happy. A shepherd in his native Provence, he was a friendly young man who very naturally fell in love with Vivette, the daughter of a rich farmer. But that was without counting with Marcellin, a spiteful, jealous man who coveted Vivette and wanted her for himself.The traitor managed to have Pascal enrolled in Napoleon's army. Pascal came close to death in Russia but miraculously survived. And fifteen years later vengeance would be his. Reunited with Vivette and the child he had given her, time had come for happiness.

Si le roi savait ça

8.0 1958
Les gaités de l’escadrille

Onésime Labarbe, a "crawler" in the French Air Force, wants to become a pilot. He hopes to triumph over the sarcasm of his prankster comrades and win the hand of his beloved. Onésime has anticipated this by pretending to be a pilot in front of the young girl and her parents. It's true that they are no more barons than Onésime is a pilot, despite what his fiancée Pulchérie has said. The young soldier's efforts are not without their mishaps and setbacks. Yet his faith and tenacity triumphed over all obstacles. He is finally accepted as a pilot, while Pulchérie, through a misunderstanding, becomes an unwilling parachutist and, at the same time, a champion jumper. The deception is uncovered, but what does it matter to the two fiancés, who are joyfully celebrated by the entire Escadrille and can at last look forward to their long-awaited happiness?

Les gaités de l’escadrille

7.5 1958
Andalusia

Having fallen out with his girlfriend Dolorès, Juanito leaves for Mexico, where he becomes a famous matador.There he meets a Viennese singer, Fanny Miller, who falls for him so much so that she intercepts the letters Dolorès keeps on sending him. In desperation, Dolorès devotes all her time and efforts to dance and she becomes the celebrated dancer Estrellita. After a series of misunderstandings and ups and downs, the sun of Andalusia will finally reunite the two lovebirds.

Andalusia

6.7 1951
Maria Callas: Toujours (Paris 1958)

The career of Maria Callas was just a bit too early and too brief to receive full and satisfying video documentation like that now being accorded to such singers as Renée Fleming and Luciano Pavarotti. This black-and-white televised recital (Callas's Paris debut) took place at the Paris Opera on December 19, 1958 when television was still in its infancy. We might wish that it had happened earlier, when her voice was in better condition, or later, when video recording technology was more advanced--so that, for example, we would not have to take the narrator's word that Callas is wearing a red dress. But this is probably the best available Callas video recording, and her fans will welcome it warmly. Visual elements were as important as the vocal dimensions in her art.

Maria Callas: Toujours (Paris 1958)

8.3 1958