Discover Movies

8,579 Matches Found

Uppercut

Blue Hour. The day slowly says goodbye to the night - but still defends itself a little. Steph enters Rick's boxing stall in Berlin-Wedding. She is insecure, wild, frustrated - and yet determined. She craves recognition. Through rick. The gym operator, former heavyweight boxer from Boston. It was equipped with everything a champ needs. And is now broken. Seriously injured, worn down, disaffected, sick early on. She can do a lot, but not really. He can't do much anymore, but he realizes all the more. Above all, their energy, their will, their talent. That night, two soul mates are found. Without them knowing.

Uppercut

10.0 2021
What It All Could Be

Hum lives in a refugee camp near Hamburg. He loves films and finances his visits to the cinema by selling lost properties from cinema visits in the refugee camp. One day he meets Anna and her friend Ida. At a dinner together in the shared flat of the two, they find out that they all share a love of music. Anna and Ida can sing great together and Hum shares the contact with his friends who play in a band. A timid and touching love story develops between Hum and Anna. Both are looking forward to the first performance of the band, in which Anna now sings. But shortly before the performance, Hum is to be deported. Neither his love for Anna and music nor his imagination can save him from the everyday life of a refugee.

What It All Could Be

10.0 2021
La custodia

In an undefined place and time, the young Fadi flees from a country at war, taking with him a violin case that he never parts with. Accompanied by a group of other migrants, Fadi crosses deserts and seas on a journey fraught with obstacles. Along the way, he meets the mysterious Naila and a group of other young people who do not make his life easy. At the end of their journey, upon arriving at the long-awaited land of Spes, the travelers find themselves facing an insurmountable wall.

La custodia

7.5 2021
3/19

Camilla is a successful attorney in her forties who accidentally causes the death of an undocumented migrant. At first, she is only interested in exonerating herself, but soon a feeling of responsibility starts nagging her: the dead body of a young man is lying in the morgue because their destinies fatally crossed. Camilla is used to shielding herself from pain, and she is incapable of really caring, even for her own daughter. In the midst of discovering the victim’s identity, she meets Bruno, the head of the morgue, who seems to be the only one who can truly understand her. The investigation she pursues will take her far from her surroundings until she will be forced to question herself, her unresolved past, and the life she really wants to live.

3/19

6.1 2021
Mollo tutto e apro un chiringuito

Mr. Imbruttito, a leading executive of a large multinational, lives the routine in his hectic Milan. Breaking this balance is Brusini, an eccentric entrepreneur at the head of an economic empire, who for an absurd reason blows up what for the Brutito is the business of life. For the first time, the Ugly one feels the pinch, falls into depression, can no longer find a reason to wake up in the morning. The turning point comes from Brera, a longtime friend, who proposes to the Bruttito the purchase of a Chiringuito in Sardinia, to do business in flip-flops and finally be able to say: "I quit everything and open a chiringuito!"

Mollo tutto e apro un chiringuito

5.4 2021
Suzanna Andler

Accompanied by her lover, Suzanna, 40, views a Riviera beach house for her family's summer vacation. This day, this break in her routine, in this new house, will mark a turning point in her life. Based on the Marguerite Duras play of the same name, Suzanna Andler is the portrait of a woman trapped in her marriage to a wealthy, unfaithful businessman in the 1960s. She must choose between her conventional destiny as a wife and mother, and her freedom, embodied by her young lover.

Suzanna Andler

4.8 2021
Louis de Funès, Créature/Créateur

The comic art of Louis de Funès (1914-1983), like that of Totò and a few others, ultimately transcends the limits of the films in which he appeared, thanks to the dynamic expressivity of his persona. Drawing on contributions from critics, scholars and the actor’s colleagues, this documentary deciphers the keys to the de Funès phenomenon, intelligently analysing the peculiar characters of his facial and corporeal mimicry, the plasticity of his gestures, and the doubling of character and creator (in the sense that, once he became successful, ‘Fufu’ effectively became the author of the majority of his films, often limiting the director’s role).

Louis de Funès, Créature/Créateur

6.0 2021