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Every day, at Lapeyronie hospital in Montpellier, France, a psychologist and a psychiatrist treat pedophiles and child sexual offenders. Behind closed doors, hidden away from sight, they listen to their stories, help put words to acts and impulses. And they fight for basic prevention systems to be funded and put into practice.

War, emergency, pandemics and hunger. Humanitarian workers are used to working in the most varied and extreme missions and contexts across the planet. However, few of them venture openly into the world of personal feelings. For this film, forty humanitarian workers and their loved ones did just that, speaking without reserve about the risk, the commitment, the first mission, the sense of powerlessness, the encounters, the passion, the return home and the unspeakable things they’ve witnessed. This film explores the question of their selfishness in choosing to do this kind of work. Each person, in their own words, tells us about their feelings and experiences. Openly and straightforwardly, they tell us who they are and speak of their commitment to others, their doubts, their weaknesses and the images that haunt them.

The film takes place in the Sahrawi refugee camps installed since 1975 near Tindouf, southwest Algeria. It takes us on a filmed investigation led by two anthropologists and their Sahrawi guide with families of martyrs and seriously wounded from the Sahara War (1975-1991). Throughout the encounters, the narrative evokes the story of a rehabilitation center for war-wounded people known to all under the enigmatic name of Al-Madrasa, "the school".

Fifteen young dancers of various origins and horizons. They are touring Crowd, Gisèle Vienne's dance piece on the 90s rave scene. Following them from theatre to theatre, the film documents their work as well as their strange, intimate relationships. As the line becomes blurry, the stage seems to contaminate real life – unless the opposite is happening. Little by little dance grows into a troubling journey into our nights, our parties, our loves.

"In letters, we cannot say our real name." With Catherine, we discover some precious and surprising epistolary relationships. For almost 25 years, she corresponded with incarcerated persons whose words inhabit her apartment. Another voice, from a former female inmate, echoes her.

Tom would like someone to tell him a story, but Dad isn't available, so he makes one up himself, mixing all his favorite characters: pirates, knights, T. rexes, cowboys. In this joyful mess, a little princess turns out to be much braver than the sleeping prince.

Musical notes make colors in Henri's head. Social interactions are the great enigma of his life and the tension of a piano's chords are the center of his world. Today, Henri has reached a decision: he is going to go to the music academy try his luck. But he must face Julia, the competition favorite. She is his only friend and his greatest rival.

Aelita - Spacewar - 13 Mirrors (I Apologize Remix) - 13 Mirrors (Subversive Boy Rework) - Elevation 2 - Computer Love (Lemon Mix) - Spice - Brazil - Electronic (Amesterdam Mix) - Lost Sequence (Alt. Version) - Halloween - Double Fun - Blow Up - Hiroshima (Moog Destroyer Extended) - Visitation (Mizmiz Mix) - Fukushima Sky (Odei Remix)

Plus mon Loir gaulois que le Tibre latin is a slow exploration of the snowy city, its surroundings, the banks of the Loire and the village of Chambilly.

The title, quoting Nietzsche describing Man as a sick animal, seems to fit Jean-Luc Nancy, famous for his thinking and especially his striking account of his experience of a heart transplant. But there is no miserabilism here, no sickness or age – instead we have a portrait of the philosopher in action in various different aspects. The first course is biographical, with family archives that take us back to the philosopher’s early years, setting the stage for childhood memories as he secretly breaks his first taboos.

Shenzhen at night, copyist painters recount their daily lives and their craft. Their acts shift alternately between an artistic and blue-collar imagery, from new technology to classical techniques. Here, another history of painting is being drawn.

Lindsay and Leslie meet like almost every day to kill time together. Except that today they want to get out of their daily lives, to meet new people, to experience something special.

A music video directed by experimental director Anna Malina for Catherine Watine's EROS & THANATOS from her 2020 album INTRICATIONS QUANTIQUES.

During a country evening, Madame d'Enghien and two of her friends decide to provoke a gentleman by challenging him to improvise poems on the theme of "women's breasts". What follows is a cascade of puns, witticisms and ribald innuendoes between the man and his former lover, the mistress of the house and a young provincial ingénue.

When her mother forbids her from biting her nails, Sarah has to abide by new rules she doesn't understand. By taking control of her actions and other people's attitudes toward her, Sarah redefines her relationship with others and herself.

Few right-wing extremist groups are as openly anti-democratic as the Third Way (Der III. Weg). According to the German authorities, many of its members are ready to take action. "ARTE Regards" followed this movement, which now has some 600 members, for several months.

The last thought of a little girl about her grandfather.

Documentary sheds light on the creative process of Ruben Östlund, who is a keen observer of social conditions and portrays contemporary Sweden critically in "The Square".

After the trying constraints of lockdown and social distancing that brutally reduced urban space to its strict minimum, making it into a place where isolated individuals merely cohabit, Homo Urbanus is a cinematic odyssey offering a vibrant tribute to what we have been most cruelly deprived of: namely, public space. Taking the form of a free-wheeling journey around the world (10 films, 10 cities), the project invites us to observe in detail the multiple forms and complex interactions that exist every day between people and their urban environments. Somewhere between visual anthropology and observational cinema, these films put urban man under the microscope and encourage us to take a closer look at individual and collective behaviour, interpersonal dynamics, social tensions, and the economic and political forces that play out every day on the grand stage of the city streets.

After several years in the wild, a hardened trapper accepts a position as sheriff in a remote village. He meets with the town mayor at the saloon to finalize the deal. Unfortunately, the current sheriff shows up, and to say the least, he has no intention of giving up his job...

Race summaries, analysis and interviews with F1 drivers... Get to the heart of the F1 paddock thanks to Canal+ !

Lech Kowalski has gotten us used to movements for a long time now. Movements of the street, of punks, of fetishists, of his mother, of Polish farmers, of strikers: the list is long, it is the almost endless inventory of a demoted humanity. But is it a habit? Definitely not, more like the effect of a camera that remains untamed. And here we are, subjected to its kicks, its tricks, its rebellions, its rages, its heartfelt cries, we are blown away, and it exhilarates our souls. Once again, the idea is simple: to remake An American in Paris. One small point though, this time the American will be a Native American, sporting a baseball cap with the slogan “Native pride” on it; and Paris will be the rough areas along the roads of the capital, busy with homeless people and migrants from all around the world.

A storm breaks out in a high mountain village. Thirty-year-old Maude then discovers a mysterious bird, which will inevitably lead her to a witch's abode.

When John-Boris Keybusiness, a man overwhelmed by fear of flying, is forced to get on a plane, nothing happens as planned.

Late 10th century. A traveler crosses the mountains, far from his home in Cordoba, capital of the prosperous Caliphate of Al-Andalus. He sings to his beloved. He is followed by a bird of prey. He meets a mischievous shepherd for whom he plays the oud. But the shepherd is most interested in his flute

Yves is a constant victim of humiliation on the part of his schoolmates. His only refuge is synchronized swimming, which he practices at night in secret. When Charlotte, a colleague and team member, finds out, he can no longer hide.

In the storeroom of the bakery where she works, twenty-seven-year-old Luna dreams of a Prince Charming and a life in a castle. On the same day, she will cross paths with a trash can full of dollar notes and a young man who stutters. What do we do with our childhood dreams when we are nearly thirty years old?

Lilas and Amber, two young girls of Vietnamese origin that were adopted and educated in France, go back to Vietnam.

In a kingdom tormented by fashion crazes, a queen and her court must always keep up with the new trend. If not, an abominable monster will consume them: the Ridicule. But with the arrival of a disarmingly natural cowboy, this nation of fashion victims laughs, and a simple question arises: what if the Ridicule isn’t what we think?

Fleur tells the story of the illness of her dad, Zaza, which disrupts her daily life and that of her brothers as they try to grow up and play, like any child. The disease is shown through a child’s eyes and voice. Here is a new perspective of a common situation: waiting for their father’s return from a hospital is disruptive for children too young to understand everything.