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Quadrille

The young American actor Carl Erikson is the darling of the moment. Whilst in Paris on business, he is signing autographs, including one for Paulette Nanteuil, the actress all the rage in France but a complete stranger to Carl. Charmed by the young woman, he hopes to see her again, but she had given him a false name – that of her friend, Claudine André, a journalist. Meanwhile, Carl Erikson has an interview scheduled with Philippe de Morannes, editor-in-chief of ‘Paris-Soir’ and Paulette’s lover. To thank him for granting him the interview, Philippe unwittingly becomes an accomplice of fate by offering him a ticket to Paulette’s show. Carl sneaks into her dressing room, and Paulette, swept away, gives herself to him for a night of passion. Should she leave Philippe or break up with Carl? Will Philippe succumb to Claudine’s charms, even though she herself is not taken with Carl?

Quadrille

5.9 1938
Beauty and the Beast

The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.

Beauty and the Beast

7.5 1946
Modern Sculptors

The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take life, and one can follow a snake-like line branding on the polished face of the stone the name of the house of Pathé Frères. As soon as this stone has been engraved, as by magic, a handsome young lady appears with a huge lump of clay covered with a cloth. As soon as the cloth is removed from the soft mass it starts whirling and turning as if stricken mad, and one is asking one's self what all the contentions are going to lead to, when the vague shape of an animal not yet discernible seems to appear, and before one has time to make one's mind as to the category of brutes to which it belongs one sees the form of a remarkably well made orang-utan modelled out of the clay, who calmly smokes his pipe. Then the statue is removed by the same winning young lady and another covered block of the same substance is carried forward.

Modern Sculptors

6.9 1908
Ain't Misbehavin

18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.

Ain't Misbehavin

6.2 2013
Offshoring

The day Redouane is going to get his promotion and finally become a foreman, he learns that the mattress factory where he works is being relocated to India. Determined to keep his promotion, he agrees to leave while having the guarantee of being paid double and takes his partner Marguerite with him. Once there, he discovers that his boss has duped him, he will indeed be paid double but in rupees. Furious, he decides to take revenge by teaching the teams the best of French social rights: strikes, demonstrations and RTT with the sole aim of overthrowing his boss. Between culture clash and social struggle, Redouane leads an unexpected revolution that could well change the destiny of the factory... and his own.

Offshoring

5.2 2025