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On a typical night, two friends drive home after a party. The radio searches for a signal while interference mixes with their voices. Between flashes of streetlights and tired laughter, Sara and Violeta talk about love, desire, and disappointment.

The entire project examines three interconnected extractivist processes in that area of southeastern Spain: mining in La Unión, construction in La Manga, and agroindustry in the Mar Menor. This short film was scripted as a spiral, revisiting the same three locations in three rounds. It overlaps archival materials with new recordings, aiming to approach the territory as a stratified archival ground – a form of storytelling conveyed by the land and water themselves. The archival materials are treated as compacted strata, whose grain and texture offer the possibility of excavating the trauma inscribed in the territory.

At night, three boys tell each other rural stories to get to sleep.

Marciano Visi, a political essayist and far-right icon, reveals in an interview his ideals, which are radically different from those of his public image.

Catalina Feliu is eighty-nine years old and lives in the first house built in Magaluf. She adapts to the changes in her environment: she sleeps when Magaluf wakes up.

Paula and Ramón are expecting a baby. Between nerves and excitement, they share ideas and conjectures about the child's future. However, what begins as an exciting fantasy gradually turns into something darker: the possibility that their baby will end up becoming a genocidal killer.

In the darkest moment of the night the light is reborn as sunrise.

Having lost her memory, A. could barely recall glimpses of her childhood in Argentina. After her death, her son visits the empty house for the last time. A sensory journey through a house without objects but filled with memory.

Someone wanders through a house while fleeing from a mysterious presence. Their body dissolves on-screen, and their mind is invaded by a strident gray noise.

In a dark, abandoned mansion deep in the forest, an aging vampire filmmaker lives in communal seclusion with his five disciples. On the night of his birthday, he reveals his final wish: to film the one moment he has never dared to face — the sunrise —.

Short docufiction film about an elderly woman's efforts to stay connected in a society that rejects her in the digital realm.

Two boys ride their bicycles in Madrid.

Raúl records his routine on the high seas with a mini VHS. It's 1991. On board his first ship, the Raúl Primero, he records what words can't explain. On dry land, his son, Adrián, has just been born. Thirty years later, Adrián embarks for the Gran Sol, guided by those old recordings that his father filmed between networks, storms and dawns. In the solitude of the boat, with the engine vibrating in the chest and the wind hitting the deck, he tries to understand the distance that separated them. Recording his own journey, between memories and movement, he finds a way to approach, as if filming he could tell his father what he never dared to pronounce.

Javier Espada's documentary about the making of Bunuel's masterpiece "Los Olvidados".

Dina discovers that her partner, Alejandro, is hiding a dark secret.

In 1989, José Luis and Luz María, a young couple living in Galicia who have just had a daughter, get divorced. José Luis films the entire separation process with his camera. In 2019, their daughter Paula, who has been living in France with her girlfriend Joy for ten years, separates. Paula, like her father, has been recording their love story and its end all this time. This documentary uses intimate archive footage to initiate a dialogue between two separations thirty years apart and attempts to answer the question: What remains when love ends?

Rudi and Silvia, with their children Martín, Federico and Silvina, escape from the city to spend a few days in their country house. Rudi gets into arguments with the neighborhood landlord. Children wander around the area. Martín likes fire. Fede is scared. One day, the abandoned house in the background suffers an unexpected fire and a dead person appears: a homeless man suffocated by the smoke. The children did something. Something horrible. Now, we will have to see a way to return to the desired calm.

With this installation, the Estampa collective continues its exploration of the new algorithmic relationships between words and images established by analytical and generative AI models. In Ekphrasis, excerpts from various films are subjected to an extremely complex and layered algorithmic description process: objects, faces, and emotions are detected and classified by artificial vision and facial analysis systems, while image-to-text models are used to generate detailed descriptions and analyses. The work draws our attention to the poetic potential inherent in the radical impossibility of translating images into words, and vice versa.

Daniela's voice must be fully rested before she's able to use it again. Given the adults' inability to handle the situation, her classmates see the perfect opportunity to silence her for good.

Every March 10, the waters rise turbulently in the Ferrol estuary. On that same day in 1972, the police opened fire and shot Ferrol trade unionists Amador Rey and Daniel Niebla, who died as a result of their injuries. In the days that followed, life in the city came to a standstill, and the stories of what had happened were submerged in silence.

Tusquets frames this unpublished film in a decisive cultural moment: years before the dictator's death, when "suguing things began to happen." Image of the city is a creation made together with Bofill to be presented at the Tarragona Architecture Congress (May 1967). During filming on the streets of Barcelona, Ricardo was filming in Super-8 while Oscar was driving a convertible. The interiors, recorded in the studio of photographer Oriol Maspons, show Serena and Beatriz dancing. It is a modest but casual walk in which the sinuous shapes of the facades of the Barcelona of Cerdà are presented in relation to the female body. A dialogue is established between the modernist tradition, the symbols of pop culture and the powerful visual language of the Archigram group.

One rainy night, two young people are preparing to move house when they discover some old drawings. This will awaken something that had been dormant for years, something they will wish they had never awakened.

Camila and Melanie talk on the phone, about the water on mats, while a terror lurks beneath the sea.

After receiving it as part of her inheritance, Ana decides to move into her painter grandfather's house with her partner, Lucas. In one of the rooms, they find an unfinished triptych that will make them go deep into a paranoid artistic process.

A girl does drugs in the bathroom at a party.

In the years right after the Rwandan genocide, a group of women at a workshop in Kigali began knitting, drawing and embroidering a future for their families and their country.

Víctor, takes refuge in another country after surviving a violent kidnapping where he clings to the monotony of self-confinement, but life is upended when he meets seven-year-old neighbor Santiago.

Marga, a widow trapped in monotony, is surprised when her granddaughter sets her up on a date through an app, pretending to be her. Despite her initial resistance, Marga meets Agapito, a talkative man who loves salsa, but the night does not go as she expected, since at a certain age relationships have their own rhythm.

A distant dialogue between two figures. The air is changing; something is about to happen. It is invisible, but there is a smell. And it can be sensed on all surfaces...

Enrique and Alfonso are father and son. Both hide their feelings and emotions. Enrique, seventy-four years old, spends his days smoking and watching television. Alfonso visits him every day and runs most of his errands. Switched On is a portrait of patriarchy and oppressive masculinity. The story of two lonely men who, although they don't admit it, need each other.

After the disaster, many leave, but something remains with their homes.

A reflection on war, as seen through the lives of three Kurdish women belonging to the Kongreya Star movement—women who resist and dream, forging paths toward autonomy and empowerment at the heart of the conflict in Rojava, Syrian Kurdistan. A poetic testimony to the courage, solidarity, and indomitable hope that can spring forth even in a land ravaged by devastation.

In 2009 in Andalusia, in the wake of the financial crisis, Carmela, a 7-year-old girl, spends her days at her grandparents' country house. During her stay she befriends a hen, Fabiola, with whom she forges a beautiful friendship. Through her imagination, Carmela manages to escape from the absent relationship with her parents.

Two young men arrive in a small village in Senegal, fleeing the dull life that awaits them in Barcelona. After giving up on the documentary about emigration they had in mind, they are drawn to a local story that will lead them to embark on an unexpected project.

This film essay brings together the particular and the universal in a conversation with a landscape framed by a window from a single vantage point. It draws from the intimate, the historical, the political, and the aesthetic to uncover the complex processes that have shaped the landscape over time, while simultaneously deconstructing the gaze that rests upon it.

Antonia lives in her apartment with her father, Carlos, who has recently been diagnosed with Alzheimer's disease. She has just received a scholarship for her postdoctoral project at a major university in Berlin. In an attempt to preserve memories and help her father not lose track of their relationship, they play with memories of their experiences, seeking to make the most of the time they still have together.

The six members of L'Impératrice get Bilbao BBK Live dancing with their swayful pop. A trans-Pyrenean meeting to introduce Spanish audiences to Pulsar, their third album.

Activist brigades organise a green-fingered resistance against destructive plants and neglected overgrowth around their villages in Galicia. The files they use to sharpen their chainsaws are sourced from a metal factory in Switzerland. Through these two territories, the filmmaker weaves an unexpected narrative - at once personal and political.

Two estranged brothers reunite after their father’s death, forced to face each other at the reading of the will. Old wounds resurface and the tension threatens to explode at any moment.