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Yellow Crow

Ichiro Yoshida, the father of the boy Kiyoshi, who has been repatriated from China, returns home after a ten-year separation. The father, who has been estranged from his son for many years, pays no attention to the boy, often punishes him unfairly, and gives all his tenderness to his little daughter, who was born after his return. The boy sees all the injustice of his father and, offended, leaves home. The father realized that he was wrong, that he was guilty before his son. The mother finds the boy and brings him home. The father and the son become friends from that day on.

Yellow Crow

6.7 1957
流轉

In the eleventh year of the Tenpō era, the Kawarazaki-za theater in Edo buzzed with excitement for a new production of "Kanjinchō" by Naritaya, featuring music by the master Kineya Rokusaburō. However, Naritaya's requests to change some of Rokusaburō's most painstakingly crafted parts of the composition angered his disciple, Shinjirō, leading to a conflict and Shinjirō's abandonment of the shamisen. One day, Shinjirō was captivated by the mysteriously beautiful dance of Oaki, a traveling performer's daughter, who seemed to be channeling her art into a form of revenge.

流轉

NR 1956
Railroad Guerrilla

This movie is based on the true story, which happened in Shan-Dong Province of China during World War II. It is based on a collection of memoirs of the guerrilla members. Due to the fact that it happened during World War II and there was not much secrets, this movie is that it was more realistic than other movies in that many real names were used, and the actual site was not changed either like other war movies of the time. The drawback of the movie was that in the latter stage of World War II, the guerrilla force was developed into an impressive 400 plus members from its original beginning of 3, and it launched many major offensives against the enemy, but this part was not shown. The movie only concentrated on the time there were only several dozen members.

Railroad Guerrilla

6.4 1956
Vanished Enlisted Man

In June 1941, Captain Kagawa (Ryutaro Tatsumi), who had just graduated from the military academy, was assigned as the captain of a sentry patrol in Beiman, which was located on the opposite side of the Heilongjiang River from the Semidomka region of the Soviet Union. His predecessor, Lieutenant Kishi (Kawamura Kenichiro), a mild-mannered middle-aged man, had earned the trust of his men and the villagers by relaxing his military duties. However, newly appointed Lieutenant Kagawa thinks that Kishi's way of doing things is sloppy and begins to train the soldiers furiously in order to teach them a lesson.

Vanished Enlisted Man

7.0 1955
The Mask and Destiny

Shuzenji Monogatari (The Mask and Destiny) is based on a 12th-century Japanese legend. An abortive royal romance leads to an escalating series of tragedies. The central character is a Japanese monarch who would prefer to live a humble existence as a maskmaker. Unfortunately, events -- and destiny -- are against him. When first released, Shuzenji Monogatari was held in far lower esteem than such recent Japanese films as Gate of Hell and Samurai. Nevertheless, the film was selected as an entry at the Venice Film Festival, possibly on the strength of its excellent production values.

The Mask and Destiny

7.0 1955
The Naked Sun

A young, struggling couple are making every sacrifice so they will one day in the not-too-distant-future, have enough money to get married. As they have agreed on this procedure, it comes as a shock to the young woman to find out from her husband-to-be that he just loaned all the money they had saved to a friend. She is understandably miffed, and a big disagreement results. But after some time goes by, she discovers why the friend needed the money so badly, and the couple are back on solid footing again.

The Naked Sun

7.0 1958
Modern ‘Red Chamber Dream’

Dream of the Red Chamber, one of the big four of classic Chinese novels, has been adapted for film and television dozens of times over the past decades. Yet this sui generis Great Wall production daringly transposes the setting to modern-day 1950s. The contemporised story revolves nonetheless around the love triangle between Jia Baoyu and his two cousins. Both girls love him but his heart belongs to only one. The ending, however, is remarkably changed to separation of the lovers as a result of war—the war that was surely still haunting the minds of the filmmakers at the time when the film was made. Not only did Great Wall pour money into building extravagant sets just so to recreate down to the smallest detail the grandeur of the legendary Jia mansion, but the film also boasted of its lavish costume designs for the diverse female cast. (From Hong Kong Film Archive)

Modern ‘Red Chamber Dream’

NR 1952