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Marco Paolini interviews Mario Rigoni Stern about—among other things—his well-known experience as a soldier on the Eastern front during WWII, culminating in the infamous retreat of the Italian troops, the difficult reintegration into civilian life after the war, his relationship with his literary work and with his ancestral land, the Asiago Plateau.
A self-conscious young man keeps passing out while meeting his girlfriend's crass and abrasive family, blurring the line between nightmares and reality.
A Sardinian shepherd recounts the story of his life to an American writer.
Interview with Antonio Margheriti on genre cinema.
Heinz Mariacher got closer to the mountains by climbing the most important peaks of the Dolomites. He then devoted himself to free climbing, before returning to classic mountaineering. On this route, he reunited with his partner Luisa Iovane. Immersing yourself in the images of the most beautiful walls of the Dolomites, you can follow the different thoughts that accompany the two climbers, different from each other, but united in life and in the rock by the same thought: "When you reach the summit, keep climbing."
Companion piece to Jovanotti's 1997 seventh studio album 'Lorenzo 1997: L'albero'. “The movie tells a story starting from the end, when the long-awaited L'ALBERO is finally done and we realize we made the PERFECT, DEFINITIVE RECORD! But a lightning destroys the hard disk it was stored on, there's no backup and we have the record company knocking at the door for the master tapes. My band and I then agree to the only possible thing: to redo the album in a very short time by facing an initiatory, esoteric, ramshackle, crazy, mystical, chivalrous, demented journey from which the album we all know will emerge, which is not the PERFECT RECORD... but comes from that idea.” — Jovanotti
A surreal travel drama, shot on Sicility with Italian actors. IlViaggio Clandestino is a film about saints and sinners. Whether you areblessed or doomed is often dependent on someone's soul that on whether theypray or suffer. The kindred spirit of San Gil ! the Holy Gil ! is CiccioBavaria who, unilke the former, continues to seek sin. For Bavaria sin isliberating and dynamic. The film tells the story of the journey made by thesetwo protagonists; a journey that leads to the demise of San Gil, while Bavariais reincarnated as Buddha. There is another traveller, a clandestinetraveller. Christ, always fleeing the angels. This Christ does not helphumanity with miracles, but by keeping himself alive as best he can givingweather forecasts.In this strange sainty story, Ruiz allowed himself ot be inspired byapocryphal books about saints of flesh and blood.
Thriller revolving around the investigation of the apparently drug gang-related murder of a woman by her dealer.
The end of a love story, told in fourteen different styles: from comedy to western, from noir to thriller, silent movie and so on.
Towards the end of the sixteenth century, a group of musicians accompany a young woman bitten by a tarantula, Anna, on a pilgrimage to San Paolo di Galatina in the north of Puglia. During their journey they meet some extraordinary characters and experience a number of adventures, but the most important personage they meet along the away is the Pope's envoy who is travelling to San Paolo to investigate the violent crisis that is shaking the region and which has taken the form of a kind of exorcism accompanied by dancing and music called "tarantism". As he tries to explain to the faithful that the bite of a tarantula can not be the cause of such grave upheavals, the bishop finds himself the involuntary witness of the power of this extraordinary phenomenon. As to Anna and her musician friends their only remedy is the age-old archaic tradition of their forefathers.
Two lovers find themselves on opposite sides in a war that has engulfed their village. They are separated by a bridge fiercely guarded by snipers. The only way to cross is to bribe the snipers. It is a story about the precarious balance between the unshakeable optimism of young lovers and the very real potential for unthinkable disaster.
A seducer finds himself in crisis when his woman makes him believe he has a lover. The search for the suspect rival has the upper hand, with unexpected results.
This was a special episode of the Italia 1 Studio Aperto broadcast, commented by Gialappa's band and conducted by Felice Caccamo (the character played by Teo Teocoli in Mai dire gol) and Epifanio (the character played by Antonio Albanese in Mai dire gol) in which commented on the sporting events of 1994.
An episode of the anthology series 'Alfabeto italiano'. Meditation about the concept of Fatherland and its evolution through the last 50 years comprised of footage from RAI archives.
A 20 minute short that reunites the best plays of the Chilean striker Marcelo Salas before his stint at SS Lazio.
La Linea playing W.A.Mozart's Mozart Piano Sonata in C, K. 545 1st movement; Eschenbach (Allegro-Andante).
A recently retired psychologist takes on a gruesome murder case.
Five Turin directors document the first edition of "Luci d'Artista": Christmas lights created by some artists and installed in the streets of Turin.
This film depicts three episodes in the life of the highly eccentric, unabashedly homosexual Italian filmmaker Per Paolo Pasolini. Pasolini was best known to Americans for his film The Gospel According to St. Matthew. However, in his native Italy, he was at least as well known for his writing and poetry as for his filmmaking. In the first episode, Pasolini (Marco Cavicchioli) waxes poetic about the beauty of young men during a visit to Sicily. The second and more interesting segment concerns a meeting with a young man who visits Pasolini thinking that though he is an old has-been, Pasolini may be able to do him a favor. Pasolini twigs to the boy's intentions, and a sparring session ensues. The final episode shows him picking up a young man at Rome's train station and the events that led to his beating death in 1975.
From the Basilica of Superga in Turin, a symphonic concert conducted by Claudio Scimone. W. A. Mozart, Kyrie in D minor, K. 341, for mixed choir and orchestra. G. F. Handel, Concerto No. 16 in F major, HWV 305a, for organ and orchestra. J. S. Bach, Cantata BWV 76 for soloists, mixed choir and orchestra.
In Perugia, Luca, a lawyer investigates mysterious facts that happened in the city and even got emotionally involved. The rather complicated cases are those of a jealous murderess girl, of a surgeon who kills a colleague who had helped him to face a dangerous intervention to become a woman, of a plumber who is suspected of murdering an heiress while the real guilty is the nephew who would like to take possession of a huge fortune.
A photographer makes a journey to East Europe to document traces of the past, birth of the new, recovery of long forgotten traditions.
Unfolding in the world of stock car racing, an up-and-coming driver gets mixed up in a dangerous love triangle and deadly rivalry with a hot-shot driver and his sexy girlfriend.
A charismatic boss shuts himself up in a pokey little niche. His disciples go visit him and hang on his every complaint. The boss realises that the experts are all the same, they reason with their arse and never raise their eyes; despite this he adores them and urges them to spend time with him. A woman regularly keeps their meeting place clean and the disciples dislike her as they hate cleanliness. The charismatic boss doesn’t meet the needs of his “flock” which is getting bigger and bigger, a crowd gathering beneath the niche: a revolt breaks out……
Renzo and Roberto Rossellini - Two Brothers on their Journey towards the Unknown, sharing a life together. The older one finds a new way to represent reality in film. The younger one expresses this film reality in music. At a mature age both brothers became aware of the shortcomings that limited their arts. From this they drew a conclusion - each one in his own way.
The tragic story of a runaway girl in the 1970s in Verona.
This haunting film comprises of footage shot during WWI from opposite sides of the conflict: Czarist Russia and the Austro-Hungarian empire. The filmmakers tinted the material with sensual colors from sepia to red, blue, and purple and slowed the footage to analyze the material. The total absence of commentary renders the material eloquent and disturbing. - MoMA
The study of semantics has convinced Amedio that things only have relative validity, and that everything is changeable. So it seems, because while on an Italian holiday with his family, he conceives the idea that his aging wife should assume the role of his mother, and his daughter, who has an infant son, should assume the role of his wife and lover. His real mother, an elderly invalid, dies just as this conceit begins to take form, and, inexplicably, the women placidly go along with this odd notion for a time, but eventually return to their former roles.
A film about Alfonso, who was the protagonist of the third episode of Paisà (the street urchin who steals the American soldier's shoes). A reflection on neorealism, filmed with Michele Schiavino and Maria Paola Fadda, third special Sony video prize at the Locarno Film Festival.
Episode movies with stories about a volunteer and relief association.
In Camarina, Sicily , several masks reminiscent of Menander's Greek theater have disappeared. The elderly archaeologist and museum director, Briano Teo Calvani, finds only thirty of them, while he is convinced that ten more were stolen during the excavation. Many years later, it will be up to his grandson Riccardino to find them, fulfilling his grandfather's dying wish. Riccardino, a naive and inexperienced young man, goes to Rome to welcome his brother Ettore back from America. He is forced to stay longer than expected and embark on daring adventures until he finds the beloved masks.