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A short film by Álvaro Feldman

30,000 hours and 1 second tells the story of a son and his parents, separated by 300,000 hours of distance. The son, typical of the decimated generation, lives a monotonous and boring life, where he is not at any time since he still cannot find his identity. The parents, victims of state terrorism and who make up those 30,000 disappeared, will suffer any type of torture until their lives are finally taken from them. A clock, which represents the inexorable temporality between these two stories, will be our driver in this story that searches for the truth through memory to rebuild an identity that was stolen.

The Chandrasekhar limit determines whether a star ends its life as a smoldering white dwarf, or explodes in a supernova to become a neutron star or black hole.

Natu, a young woman from Switzerland, spends some time in San Sebastian. There, she undergoes a training to recover her strained voice which she has harmed from both her strenuous job as a primary school teacher and her toxic relationship with her partner. While wandering around San Sebastian, she meets people who each show her their work: a woman who makes poetry books by hand, a group of retired people who make dolls for an annual Christmas stall and a researcher who investigates the pollution on leaves in the city park. Slowly, her personal way of looking at the world and the people takes more form and she starts to speak up.

Lola and Elena haven't seen each other in many years. Now they are forced to live together again.

Recover the community through individual stories with which we can connect with other people. This project aims to bring to light, through the symbolic and psychology, those similarities that exist between interpersonal differences.

We propose an experiment to an Artificial Intelligence chat: answer all the questions trying to generate terror.

A film consisting of interviews with seven artists who live in the Basque Country, identify as LGBTQ+ and are marked by different histories of migration. The project focuses on the intersections between queerness, artistic practices, and migrancy to create discourse on these issues in the Basque context and to break with linear and simplifying imaginations of belonging, be it in terms of gender, sexuality or geo-political territories.

Fleeing the war in Syria, a group of women and girls carve out a future that has become a business in the harsh lands of Lebanon.

A Spanish villager during the Franco dictatorship must answer the uncomfortable questions of a Civil Guard detective. This is a reimagining of the opening scene of Inglourious Basterds if it took place in Spain during the Franco dictatorship.

The owl has not seen the glass.

Laila, Noa and Mía suffer a tragic car accident and, from that moment, their friendship will change forever, since Laila dies. Noa and Mía will have to suffer the loss of their best friend, but they will do so in very different ways. Mía will try to avoid the issue by having parties and having fun with her friends, while Noa will lock herself in her house, plunged into a depressive loop.

Francesc and Francina manage their restaurant as if time had not elapsed since their glory days in the 70s when they were awarded two Michelin stars, even though the customers stopped making reservations a long time ago. Their stubbornness and attachment to their golden era, together with Francesc’s cantankerous personality, make them incredible endearing. This very original documentary covers some of the best Catalan cuisine ever cooked, but it is more about integrity, adherence to principles, refusal to move with the fads and, ultimately, an incredibly zest and passion for life. It is also a wonderful love story.

A discreet look at the creative process of the painter Lito Portela during the last days of work on a painting that reflects the sea waves.

In the distant past, before the existence of night, young Una lives in a village ravaged by the intense and constant presence of the sun. After witnessing her neighbors' suffering under these conditions, Una plucks up her courage and travels to the temple of Ramesh, the sun god, to beg him for a solution.

A manual weather station has been in continuous operation for 63 years. Antxon, the operator, makes daily measurements and understands the importance of water for such central activities in the Basque Country as agriculture and livestock farming.

Lupe has failed in her attempt to quit, but not in the way everyone thinks.

You have to look at the things we do today with technology and social networks. Would we be able to do the same without a screen in front of us? This particular family of Cybernetics will show us if it is possible to live in analogue.

Eve and Adam wake up in paradise, but they don't know what it is. They enjoy, play and eat everything they find, until one day Adam wants something more. Something new, something from far away. It will be Jainkosa who warns him of the danger.

Mary, a devout Christian, goes to church to confess and talk to her parish priest. Mary tells him that her daughter has adopted a child, and they intend to baptize him. The priest, delighted, agrees to baptize the child until he discovers the sexual orientation of the child's mother: that she is a lesbian. From that moment on, the pastor will refuse to officiate the baptism and instead begins a discussion with his parishioner.

Esther and Tamara are two girls overwhelmed by the intense pace of their respective lives.

Victoria, a film student, has been raised in the Catholic religion all her life, which has been part of her identity. Now that she has grown up, she is afraid of doubts that wobbling her beliefs. That is why, she makes this documentary to face the stigmas about herself and her spirituality.

And even though it is Drunk and crazy, as he said, I'll never be alone, I will never, never be alone, Whether you want it or not, whether i want it or not.

A detective try to figure out a robbery and question a suspect. Until something happens he didn't expect...

In the post-photographic context of the digital age, we relate to images in a different way; they have other meanings, and they have been dematerialized. They have become elements without a body, ephemeral and superabundant. The transition from an analogue to a digital process has become a paradigm shift. Family photographs used to be a treasure, passed down from generation to generation, which we could look at and touch to evoke the memory of a moment, or of a loved one.

Asier tries to understand how to live and embrace his own trans identity in a social context that constantly questions him. He does this through cinema, with its power of representation and identification, and through the etymological questioning of two specific words: 'identity' and 'monster'.

The seed travels in search of our meaning in an increasingly routine world. Through dreamlike conversations, the protagonist shares his existential confusion with an attentive waiter, his psychiatrist, and a mysterious woman.

In the last few years, Carmen has dedicated herself body and soul to the care of her wife Rosa, who suffers from Alzheimer's disease. In every gesture, Carmen maintains the hope that Rosa will look at her as she did when they were younger.

It is easier to live in our own imagination than accepting our reality. But, what would it be like to live inside this imagination where anything is possible?

In the mid 1980s, a national trauma destroyed Spain—in order to ease the supposed drought in the area, Felipe González’s Socialist administration buried the flowery Leonese locality of Riaño under a swamp.

A story of resistance in the central old quarter of the city of Santa Coloma de Gramenet.

Realtime visuals made in Touchdesigner.