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Pierre and Djemila

Two teenage lovers are caught up in the thrill of forbidden love in this tragic romantic drama. Pierre (Jean-Pierre Andre) is a 16-year-old French lad who loves 14-year-old Djemila (Nadja Reski), the offspring of Algerian immigrants. Pierre's father is an Algerian war veteran who tolerates living with the immigrants at the low-income housing project as long as the two factions are separated. Djemila's older brother carries bitter hatred for the French over their invasion of Algeria. Both young lovers fall victim to the intolerance of their families when their relatives discover that the two are engaged in a passionate love affair.

Pierre and Djemila

6.4 1987
The Little Mermaid

A 40-year-old mechanic whistles at a passing teenager; she stops and upbraids him. In embarrassment, he claims he was whistling at her companion, her 14-year-old cousin, Isabelle. This changes Isabelle's outlook on life: her favorite story is Anderson's "Little Mermaid," and she thinks that in Georges she's found her prince. She follows him, engages him in conversation, and turns up at his flat. At first, he pushes her away and tells her she's nuts, but slowly he finds that she brings out of him a playful self, and he likes her devotion. The attraction builds, threatening Georges' adult relationships, including that with Nelly, his sweetheart. Where on earth can this affair lead?

The Little Mermaid

5.8 1980
The Flight of the Phoenix

Staubli is happy. He has just concluded a considerable deal with El Farik, one of his biggest successes as an arms dealer. To sign his final contract, Staubli takes the plane with Loussif, Serge Tournier and his wife Laura. During a stopover, a mechanical incident immobilizes the group for a few days in the Moroccan desert. Then Tom arrives, a pilot who trades with his old plane, the Sphinx. A small business that works well. But among these particular customers, Laura strangely reminds him of the one who left him and because of whom he left everything before...

The Flight of the Phoenix

5.4 1984
Un amour d'emmerdeuse

After ten years of marriage, Philippe and Catherine finally have the joy of having a baby: Julie. For these two extended teenagers, it's the end of night outings and improvised weekends. She is quickly overwhelmed and Philippe, who runs an advertising company, is not often there. On the other hand, the family - grandmother or godfather - is too much. And then she begins to choke. As a fashion designer, she first tries to work at home but can not share herself between her professional and maternal activities. Philippe tries to help her, in vain, then abandons to flee to Deauville for an extra-marital weekend. She will not forgive him and will disappear with Julie. And years go by before the little girl who grew up finds herself again between her mother and her father, accompanying her, for the first time, to school.

Un amour d'emmerdeuse

5.5 1980
Scénario du film Passion

Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.

Scénario du film Passion

5.8 1982
Zan Boko

In the Mossi culture, one of the rites attending the birth of a child and its induction as a new member of the community involves the burial of the placenta. The space in which the placenta is buried is called 'Zan Boko' - a phrase which connotes the religious, cultural and affective relations that bind the child to the land and that embraces the notions of 'rootedness' and 'belonging'. Kaboré tells the story of Tinga, who resists the encroaching urbanization of his native territory. The specific rhythms and vision of the rural community, including its values, social relationship, and individual & collective destinies, are altered when a city is planted on the edge of an ancient native village.

Zan Boko

6.7 1988
Pièce touchée

Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.

Pièce touchée

6.1 1989
Double Gentlemen

In a routine look at what it means to finally leave adolescence behind — even in one’s mature years — this series of mood swings and sequences focuses on two grown men. Francois (Jean Francois Stevenin, the director) and Leo (Yves Alonso) are old friends, and at one point they decide to go out and search for one of their childhood buddies, the brunt of several of their practical jokes. In true form, the men opt for playing yet another practical joke on their friend, but their plans backfire when his wife Helene (Carole Bouquet) comes into the picture instead. Her presence forces them to reconsider their shenanigans in a new light.

Double Gentlemen

6.1 1986