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The Committee

The Committee, starring Paul Jones of Manfred Mann fame, is a unique document of Britain in the 1960s. After a very successful run in London’s West End in 1968, viewings of this controversial movie have been few and far between. Stunning black and white camera work by Ian Wilson brings to life this “chilling fable” by Max Steuer, a lecturer (now Reader Emeritus) at the London School of Economics. Avoiding easy answers, The Committee uses a surreal murder to explore the tension and conflict between bureaucracy on one side, and individual freedom on the other. Many films, such as Total Recall, Fahrenheit 451 and Camus’ The Stranger, see the state as ignorant and repressive, and pass over the inevitable weaknesses lying deep in individuals. Drawing on the ideas of R.D. Laing, a psychologically hip state faces an all too human protagonist.

The Committee

5.4 1968
Nothing Barred

Penniless Lord Whitebait's plan to save his sinking fortunes is to open stately Whitebait Manor to the public. But the public ignores his gesture, and his fortunes fade even further, with a stream of debts threatening to run into a deluge when his daughter's fiancé demands a plush and costly wedding. Where is the cash to come from? Whitebait and his servant Spankforth's answer is a scam involving the theft of a valuable painting from the Manor. How could such a cunningly original ruse fail?

Nothing Barred

7.0 1961
The Wounded Stranger

The film is set in the early 18th Century and involves smugglers and preventative officers. The on-shore leaders of the smugglers are a rascally lawyer and his wife who organise regular 'runs' of contraband. Richard Merivale, a wealthy young boy, whose parents are believed to have been lost at sea comes to live with them. By his efforts and with help of local children who endure many exciting adventures, the gang are brought to justice and Richard is reunited with the father.

The Wounded Stranger

NR 1962