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Gang of Four

Anna, Joyce, Claude, and Cécile are four young actresses sharing a Paris apartment while attending intense acting workshops led by their demanding teacher Constance. As they rehearse scenes and navigate the tensions of living together, their personal lives begin to grow complicated when Joyce becomes involved with a mysterious older man whose presence slowly pulls the others into a web of secrets and suspicions, blurring the boundary between the roles they perform and the lives they're actually living.

Gang of Four

6.8 1989
Picasso

The opening of the Picasso-National Museum in Paris granted a unique chance for Didier Baussy to document the precious collection in the museum in 81-minutes of film. The museum shows paintings held back by Picasso himself which have been very valuable for his connection to the world and his memories. A sensitive Analysis of these pictures dominantly from the Guernica-phase, grant a deep insight into the history of this artist and man Picasso, a geographical location of the scenes and a glimpse of his sources of inspiration.

Picasso

8.5 1985
The Rebel

After the death of his parents, Pierre is forced to care for his younger sister Nathalie by committing petty crimes. In a recurring motif of Gérard Blain’s cinema, Pierre is taken under the wing of an older gay man, Hubert , who offers him work and financial security; but when Hubert makes advances to him, Pierre robs him and takes up with a group of radical leftists who are planning terrorist attacks. Without employment, Pierre loses Nathalie to child services and spirals into desperation, finally erupting in an act of horrific violence. An x-ray showing the largely undiagnosed sickness of its time, and a stern warning to ours.

The Rebel

7.8 1980
Clara

"Clara, screenplay and dialogues of a Franco-Czechoslovak film, the co-director should have been the Czech filmmaker Kadar. Screenplay adaptated in 1989 by Philippe Garrel and students of the University of Paris X (Nanterre). The subject of the film - which is also a love story - is part of the political atmosphere, release the XXth Congress of the Soviet Communist Party has changed both individual for a certain way of seeing and understanding History: political trials, purges in Czechoslovakia, Hungary events of 1956, Algeria war, cold war." - KG

Clara

NR 1989
Portraits: Première Série

"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have chosen this short running time for several reasons: not becoming a bother, escape tv adds cuts, shoot the movie quickly, in one pace and without too many scratches. I am not a documentaries maker. I am more like a faces, hands and things lover. To show reality is not my goal. “Reality” is just a word, just like its twin sister “fiction”, which I practice as well, but with a different delight." (Alain Cavalier)

Portraits: Première Série

8.0 1988
And Then There Was Light

Events in an idyllic African village are shown in detail in the period just before logging trucks come in and cut down the forest around the villagers, forcing them to move into the wretched shantytowns that surround major cities throughout the undeveloped world. Despite the familiar premise, this surprisingly unsentimental film by Georgian director Otar Ioselliani has several things going for it, beginning with the cinematography and including the natural and unaffected (non-professional) performances of the villagers.

And Then There Was Light

6.3 1989
The Colour of Words

This afterword to India Song (Duras' celebrated 1975 film) is organized in several parts. It begins with an interview to Marguerite Duras by Dominique Noguez, an expert in her work; the interview links the film to the two movies whom it's related to: The Ravishment of Lol V. Stein and The Vice-Consul. Several themes are tackled: childhood, autobiographical traces, relationships between differents characters and different films and more. India Song's main actors — Delphine Seyrig and Michael Lonsdale, who played Anne-Marie Stretter and the French vice-consul — join the conversation and talk about their roles and their craft. Marguerite Duras then evokes her memories of the shooting with the composer Carlos D'Alessio and her camera operato Bruno Nuytten. The conversations are punctuated by clips of the film.

The Colour of Words

9.0 1984
Ni avec toi, ni sans toi

The miseries of alcoholism, both for the alcoholic and anyone close to him, are the focus of this routine story about Mathilde, a devoted wife, and her husband Pierre, who is addicted to the bottle. The opening scene is at a New Year's party where Pierre disappears, and Mathilde starts remembering their life together in flashbacks that tell the whole story. Mathilde is ever-suffering, and Pierre is on the whole revolting, so why she hung in there for so long is hopefully made clear in these flashbacks.

Ni avec toi, ni sans toi

7.0 1985