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The Vendetta

Arbella is a charming village in Corsica. It's such a pleasant place to live that Monsieur Lauriston has decided to spend his old age there with his wife Marthe. Encouraged by Giuseppe, the owner of the Napoleon bar, he is promoted to mayor. This brings him the wrath of Captain Bartoli, owner of the Café Bonaparte, a self-styled pirate and navigator who has long aspired to this honorable position. Further complications arise when Lauriston's nephew romances Antonia, the daughter of Amoretti, the last bandit of honor in the area and the town's main tourist attraction.

The Vendetta

5.8 1962
The Other Christopher

The dictator Anastasio rules with an iron fist backed by business-men making deals and speeches about building canals, completely disconnected from the chaos amongst the population. Anastasio is rumored to have died after an incident with a mirror and a violent confrontation after literally crowing as a cock amongst his chicken followers. The afterlife is shown as a casino where Anastasio strong-arms his way into heaven. Divination is used to find the next dictator, and a sailor and his black, peasant sidekick find themselves attempting to start a revolution with an organ, dragging it through the countryside, as the movie explores the country, culture and music.

The Other Christopher

6.0 1963
Trouble Among Widows

When Guillaume Valmont dies in a car accident, the only thing he leaves his wife Isabelle is his pharmacy. She never loved her older husband and she regards his death as a deliverance. At the funeral, she meets Judith, widow too, and she soon realises that her husband had been leading a double life. A short while later, the pharmacy is broken into, but nothing is stolen. Police Inspector Laforêt is put in charge of the case. Isabelle becomes suspicious when Judith offers to buy the pharmacy.

Trouble Among Widows

7.4 1964
Fiancés on the Bridge

A subtitle warns, "beware of dark sunglasses." Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely on a bridge overlooking the Seine. He dons sunglasses and waves as she runs down a stairway to the river's edge, then watches in horror as she's knocked flat and loaded into the back of a hearse. In vain, he gives chase. Disconsolate, he buys a large funeral wreath and a handkerchief from sympathetic vendors. He removes the glasses to wipe his eyes and realizes they are the cause of all his woe. He replays the farewell without the glasses.

Fiancés on the Bridge

6.5 1962
The Men in the Family

Gabriel Pelletier, sales manager for a major industrial firm, would be the happiest of men if he didn't have a family of rare originality. The day Gabriel Pelletier is asked by the firm's management to welcome and accommodate an important American industrialist who has come to Paris to handle a major contract, he realizes the difficulties that lie ahead. How will Mr. Strumberger, who has the reputation of a fierce puritan, react to the behavior of the various members of the family?

The Men in the Family

5.1 1968
L'inconnue de Hong Kong

Jean the piano player introduces Georgia, a new, promising singer, to a handsome young-man in a Paris' night-club. From contact to contract, Georgia is soon traveling to Hong Kong with Mitzi, another cabaret artist, the pianist and the man with whom she is flirting. In their first night out, the girls watch a man being attacked and abducted by a pair of local thugs. Next thing, they are reading about the man's death in the papers, and are being hunted by the criminals. Georgia and Mitzi will then learn that their companions are not exactly a typical piano player and businessman. Suspition leads the girls to fight each other, but they'll unite for survival in a seedy environment.

L'inconnue de Hong Kong

4.5 1963
Le Carnaval de la Nouvelle-Orléans

The ancestor of the carnival is the Feast of Fools. During the Middle Ages between Christmas and Epiphany, everything was turned topsy-turvy. The poor could mock the rich, the humble could deride the powerful. A “fool’s pope” was elected and one could disguised himself as a bull, a cow, a deer or other pagan divinities. In New Orleans, the carnival has preserved this sense of liberty. Suddenly, everything is permitted, even the most absurd extravagance.

Le Carnaval de la Nouvelle-Orléans

10.0 1965