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Chandler's Mill

A historical drama set in 1889, Chandler's Mill examines the plight of workers, and particularly child workers, in the New Brunswick wool industry. The story revolves around the efforts of one young teenage girl to better the lives of her friend and other workers, on the eve of a public hearing of the Canadian Royal Commission on Capital and Labour. Through the use of historical re-enactment, Chandler's Mill explores the issues of child labour, worker's rights and union organizing in 19th-century Canada.

Chandler's Mill

10.0 1990
Hands of History

This documentary follows four female First Nations artists—Doreen Jensen, Rena Point Bolton, Jane Ash Poitras and Joane Cardinal-Schubert are First Nations artists who seek to find a continuum from traditional to contemporary forms of expression. These exceptional artists reveal their philosophies as artists, their techniques and creative styles, and the exaltation they feel when they create. A moving testimony to the role that Indigenous women artists have played in maintaining the voice of their culture.

Hands of History

8.0 1994
Black, Bold and Beautiful

Afros, braids or corn-rows--hairstyles have always carried a social message, and few issues cause as many battles between Black parents and their daughters. To "relax" one's hair into straight tresses or to leave it "natural" inevitably raises questions of conformity and rebellion, pride and identity. Today trend-setting teens proudly reinvent themselves on a daily basis, while career women strive for the right "professional" image, and other women go "natural" as a symbol of comfort in their Blackness. Filmmaker Nadine Valcin meets a range of women as they reveal how their hairstyles relate to their lives and life choices.

Black, Bold and Beautiful

NR 1996
Without Pity: A Film About Abilities

Without Pity: A Film About Abilities is an HBO film narrated by Christopher Reeve. This documentary celebrates the efforts of the disabled to live full, productive lives. The viewers meet a cross section of Americans in the film. A young woman with cerebral palsy who cares for her baby, while a man with cerebral palsy lives successfully on his own after 40 years in a Colorado institution. The film takes a trip to school with a remarkable 6-year-old boy without arms or legs, visits the workplace of a blind computer expert, and meets a professor with polio who teaches the history of discrimination against people with disabilities. A young man recently made paraplegic discusses his daily battle with depression and his determination and motivation to overcome it and get on with his life. This movie applauds the resilience and potential of people with disabilities and their need to be determined to be self-sufficient.

Without Pity: A Film About Abilities

NR 1996
Static

In defiance of the background noise of homophobia, a series of dreamlike images evoke the interplay between private and public spaces, and the continual disintegration and reconfiguration of queer identity within (and on the periphery of) dominant culture. The soundtrack combines a litany of voices from a radio talk-show which fade in and out of background electronic noise, processed underwater sound effects, and a poetic text. The images represent a movement from the interior space of dreams through intimate private domestic scenes, out into the public urban spaces of subway stations and street intersections, and finally to the city skyline as seen from across the surface of a body of water.

Static

NR 1995
Positive Men

Positive Men begins as a docudrama which illustrates the impact of the AIDS epidemic on gay men in the early 1980s. Memories of New York and San Francisco are the backdrop for seven dramatic scenes which designate the intersection of community support, medical science, and gay politics that emerged in response to the AIDS epidemic. Words and images from these scenes resonate throughout the documentary portraits which follow. The interviews, conducted in Toronto and San Francisco (1993-1994), feature artists, filmmakers, AIDS community workers, writers and volunteers who have made unique contributions within the cultural and community responses to AIDS.

Positive Men

NR 1995
We're Funny That Way

Live performance clips are combined with behind-the-scenes footage and interviews in which the performers candidly share their life experiences, offer insights into the art of comedy, and discuss the obstacles facing gays and other minorities within the entertainment industry. Diverse in their approaches these performers share a talent for humor which speaks to universal human experience. What emerges is a hilarious and inspiring film about the power of laughter to communicate, heal, and transcend social prejudices.

We're Funny That Way

4.8 1998
The Learning Path

Native control of education is explored in THE LEARNING PATH. Director Todd, a Metis, introduces Edmonton elders Ann Anderson, Eva Cardinal, and Olive Dickason, remarkable educators who are working with younger natives. They recount harrowing experiences at reservation schools, memories which fuelled their determination to preserve their language and identities. Using a unique blend of documentary footage, dramatic re-enactments, and archival film, Todd weaves together the life stories of three unsung heroines who are making education relevant in today's native communities.

The Learning Path

7.5 1991