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At the bench, the coach and three reserve players, including a sleepy goalkeeper. The game is about to start. Our team needs to win. The coach paces nervously and relays instructions to the players on the field... But the coach's attention to the ongoing game is repeatedly interrupted by family members, from the youngest to the oldest, who come one by one to remember him that a significant family gathering is about to take place and that his presence is needed. The coach is reluctant to leave the field on account of the importance of winning this game. What is this important gathering? Are his priorities proper?

Devil Gold is director José Novoa's third collaboration with producer Elia Schneider, and like the previous two films, Huelepega (or Glue Sniffer, which Schneider directed in 2000) and Sicario (1994), the film is a thriller-melodrama that focuses on a real-life problem plaguing Venezuela, with an emphasis on how the conditions affect children. Thus, after a few titles explaining the impact that gold mining has had on the country's Amazon region, along with helicopter footage (later to be blended into the narrative) of the ecologically devastated area, the film settles in on the lawless shanty town of Payapal for its narrative. Gallego (Armando Gota) runs the mine, exploiting his cheap labor force. Aroldo (Pedro Lander) breaks into Gallego's safe and steals his gold, along with a good deal of gold that Gallego was holding for his workers. Aroldo involves the unwitting Carmen (Jenny Noguera) in the robbery, and, when they are discovered, he shoots and kills Gallego's young son.

Tad, a foolish and stubborn adventurer, seeks for a disappeared cute dog and finds a mysterious basement where a terrible secret is hidden.

The isolated lives of people on a farm at the top of the mountains are changed by a ten-year-old child named Mirka.

Quique el Cuajo, a hustler with half a body affected by cerebral palsy, joins forces with his friend Adolfo, a young mulatto, to create a music studio.

A gay actor tries to win back his lover, who has gone straight following a tragic disco-ball accident.

Irene lives with Mateo, his father, and her son David, 22 years old. Living together is harmonious and happy, but there is a conflict: David, a brilliant student of architecture, has decided to go and live with his girlfriend Clara, a supermarket cashier. Despite its liberal way of thinking, Irene cannot understand such an unequal relationship. However, David finds in his grandfather the necessary complicity to carry out his plans. Mateo is a old and vital octogenarian despite his tough history: he was a child during the Spanish Civil War (1936-1939), and he lost his house and all his family. But none of that could finish with his energy and desire to live. One day, however, Mateo arrives with terrible news.

The police are on the trail of the band of Cardenas. He and his cronies engaged annoy geeks city, making all kinds of atrocities. The police will not let them get away with it, but perhaps it's too late ...

Julia, an only child of an affluent, bank owning family living in Madrid, escapes from her family to get over her grief that her boyfriend has been imprisoned. Julia is a well educated woman, having studied in Switzerland and England, who wants to become a writer. Julia drives to a little village in Asturias called "Corralbos del Sella" and there she stays in a mansion "llendelabarca" of an old childhood friend "Pilara" she had spent many a happy summer with. Also living there is Pilara's mother in law Tia Gala, and her grandson Juanito. Julia's relationship with caretakers, teacher and priest makes Julia, a woman of the spanish capital, perhaps for the first time to not feel so alone.

A man is trying to tell funny news to a friend. A short film about arrogance, machismo and racism.

Juan is now in his fifties, has a protruding belly, dyes his hair gray and lives alone with a cat who has urinary problems, but despite this, women still find him attractive.

The story of three children who try to fly a kite, but lose it in a cemetery. There, they encounter Pedro Albizu Campos, who helps them in their quest, while analyzing the situation as a metaphor for the existing political division in the country.

A young man who lives in Morocco, his father and his half-sister are the characters. When the girl disappears in Kasbah, a night club, her half brother becomes the prime suspect.

Italy, today. Mark Draveni, 19, disgustingly wealthy, is the charismatic leader of a teenager brotherhood, the Demons. The Demons are bloodthirsty and lethal, albeit quite outlandish. Among them there's a martial arts master (Berserk), a hip hop madman nicknamed Spike, the cooler-than-ice computer whiz called Conan, and the gorgeous ninja woman Kite. All of his sheer power, though, can't give Mark the strenght to face his lovely girlfriend Giulia, 18...

Filmed in digital by Juan Manuel Seoane, this documentary explores the shooting of "Los Muertos" by Lisandro Alonso through a montage of raw recordings where no one talks to or explains anything to the camera. Editing by Delfina Castagnino and Lisandro Alonso. (FILMAFFINITY)

A look at the notorious Colombian Medellin cocaine cartel. Former coke addict has built a new life as contractor, but cannot shake off his past on drugs.

In Santiago, Andrés Barros is a partner at an up-and-coming law firm. He's getting married, and his friends, including his law partner Roberto, arrange a bachelor party where he spends the night with a prostitute, Gloria. She later shows up at his office and the passion continues, against his better judgment. Soon, Andrés is entangled in sex, lies, videotape, and blackmail. His relationship with Rosario, his fiancée, is strained, he neglects his work, and there's a dead body in a bathtub. A pimp, a whore, a doorman, a receptionist: where are the decent people?

North Sudan, summer 1923. King Alfonso XIII of Spain captures an enormous African elephant, an apparently irrelevant act that, however, will be paramount to understand the Spain of 20th century; an animal from far lands that will become a symbol of the Second Spanish Republic, the communist movement and many other things; a royal hunting that marks the beginning of a bizarre story of jealousy, passion, political intrigues and taxidermy.

It's the first day of school in 1992, and Daniel can't find a way to explain the strange reason why he was late for school. His mild punishment will be to wait for the time change in his schoolyard.

A family divided between two continents put their differences aside when one of them is diagnosed with cancer.

A prestigious fairytale illustrator is hired by the psychiatric hospital director. His job there will be to decorate the hospital walls with his drawings to improve the place's atmosphere. It seems like an easy task but things get complicated when the sketcher discovers a dark corridor from where chilling screams come out.

Lola is a young gypsy of uncertain origin who was adopted, as a newborn, by a family among whom she has grown up with gypsy customs and traditions. When the young woman finishes high school, she considers, against her family and her social environment, to continue her studies and pursue a teaching career. At that moment of his adolescent life, love appears when he meets Juan, a gypsy of his age.

The relationship between beautiful Emilia (Elizabeth Cervantes) and her imaginative young daughter, Alicia, is tested in this understated Mexican drama. Disoriented after moving to a new apartment and left to herself when her mother starts bringing men home, Alicia takes refuge in dreams that soon become nightmares, especially after she begins to fear that her mom has become possessed by the vampirish man next door. With a keen eye for the rhythms and struggles of contemporary Mexican family life, this film illuminates the secret worlds of lonely children while never straying from its true subject: the uncommon love between a single mother and her child.

At the dawn of the new millenium, a Dutch social worker, a famous Japanese poet and a Brazilian girl has made the road to Santiago and back to their countries, they recall the experience. The trip is also a journey into themselves, sharing physical and spiritual space with millions of pilgrims have made their way from the Middle Ages.

Tony is a Cuban-American Metals trader. One sunny morning, while fishing off Key West-Florida, he finds the wreck of a makeshift raft floating close to the beach. The rafters names were carved on the wood of the boat (Pablo and Mariana). Tony travels to Cuba to find the Family of the rafters to tell them what he had found. This journey also becomes a discovery of his own Cuban roots. Tony finds the family and, shocked and surprised, finds the beautiful Mariana whom he presumed had died at sea, and she awakens in him his true destiny.

Three shipwreck survivors reach the shores of a deserted island used to carry out military experiments. The issue of military occupation and its consequences on the civilian population is presented in this microcosm, composed by the three characters.

An Argentinean family living in Spain has their lives rocked when a famous author from their home country claims that their daughter is actually his granddaughter who was lost during a war.

The film explores the effects in the society that the last military dictatorship inherited. In Uruguay there are still a lot of desaparecidos - people who vanished during the dictatorship between 1973 and 1985 - and were never found again. María Emilia is one of them and still missing. She disappeared when she was 22-years-old, with her husband and her child of 18 months. María Esther - her mother - spent 16 years searching only to finally find her granddaughter living with a family of an Argentinean military officer in Buenos Aires. After learning the truth about her origin, the granddaughter chose to continue living with the parents who adopted her by force when she was a baby.

"El Gran Gato" is the title of this "documented musical," as cataloged the same director, which includes the participation of singers like Tonino Carotone, Sisa, Kiko Veneno, Luis Eduardo Aute, Los Manolos, Lucrecia and Martyrdom. This manager and colleagues pay tribute to Jack Perez, singer and composer who popularized the rumba and died in 1990 when he was only 40 years. The film alternates between two parts: a documentary with more conversations with family and people who knew Jack Perez, and a second in which the aforementioned musicians interpret the best known songs of the musician.

Jacobo is a young sculptor that returns to native city, Santiago of Compostela, to see his mother, locked up a psychiatric hospital for to kill to her husband, when he believed she dead years ago. To their arrival, visions of Mateo, his dead father eighteen years ago, begin to persecute to him, since his father died by shot gun, peculiarly, when thirteen peals sounded in the cathedral, fact what obsesses to Jacobo. After watching several times, Mateo convinces his son to make the work for the cathedral that his father couldn't finish in life, but what begins as a simple work becomes a madness spiral when Jacobo discovers the true intentions of the ghost of his father: to kill to his son to usurp his body to finish the statue, and after to return to the life.

In the days leading up to Christmas, a man travels from the city to the country to spend the day with his mother. Once they are together they talk about their daily lives, he helps her repair the motor pump and she does some laundry for him. Then he takes a nap and she feeds the chickens. A journey and a brief moment of intimacy between a mother and child.

The documentary shows and denounces the contradiction of a society that promotes sexual consumption while victimizing, criminalizing and making street sex workers invisible.

Xabi, a troubled boy, meets Iñaki, a member of the terrorist gang ETA who becomes his mentor and ideological inspiration. Some time later, Xabi is arrested for throwing a Molotov cocktail and confined in a juvenile detention center, where he meets Joel, a Mexican, and Driss, a Moroccan, with whom he manages to flee and reach Madrid with the purpose of finding Iñaki and joining the gang.

After the death of her mother, Elena (Charo López), a mature woman, begins to realize that her life, although not alone, is marked by loneliness; her marriage to Enrique (Ramón Langa) is a failure, and her relationship with her daughter Merce (Ingrid Rubio) is almost nonexistent.

Haroldo Conti tells the story of himself. Through his literary stories, his voice rescued from archives, the fictional recreation of his anecdotes, and his characters, the film tells us about a man and his work. It is Haroldo Conti himself, that man who travels, a "homo viator," as he defined himself in the Latin he taught in schools, who guides us in this film through all his worlds: that of ideas, that of creation, that of affections. In all of them, one constant: a profound love for humanity and for life. Haroldo Conti, Homo Viator, knew how to live with intensity and conviction. But, above all, with joy.

The first time ever 2 great Spanish artist join together on an international stage

Magos y Gigantes tells the story of Gigante, a vertically challenged giant, Ada, a fairy who's wings have yet to blossom and Trafalgar, a curious looking little wizard and their adventures while attending the biggest magic tournament in the land of Reino Magico, and the ensuing mayhem when Titan Caradura, an evil wizard, is disqualified from the tournament and seeks revenge by hatching up an elaborate plan to steal the magic powers from all the inhabitants of Reino Magico.

In the middle of a war, a deserter arrives in a village where only five people live.

Families gather to receive the New Year. But this meeting brings a series of confessions that will make for a very peculiar evening.

The films are a critical view of the social, economic, political, cultural and employment situation in Galicia. They have been made through the voluntary work of all the participants, including actors and actresses such as Luis Tosar and Mabel Ribera. People who have something to tell, and have chosen the screen as their medium.

Veteran actor Pablo Thevenet has no luck: His daughter has been murdered, his wife has left him, he finds no job and his agent wants to leave him - current directors will never give him a role. He hates current talentless stars on TV talk shows. Suddenly, he finds some job - as a living sculpture in a whore house working for a Mr. Reficul and his transsexual assistant Dora Grizzel. Pablo becomes an artistic murderer, searching for those he thinks responsible of his current state. He also meets job partner Tic-Tac, an ex-prostitute who will sympathize with Pablo. Pablo also attracts the attention of unusual producer Ambrose Fuch, who wants him to act and direct movies. Everybody seems to have something to hide - including serial killer Pablo.

Filmed between 1945 and 1971, 16memorias tells the story of the Posada Saldarriaga, a Medellín family that grew up amid the euphoria of industrialization, the sugar mills sugar bowls, trips to Miami, sows and balloons. Twenty five years of almost uninterrupted daily life that they were about to get lost in an old house they give us the strange possibility of seeing our childhood for the first time; to recover brother's accomplice smile when we conquer kingdoms that no one else saw and felt how powerful we were every time we received applause from our parents. Searching the origin of adult life and recognizing the distance that separates us from those scenes wonderful, what seemed to be a cluster of forgotten images becomes the only evidence that remains to ensure that there was a time when we believed that all days were to be warm, simple, and blue.

Based on a true story. A Spanish soldier hides out with and aids the Saharawi people of the Western Sahara against the injustices of his own army.

Based on the assassination attempt at the then dictator Augusto Pinochet on September 7, 1986.

After the publication of a CD book with the poems of Leopoldo María Panero, musicians Carlos Ann and Enrique Bunbury travel to the Canary Islands to meet the "cursed poet", who is hospitalized in the psychiatric hospital of Las Palmas.

Documentary that reconstructs the professional life of the dancer through the thread of his own voice. A work that travels to the fundamental landscapes of the personal history of Gades with unpublished documents and the testimony of those who shared with him many pages of the book of his life and the history of Spanish dance in recent decades.