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Steel Giants- Mega Cranes

Higher, stronger, more robust: crane builders outperform with superlatives. Loads are getting heavier and have to be lifted to hard-to-reach places. One of the largest crane companies in Germany is the Knaack Krane company in Hamburg. The company currently has around 60 different cranes in stock, the largest of which can lift up to 750 tons. It is a long way through planning and assembly until the machine is used for the first time - the report accompanies the creation of a mega crane.

Steel Giants- Mega Cranes

NR 2020
Agricultural Machines- Field Giants in Action

Modern agriculture would be inconceivable without them: Huge harvesting machines such as beet and potato harvesters, tractors weighing tons and high-horsepower foragers. Agricultural technology made in Germany is at the forefront of the world market. How do the powerful harvest giants work? Where are they made? In our documentation we take a look around the agricultural technology fair Agritechnica in Hanover, we are present at a harvesting mission in Western Pomerania and show the effort with which the XXL machines are transported.

Agricultural Machines- Field Giants in Action

NR 2020
In the Fire of Dancing Stillness - Reflections with Vimala Thakar

Is it possible to live a more peaceful and creative life on our planet? In a time when the state of the planet poses important questions: What is life worth to us? And what do we still consider sacred? These questions inspired the Director to meet the Indian mystic, philosopher and grassroots activist Vimala Thakar (1921 – 2009). It was an encounter that deeply inspired and changed her life. Almost twenty years later, she researches the profound work of this fascinating woman again in the context of our time, and translates her urgent call for holistic thinking and action into a cinematic work of art.

In the Fire of Dancing Stillness - Reflections with Vimala Thakar

NR 2020
Zwischen mir und der Welt / Aufräumen

Set theory, one of the cornerstones of mathematics, serves as a metaphor for “social structures as spatial arrangement”, as the first sequence of the film reveals. The visual playfulness first becomes an exploration of two- and three-dimensionality and then turns out to be a well-founded reflection of social power relations. The search for a supposedly correct “order of things” triggers the compulsive element in many viewers. Who’s (not) afraid of being different?

Zwischen mir und der Welt / Aufräumen

7.0 2020
Ophelia

Through a monologue recited in reverse, the video deals with discriminatory depictions of women in the past and present. In a river scene, resembling J. E. Millais’ famous painting of Shakespeare’s dying character Ophelia, the video’s artist appears, speaking constantly into the camera. On different levels, the video moves forward and backward in time. Intelligible words and the usual flow of time do not occur simultaneously, suggesting the entanglement of language, image and social roles.

Ophelia

NR 2020