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The Lost Generation

The engineer Ambrus has been suspended in his job because he publicly called the attention of the customers to a construction mistake of some goods designed to be exported. His immediate boss learns the news on a business trip to Paris. He meets his old friend Lendvay, an emigrant from Hungary, and his French wife in a cellar bar. After their talk Benkő starts seeing things in a different perspective. When he returns home, he decides to take a stand for Ambrus against Ferenczi, the general director, despite his wife's and the old director's advice.

The Lost Generation

7.5 1968
Giant Rumble

In this gritty tale of gamblers battling in the samurai era, Okawa Hashizo gives perhaps his greatest performance as a gambler returning to his home town. Swearing allegiance to his fiancée’s father, a decent boss, he had taken to the road after a gang fight until things cooled down. While honing his sword skills in his travels, everything in the town had changed and he descended into a virtual hell of violence. Opponents were being slaughtered by a former samurai ‘Bodyguard’ played by Tanba Tetsuro at the height of his amazing career. While these two master swordsmen are fated to meet, before that can even happen they must survive one of the longest, bloodiest swordfights in movie history!

Giant Rumble

6.0 1964
Paparazzi

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

Paparazzi

6.7 1964
Valparaiso

In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.

Valparaiso

7.0 1964