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I will recite all the names of the apples in a chain, enchain them, enchant them, bind them, bound them, chant them. The “feral house” of the poem is not a metaphor, it is the term for an abandoned house overtaken by foliage, a domicile lurking, covered, protected, masked, hidden, returned, and wild in a world that was not working. We will not be going back. The unmaking of the future has accelerated. Our entanglement is clearer than ever. Urgent memories of a world before our time, before our time keepers, appear with astonishing presence. They overtake what we thought was the future. It has no name yet, and is growing.

A short film about transvestiginal people who live, inhabit and 're-exist' in the Chapada dos Veadeiros, in the interior of Goiás. The protagonists are Gustavo and Gaé, trans men who open their lives and their skin to the eyes of the camera.

A film student reflects on a handful of images that remind him of his past in the countryside. An essay on the relationship between image and memory, influenced by the work of Georges Didi-Huberman.

With the stories of Aline Souza, Elaine Torres, Eulária de Jesus, Liane Pereira, Loanda Rufino and Rosimeire Miranda, the special highlights the protagonism of mothers in the favelas of Brazil.

Works of art, youtubers, movies and diaries: control and pleasure.

"Caminhos Para Redenção" is a documentary about life choices, the magic of 7th art and stories. Stories from inside and outside the big screen. Stories that cross the paths of art and life. Spectacular and everyday stories. Stories, like those that tell the movies.

The story of Joseph of Anchieta , the Jesuit missionary who forever changed the history of Brazil

The story takes place in the summer of the 90s, in a small town in the state of São Paulo, and has 3 main characters, such as Lucas, Sister Lucélia and Augusto. Lucas is a 20-year-old religious boy and part of a youth group at the church, he is also Sister Lucélia's right-hand man, who is the same age and recently became a nun. Lucélia is worried about the actions of her brother, Augusto, and asks him to return to the small town and to participate in the youth group with the intention of returning him to the ways of God. So, she tasks Lucas with helping him on this journey. However, Guto's arrival puts Lucas' life upside down, as he teaches his sister's darling a new meaning of love. This process is both liberating and confusing for Lucas, who now, for more than 20 years, has had to come clean about everything that happened that summer. Embark on this story full of turning points and remember, each character hides a secret.

Creatures that have passed through this land notice how the moon has changed.

In 2019, the queer-punk band Anti-Corpos decides to return to Brazil and undertake a north-south tour. The film is a portrait of this journey, being guided by the impressions and feelings of the band members.

The spiritual power behind China's national anthem.

The maze has arrows, but it still lacks logic. A series of instructions that lead from banality to perdition. A wikihow of the end of the world.

After numerous love conflicts, Betinho searches for the meaning of the word Love nowadays. And throughout his short journey, it is in the memories of everything that has happened to him that he decides to give up on love. Is this the right decision to be made?

Learn more about a heritage of Rio culture, the kite. Connecting social relationships, the kites maintain the ethics of friendships and unity among residents and visitors of the Água Santa neighborhood, North Zone of Rio de Janeiro.

An unknown narrator questions life and death, while observing the day to day life of a cat.

"the skies are full of them"

“I’m alive… I’m alive and vivo, muito vivo.”

Discomposure is an experimental movie made of moving images of women, while they worked and were filmed under an aesthetic of fracture. Her bodies were positioned by the white middle classes men's eyes as if they were parts that served like props, support, and of spectators of lives which depended on these women. The movie disorganized this visual aesthetic. It did to see that, between who was filming and those entered, marginally, the scene, there was the black female look that stared at the camera, as an affront, so showing affirmation, contestation, and constraint.

Sergio de Loof created the most relevant and groundbreaking night venues of the late 80s, 90s and early 00s. Places where everyone could find the more inner and cherished self. To be oneself, without fear or rejection. Then, Argentina got struck by a financial crisis and Sergio tackled his own personal breakdown through drug abuse and the consequences of being a politically incorrect character.

Upon witnessing the fall of a meteorite in a mountainous region in northern Roraima, a group engages in a true game of interests over the possession of the celestial artifact, which, in turn, exerts a curious influence over their behaviors.