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Opossum Resilience

Opossum Resilience is inspired on a series of encounters and interviews with a Zapotec female land defender. This place-based fabulation grounded in the valley of Oaxaca, Mexico, bastardizes Mesoamerican myths around four figures: a Hill, an Agave, an Opossum and Lady Reed. Lady Reed is a mythical Mixtec character who helps the opossum to cut the agave leaves in order to get its sugary alcoholic sap. Opossum Resilience overlaps the time of creation with a contemporary socio-environmental conflict around the imposition of a mining project in an Indigenous Territory. It summons the powers of festivity and inhebriation; and imagines an opossum providing an activist with the mythical powers to play dead and then revive.

Opossum Resilience

NR 2019
Bliss

«Bliss» is about the end of the world and the end of the internet. The music created by Edgar Mondragón reflects about the saturation of digital files in post-internet world. So the images are intended to simulate chaotic atmospheres. Starting from the disintegration of various visual symbols, a campfire is superimposed on materials found on the internet mixed with personal audiovisual material that also simulates being part of the digital archive. Each layer is rhythmically and counterpoint interposed in order to think about the destruction of the world.

Bliss

NR 2019
A Wild Dedication

As if engaging in an archaeological task, A Wild Dedication presents different objects found in the Woman Welfare Agency’s headquarters in San Fernando de Henares, which was operational from 1944 to 1985. Can a space built for female sexual repression give out traces of rebellion forms? Which affective memory do these ‘souvenirs’ trigger and how can they be integrated in the historic account on the Franco regime, the Spanish Transition and the first years of democracy?

A Wild Dedication

NR 2019
A House With Many Voices

Voices that take shape in memory, an empty house, a piano that is now missing. Vivian Forrester said that for Duras, the act of speech to achieve was love in its whole or absolute desire. The one that can be silence, or singing, or screaming. It is what governs memory and forgetfulness, suffering and hope. This video essay proposes a dialogue between two films: Morir... Dormir... Tal Vez Soñar (Manuel Mur Oti, 1976) & India Song (Marguerite Duras, 1975). On the one hand, to claim a beautiful forgotten rarity of Spanish cinema and on the other, to claim that cinema, after all, is a house with many voices.

A House With Many Voices

6.0 2019
Two Black Lights and One Red

Presented on a 3-D immersive interactive projection stage, this bio-digital play is set in a visually charged universe of decadence inspired by Francisco Goya's Los Caprichos paintings. Featuring live actors and digital avatars, the story is about the last day of a blind poet, Max Starpower. The project is a universe where tragedy, sarcasm, and comedy are portrayed as a deformed and apocalyptic mirror of reality; In this world, circumstance is the source of tragedy, and the grimace produced by this tragedy is what rules its form.

Two Black Lights and One Red

NR 2019