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Une sortie de novices de Sakpata

Sakpata is one of the main deities of the "Vodoun" pantheon in Benin (Dahomey at the time of filming, in 1958). Initiation into the cult of the Vodoun gives rise to a long seclusion in a "convent" where young neophytes learn the sung dances specific to their divinity. The first part of the film shows the dance being performed to thank someone for a donation. The shot was made using a spring-loaded camera stopping after thirty seconds, while the sound recording on a tape recorder was continuous; the editing was done (for the first part only) not from the image but from the sound. The temporal architecture of the music is thus respected as well as that of the dance, linking several figures, and this in spite of the blacks replacing the missing images.

Une sortie de novices de Sakpata

NR 1958
Fernand the Tramp

The tramp Fernand and his dog Brigadier discover some extraordinary jewels in a bag lost in a ditch. Brigadier, who doesn't like being mistaken for a dog, doesn't believe in the authenticity of the jewels. Then, discovering the owner, he introduces Fernand to the big wide world. Ghislaine Lafont-Dubreuilh, the daughter of the found jewels, sure of her fiancé, whom she neglects, is only concerned with the tramp's future. Her introduction to politics, boxing and wrestling leads to as many failures for the tramp as successes for Fernand Raynaud in his repertoire. Finally, the tramp becomes chaplinesque, restoring the fiancé to his belle's heart and taking only the English chambermaid on the road.

Fernand the Tramp

8.0 1957
Sending of Flowers

Envoi de Fleurs is based on incidents in the life of French composer Paul Delmet. Played by popular French singing star Tino Rossi, Delmet is depicted as a man all too willing to give up personal happiness in favor of blind ambition. After carrying on a romance by correspondence with beautiful young Suzanne (Micheline Francey), Delmet is on the verge of marrying the girl. Instead, he allows himself to be talked out of leaving France to further his own career, with disastrous results for all concerned.

Sending of Flowers

5.4 1950
The Night Is Ours

Alain Brécourt, a former pilot who distinguished himself during the war, meets Françoise Clozat, a test pilot. They become lovers, but Françoise learns that Alain is married to a singer. Françoise despairs, but Alain proves to her that he has been living away from his wife for some time. She meets the singer, no longer believes Alain, and attempts suicide during a flight. Her instinct for self-preservation saves her. Alain is the first to turn his attention to her: when she opens her eyes again, she receives the assurance of his love.

The Night Is Ours

7.0 1953
Les Amoureux de Marianne

Gaston Duboutois and Catherine Berton love each other, and are about to play Romeo and Juliet in their small provincial town. The industrialist Duboutois is opposed to his accountant Berton, both of whom are running for parliament. Tempers flare and invective quickly escalates. In the end, Duboutois wins and Berton loses his position. Although futile and foolish, it's the excellent Mme Duboutois who brings peace to the situation, brings about reconciliation and helps the two children to unite.

Les Amoureux de Marianne

5.3 1953
The Century Is Fifty

As the title of this French documentary indicates, Ce Siecle a 50 Ans examines the 20th Century at its halfway point. Utilizing the archives of several European film reserves, director Denise Tua offers a fascinating mosaic of the people and events that shaped the years 1900 to 1950. Complementing the vintage film clips are three dramatized sketches, delineating the romantic customs of three different points in time. These sketches are inadequately performed, and can easily be ignored. Ce Siecle a 50 Ans both preserved and provided celluloid material for scores of future documentaries.

The Century Is Fifty

7.0 1950
Nocturnal Uproar

Armand Varescot, a rich and tyrannical old man, is killed by his young and pretty secretary, Caroline, while he was trying to abuse her. To avoid scandal, his granddaughter Marie Varescot convinces Frank, his cousin, to take responsibility for this "accidental" death, he who is in love with Caroline. But Commissioner Legrand, who has designs on Marie, only agrees to close the affair if Marie marries her, and if Frank leaves with Caroline, abandoning his share of the inheritance. The arrangement is accepted and life goes on.

Nocturnal Uproar

8.0 1951
No More Vacation for the Good Lord

Montmartre in the summertime. A group of street urchins idles outside while the other kids of the neighborhood are away on holiday.To keep the gang busy, Pivolo, their leader, has an idea : they are going to kidnap Aunt Faguet's doggy. Just for the fun of it. A few days pass after the crime is accomplished and one of them suddenly realizes that a reward is being offered by the aunt to anyone who would bring her her pet back. Mademoiselle Hélène, the kind-hearted social worker, does it for them and gives them the reward money, which is instantly exchanged for lollipops, nougat and merry-go-round and cinema tickets. So, why not continue? That's what they do, abducting several dogs, until they realize they are becoming ... too rich! They can't buy themselves luxurious gifts or else their parents are bound to suspect something. Instead, they decide to do good by helping poor people around them. One day, Pierrot, a member of the gang, gets run down by a cyclist and becomes blind.

No More Vacation for the Good Lord

9.0 1950
Fugitive from Montreal

Pierre Chambrac, a French industrialist, and Canadian Paul Laforêt, two former brothers in arms, meet again by chance in Paris five years after the end of World War II. Pierre is engaged to a beautiful foreign young lady by the name of Helen Bering. He introduces her to his friend, which seems to trouble him. To his amazement, Helen and Paul disappear without notice. Pierre, who was beginning to feel jealous, sees his suspicion confirmed. He decides to fly to Montreal where he thinks the couple has taken refuge. Once there, he learns that his dear Helen is actually a criminal and that Paul is a policeman whose duty was to arrest her.

Fugitive from Montreal

6.5 1950
The Father of the Girl

Françoise Marinier, a strong-willed young woman, won't accept a husband being forced on her. She left her family and moved to Paris, where she found work as a secretary for a fashionable artist, Edith Mars. The understanding Edith Mars encourages Françoise's budding love affair with an embassy attaché. Edith is the mistress of the Minister of Justice, and the Marinier parents arrive believing it's their daughter they're interviewing. While Mme Marinier puts up with it, her husband is scandalized. Gr ce to Edith, all confusion cleared up, the father is promoted to magistrate and Françoise marries.

The Father of the Girl

5.0 1953
Impressions de New York

(auto-translation: LA CINÉMATHÈQUE FRANÇAISE ) Using a subjective camera, set to music by Bela Bartók and text by Arthur Rimbaud, François Reichenbach offers a highly singular vision of the American megalopolis. (MIFF:) These are no ordinary travel notes brought back from America by filmmakers; they are not enthusiastic records of skyscrapers and crowds. but disturbing aspects of a hallucinatory world of concrete and metal, glaring light and haunting shadow. The film is notable for its dramatic use of colour, and music from Bela Bartok's ballet "The Miraculous Mandarin". (a-t:) F.B. confides in his memoir 'Le monde a encore un visage' (1981): "When I went to New York for the first time, I'd brought along a Bell & Howell 16mm camera whose instructions I hadn't read. I didn't know how to use the film, and inadvertently loaded some rolls that had already been printed, which resulted in these strange superimposed images. A well-known process that I had reinvented by accident".

Impressions de New York

10.0 1956
The Merry Pilgrims

With no contract in view, Aimé Barelli, the leader of the band of the same name, decides to take a holiday. As this is the Holy Year, the young artist accepts to follow his mother on a pilgrimage to Rome. His band members - complete with their agent - decide to follow suit. Good idea because on the train to Rome, there is a whole class of charming schoolgirls, including charming Rosita and - surprise ! - Nicole, Aimé's pretty but elusive beloved. The trip is cheerful but eventful and life gets even more complicated with the interference of Duranval, a fake talent agent but genuine trouble shooter. At a time confusion is such that a bomb explodes and the whole gang find themselves in ... heaven! But Saint Peter has pity on them and sends them back to earth. At long last Aimé can marry Nicole while his musicians spread mirth around them.

The Merry Pilgrims

10.0 1951