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Timelife

A poet chooses to give birth alone at home surrounded by characters pregnant with their dreams. How to let life make its way out of the maternal womb? How to build a family when you had to leave the motherland? How to keep hope alive when even birds are hiding from bombings? Timelife is a lifeline, an umbilical cord linking each of us, no matter the color of the skin, the mother tongue or the land of birth. Timelife «homebirthes» lives, hopes and love. The narrative takes root in each moment of reality. The truth, extracted from context, is fictionalized. A way of staging life.

Timelife

NR 2019
Un dieu à la peau douce

In a sequence shot, the slightly slowed movement of hands manipulating and caressing the surface, whose texture is like skin criss-crossed with scars, a wax sculpture that is vaguely anthropomorphic. The sound is the voice of Mathieu Amalric, giving a raw account of three nights of sex that Simon shares with Robert and Nessim, their African lover. With this ball of black matter, a dark satellite seemingly detached from its feature film, Pierre Creton reveals the night-time, and painful, reverse shot of Bel été’s gentle community Utopia. (C.N.)

Un dieu à la peau douce

NR 2019
Sketch XXX

“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.

Sketch XXX

8.0 2019
Colombine

In West Africa, Colombine runs a dispensary in risky bushland. A strong-willed, whiskey-drinking religious woman armed with her rifle, she takes care of sick and orphaned children in the region. She sees Mélia arrive, a somewhat imprisoned Parisian MSF doctor, herself an African orphan, but who has never returned to her homeland since childhood. She discovers bush medicine, its difficulties and the dilemmas that caregivers must face in the face of chronic shortages of equipment and medicines. These two courageous but opposite women form an unlikely team. They will have to learn to overcome their barriers and confess their secrets to protect the dispensary and the children from the dangers of the region and a threat that surpasses them.

Colombine

6.3 2019
Berlin Based

Its light, its smoky bars, its vacant land: the characters that we meet here treasure different aspects of Berlin. Vincent Dieutre puts faces and voices on some of the many artists who have settled there since the collapse of the Wall. Questioning each one about their arrival and possible departure, he depicts how Berlin has become part of the personal stories that have, in turn, been infused with a city’s history. What each artist recounts with their own words and sensitivity is also what the city has taught them – the vocabulary of the sentiments in German, the strength to live in the cold or in precarious conditions. Like a playful wink to the tourist guide format, the filmmaker travels from district to district.

Berlin Based

NR 2019
Daughter of the Crater

A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.

Daughter of the Crater

5.5 2019
The Pig, the Fox, and the Mill

Pig lives at the top of a hill in a town surrounded by a destructive, dark cloud. Before Pig’s father leaves to find a solution to the cloud, he builds Pig a small wooden dam to protect him and the town. The dam’s windmill keeps the cloud at bay, and Pig now has the responsibility to care for the dam. Young and alone, Pig finds love and family through his friendship with Fox, and continues to care for the townsfolk in a variety of ways. However, Pig struggles with the absence of his father, and his desire to search for his father competes with his need to keep the town safe.

The Pig, the Fox, and the Mill

7.3 2019
Régis Audigier, le Christ de Burzet

Every Good Friday, the inhabitants of Burzet, in Ardèche, repeat the Way of the Cross of the Passion of Christ. In 1992, the filmmaker Jean-Pierre Bozon filmed this ceremony at length and met the main characters in this seven-century-old Way of the Cross. Gérard Courant collected and edited the rushes from this filming and made five films. The first, Régis Audigier, le Christ de Burzet, is an encounter with Régis Audigier, farmer and interpreter of the Christ of the Passion of Burzet.

Régis Audigier, le Christ de Burzet

NR 2019
Eugénie de Franval par Louis Skorecki

This film is an audio interview of Louis Skorecki, filmmaker and film critic for Cahiers du cinéma, by Patrice Kirchhofer and Gérard Courant. This interview, later put into images by Gérard Courant, is centred around the feature film Eugénie de Franval, based on Sade's novella, which Louis Skorecki shot in 1974 and which was awarded the prize of "la porte entrouverte" at the festival of young cinema in Toulon in 1975 by the jury composed of Marguerite Duras, Shuji Terayama and Dominique Noguez.

Eugénie de Franval par Louis Skorecki

NR 2019
Torn

In the suburb of Lille, Stéphane holds a tobacco shop with his father, Maurice, a retired military officer. Although feeling trapped in his marriage, Stéphane doesn't want to leave his wife, Elise, a lawyer, and is currently having an affair with Leila, a physiotherapist and mother of two. Together they hope for a better life, but everything changes when Sofiane, Leila's 15 year old son, holds up the store at gunpoint, without any knowledge of his mother's affair with Stéphane. Maurice-violently hit-pulls out a gun and shoots him.

Torn

6.3 2019
The Phantom of Spandau

Idriss Gabel and Marie Calvas are the grandson and granddaughter of Rudolf Hess's last chaplain in Berlin-Spandau prison. Hess (1894-1987), a fanatical anti-Semite, was Adolf Hitler's deputy in Nazi Germany and personally participated in the formulation of the Nuremberg Race Laws. As a French military chaplain, Charles Gabel was the only person authorized to speak with Hess in private for almost ten years. In this documentary, his grandchildren ask: What kind of relationship did their grandfather have with this member of the Nazi leadership? Hess was sentenced to life imprisonment in 1946 as part of the Nuremberg Trials of major war criminals. He served his sentence throughout the Cold War as the sole inmate of the huge Spandau Prison. In 1987, at the age of 93, he took his own life.

The Phantom of Spandau

6.5 2019