Discover Movies

1,676 Matches Found

La terza luna

A young architect, Luca Fabiani, arrives in Venice to restore an ancient building in the Jewish ghetto. Here he discovers that on the top floor there is an apartment still inhabited by Elio Sorani, an elderly writer who has been living in seclusion for years, immersed in his memories. Elio is often visited by Giulia, a young woman who exchanges furtive and quick conversations with him. Giulia has an art gallery, where she meets with the man she is having an affair with, the Russian Sacha, an art critic who has now become a mediator of paintings between Italy and Russia. After overcoming an initial moment of mistrust, Luca and Elio become friends, and Elio gives Luca the manuscript of an unpublished novel, which Luca believes will enable him to reconstruct the writer's past.

La terza luna

7.0 1997
War Dogs

The two mercenaries Robert and Brian, specialists in dangerous missions, are given the task of freeing a kidnapped medical team from the clutches of the South American dictator General Rodriguez. With a team of mercenaries they look for the hostages with whom Rodriguez wants to blackmail the American government. In a bloody battle, the hostages, including the young doctor Denise, manage to free themselves from the general's house. After a bomb attack, Robert and Denise are separated from their troops and must make their way alone through the wilderness to the agreed meeting point...

War Dogs

4.5 1994
Metamorphic

It is well known that the disposition of the images drawn by Escher are neither for animation nor for pre-animation; actually, quite the opposite. His images appear to be the carrying out of metamorphic dissolves. A bird gives way to the recognition of a house, which turns into fish, which turns into birds, and so on. Not a single flapping of wings takes place; everything is reiterated and fixed, becoming immersed in and re-emerging from a static continuum. All of Escher is an homage to one of the major animating forces of the cinema: the cross-dissolve. Precisely there, I found cinematic attitudes: in the house which turns into fish and in everything that transforms into something else. I gradually managed to figure out various types of non-existent sequences and then finally found myself dissolved, crossing over metamorphically. —P.G.

Metamorphic

6.0 1991
Il Film di Mario

It's Christmas. Mario, a forty-year-old unemployed grandfather who lives by his wits but has an equally chronic dream of becoming an actor, is hired as a caretaker (sixteen hours a day) of a grotesque nativity scene set up on the main street of Bari by a photographer who uses it as a backdrop for photographing children. For us, it's a great opportunity to make a documentary about him... But for Mario, too, we are an excellent opportunity to make his film, the dream he had in his drawer, the film about his life: we are his crew and he is the director! The result is a constant battle: between us, who want moments of the real Mario, the cheerful and optimistic one despite the objective difficulties of his existence, and him, who proposes a tragic but partial Mario, convinced that by loading his testimony with suffering and melodrama, the story of his life will have more appeal...

Il Film di Mario

NR 1999
Oreste Pipolo, fotografo di matrimoni

In all of Naples, photographer Oreste Pipolo is renowned for his wedding photographs. An album with the heavily accentuated romantic pictures of Pipolo is, like a copious dinner in an expensive hotel, an essential part of a successful wedding. If need be, every self-respecting bridal couple will spend their last savings to be able to engage Pipolo. In ORESTE PIPOLO, the city of Naples and in particular the Neapolitan wedding is the universe where Pipolo holds sway. We see him routinely handling nervous couples and making preparations for the ceremony of yet another pair, meanwhile constantly commanding his assistants. But when his customers have disappeared from sight another Pipolo appears, one who after thirty years in business is fed up with it and really cannot stand to see another bridal couple.

Oreste Pipolo, fotografo di matrimoni

5.6 1998