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Krishna Rao impresses Bheemasena Rao, a dignified village leader, who gets his daughter Rukmini married to him. But will Krishna Rao stay true to Rukmini?

Some producers from Andhra wanted to produce a tamil film featuring MKT. They produced Syamala in 1953 with MKT in the lead role. MKT and S.S.Koko were the only tamilians in this film. Rest of them were all from Andhra. Popular among them were Relangi and S.Varalakshmi. MKT for the first and last time in his life acted with a moustache and resembled very much the famous telugu screen hero, A.Nageswara rao! Shyamala is a 1952 Indian, Tamil-language film directed by B. A. Subba Rao.[2] The film featured M. K. Thyagaraja Bhagavathar and S. Varalakshmi in the lead roles.

Alladin throws away a magic lamp after an evil magician fools him into finding it. Years later, when Alladin learns the full extent of its powers, he decides to find and use it.

The king of Mullai nadu appoints Veera Mohan as the General of the army. Raja guru, the head priest and Parthiban, his son are enraged by this decision. This turns Parthiban into a bandit.

Impressed by his bravery, a king treats his rival and his daughter as guests after a battle. The king's senior commander gets attracted to her and plans to kidnap her.

An incompetent lawyer gets evicted, dons the guise of an old man to gain accommodation, falls for the owner's daughter, then faces numerous life-changing challenges.

Amidst a troubled kingdom that currently has no ruler, a revolutionary finds himself to be a lookalike of a prince who was to be crowned king. He takes his place but can he outsmart the real culprit?

This film retells the slaying of the Hindu demon, Narakasura, by Krishna, aided by one of his wives, Satyabhama. Another episode involving the sanctity of the tulsi (holy basil) leaf also takes part, with Krishna, Rukmini, and Satyabhama.

Venu enlightens the villagers against Sagarayya, a greedy landlord who grabs barren lands of the village, and reports to the Collector. Sagarayya creates a rift between Venu and his father which affects his sister's marriage. Venu starts living separately with his wife Radha. The film shows the revolt of the villagers against their oppressors

Kamla lives a poor lifestyle in a small town in Uttar Pradesh, India, along with her widowed dad, Dinanath, who works as an Accountant with Sarpanch Journal, and two younger brothers, college-going Kumar, and school-going 12 year old brother, Kishore. Dinanath's main aim is to get Kamla married to her lover, wealthy Prem, and ensure that Kumar and Kishore get a proper college education. When Dinanath's eyesight becomes very weak, he starts making errors, and loses his job. He does manage to persuade his employer, Laxmidas, to hire Kumar once he gets his degree in Arts. On the day of the results, Kumar has an accident and passes away, a devastated Dinanath bangs his head, injures himself, is hospitalized, recovers but loses his vision completely. As a result, Kamla's wedding is canceled, Prem reluctantly gets married to Shyama; while Kamla gets a job and starts to look after her dad and Kishore.

Landlord Narayan Rao's son Devdasu and Parvathi, their poor neighbour's daughter, fall in love. But Devadas's family does not approve of the relationship.

In this loose adaptation of Charlotte Brontë's Jane Eyre, childhood sweethearts Kamla and Shankar are separated and grow up in different worlds. The girl is brought up to be a priestess, while the boy becomes a dejected thakur, turned vindictive by life's injustices. Fate inevitably brings them together again, but Kamla does not know about her beloved's secret.

Ravana, the king of Lanka gets tricked by various people in the process of attaining ' Athmalinga ' from Shiva.

Rajendran is left with the responsibility of looking after his family after his father's death, and uncle's deceit. However, his troubles do not seem to end due to several misfortunes.

Estranged siblings, Ramu and Lakshmi meet years later as she is married to a doctor and he is a driver in the same place. Ramu is blamed for stealing in the house. Will Lakshmi save her brother?

A sweeping tale of an idealistic, struggling writer whose passion for his craft and his love for a devoted woman must withstand the harsh tests of poverty, betrayal, and society's indifference to prove that character is the true Anmol Ratan.

A social drama set in a Bombay chawl, where a kind landlady, her ambitious daughter, and their tenants face struggles between community bonds and the lure of wealth.

Sivaji Ganesan plays the younger physician to the king (R. Balasubramaniam) and his wife (Padmini) was modelled on Kannagi as the personification of female virtues. The physician is commanded to the palace to treat the king where the princess (M. N. Rajam) falls for him and virtually enslaves him, preventing him from going back to his wife.

In order to take revenge, a village chieftain, Munasabu, murders the poor Tirupati and blames his friend Kondaiah, a labourer, for the crime.

Sivagnanam is a humble bank clerk, living a modest life with his wife Lakshmi and their children. Although his salary is low, he handles large sums of money at the bank. When the bank collapses, Sivagnanam loses his job and, feeling desperate, considers suicide so that his family can benefit from his life insurance. However, his soul reaches the court of Yama, the god of death. Angered by his reckless act, Yama sends him back to Earth to witness the consequences of his death. Unable to intervene, Sivagnanam watches as his son is arrested for stealing food, his daughter is assaulted, and his wife, after killing the rapist, drowns herself in a well.

Soman is brought up by his elder brother Raju and his shrewish wife Janu. Soman is in love with Lakshmi, the daughter of a poor village performer Kaniyan who belongs to a lower caste. Raju, employed by the zamindar and Janu resent the inter-caste marriage between Soman and Lakshmi.

A young boy travels to Delhi, wanting to meet Prime Minister to seek justice for his father who has been wrongly sentenced to death.

A Hindi social drama directed by Kalidas, starring Pradeep Kumar, Rajendra Kumar, and Vyjayanthimala.

A wealthy Kishore always ready to help the poor.He travels to Bombay to be with his cousin Raj whose a womanizer and has ditched many women.Raj and Kishore go for hunting in Jungle where Raj meets a man who ask shim to marry his daughter whom he had cheated but Raj kills him and frames Kishore for the murder whose then on the run from police.

Madhukar, a merchant, travels to the jungle with his lovely daughter Rita. Unbeknownst to them they have entered the territory of cannibals who have a habit of sacrificing young women to the huge gorilla that has been terrorizing the land.

During the days of the Vijayanagara Empire there was a system to bring willing women to the royal palace and render them official residents. This was called 'Rani Vasam'. According to this royal tradition, they sent palanquins to their houses, after they presented the family with gifts and jewelry. These Rani Vasam women should never have any contact with any man or let any man see them without permission. If any one violated the law, they were beheaded. Malleswari (Bhanumathi) was taken to this Rani Vasam. She was forced to accept this, for lure of money and jewelry by her parents. But she was already in love with her 'Bava' Nagaraju (N.T. Rama Rao), a sculptor. He stealthily got into the garden of the palace to meet his beloved and was caught. He was to get the death penalty. Krishnadevaraya for once pardoned the hero and allowed Malleswari to go with him.

Sundari is a stage dancer and singer, a flirt, quarrelsome, and generally up to no good. She meets with Havaldar Pritam, and both are attracted to each other. Circumstances force Pritam to arrest Sundari for viciously assaulting another woman, but he lets her escape, and is severely reprimanded by the Kotwal. Sundari feels sorry for him. She meets with the Kotwal and pleads with him to forgive Pritam, which he does. Pritam is grateful to Sundari for saving his career, and both continue to romance each other. What Pritam does not know that Sundari belongs to a gang of thieves, the leader of which is her long-time boyfriend, currently in prison, a notorious gangster by the name of Rahu.

The story of two carefree men who use every trick in the book to make a comfortable living.

A doctor unknowingly spurns a woman who loves him, compelling her to marry a wealthy king whose three wives allegedly killed themselves.

Roopa lives a wealthy lifestyle with her widowed dad, Captain Suresh, and brother, Shekhar. After she returns from abroad, she is told that she must now prepare to get married to her betrothed, Ratan, who is the son of a close friend of Suresh. Everything changes suddenly when Roopa meets with a handsome young man, Raj, and both fall in love with each other.

Bommi, a princess, falls in love with Veeran, the adopted son of a cobbler, who reciprocates her feelings. However, when her uncle persuades the king to get Bommi married to him, Veeran abducts her.

Chandran, a circus performer, and Thankam are in love. The circus team borrows some money from Thankam's father, Paithal Nair. When they are unable to repay, Paithal Nair takes away their animals.

The story of an abandoned Hindu child who is found and raised by a Muslim man.

A 1955 black and white Urdu language historical drama film directed by G.P. Sippy.

Radhika is a popular stage actress. The society is suspicious of her morality and rumours are spread about her personal life.

Narada, sensing Rambha’s attempt to disrupt a rishi’s penance, provokes her vanity and orchestrates events that humiliate her on Krishna’s birthday by honoring Kalavathi and Vidyadhara as a dance pair. Though bound by rivalry and jealousy, Vidyadhara and Kalavathi fall in love and meet secretly. Nalacoobra, driven by desire, spies on them, deceives both through disguises, and causes Vidyadhara to believe Kalavathi is unfaithful. Heartbroken, Vidyadhara leaves Dwaraka, and Kalavathi sets out alone to find him. Nalacoobra repeatedly pursues and tries to violate her, while Rambha, cursed by Indra and blinded by jealousy, plots Kalavathi’s death. Kalavathi endures storms, deception, and exile, yet remains devoted. Ultimately, Rambha manipulates Kalpalika, a fanatic devotee, into preparing Kalavathi’s sacrifice at the Bhubaneshwar temple in pursuit of divine power.

Shri Chaitanya Mahaprabhu is a 1954 Hindi devotional biopic film produced and directed by Vijay Bhatt. The film is about the 15th century "medieval Vaishnav poet saint" and social reformer of Bengal, Chaitanya Mahaprabhu, whom many considered an Avatar of Krishna.

Sunil Kumar and Geet decide to marry for love a decision which leads to many problems.

Radha earns a living begging in order to support herself and her crippled and ailing father. They live in a small tenement, under the constant threat of eviction by their landlord for unpaid rent for several months. One day, while begging, Radha meets a young man, Nirmal Chander, who would like to see her improve her status by getting employment, he even goes to the extent of assisting her find work in a mill. He subsequently invites her over to meet his mother, and asks her to marry him, to which she agrees. Nirmal also seeks the permission of her dad. When he goes to get her to make arrangements for their marriage, he finds her and her dad gone.

After Mangala's husband is sent to prison on a false charge, she, being poor, is targeted by Jeeva who approaches her under the pretext of helping her, but wants sexual favours from her.

A murder had taken place. The suspect ran away and jumped into the water . When he was dragged out of waters, he was unconscious. A story of mystery and of breath-taking suspense.

Estate owner Kurup seduces and then disowns a village girl, Devaki. This sparks off a revolt in the village. A workers union leader Gopi leads the revolt. Kurup goes on to marry Radha, an educated and socially committed worker. How Radha comes to understand the wickedness of her husband and frees herself from his immoral clutches forms the crux of the film.

Kankal is a social horror drama which shows how a spirit can fulfil its desire with its intense power. The story begins with Abhay being killed by a skeleton and police come for the inspection. Dr. Sanyal takes us back to the story where Tarala got married to Rattan, a rich man. But Tarala's sister-in-law's brother, Abhay was in love with Tarala whom Tarala didn't like for his bad attitude and lower education. So to take the revenge, Abhay married Rattan's sister. By moulding Rattan, Abhay took all his wealth and tried to rape Tarala. Though Rattan came to save her, he was being driven out by Abhay. In this situation Tarala passes away unknowingly and Abhay tried to hide her dead body by throwing it in the river. Rattan unable to find his wife became mad and roamed around in search for her.

Hindi film from 1955

First Indian animated film in color, based on a tale from the Buddhist Jatakas.

Zamindar Bhujangarao (Gummadi) has two sons. The elder son Raghunath Rao (Akkineni Nageswara Rao) born to his first wife is a retard. After her death, he married Rajeswari (Santha Kumari) and the couple has a son Nagendra Rao / Naagu (Jaggaiah) a man of vices. Impressed by the way Padma (Savitri) a village girl faced Naagu when he threatened to take their farm lands, the Zamindar fixes Naagu’s marriage with her. But Rajeswari vetoes the alliance and suggests to perform her marriage with Raghu. After marriage, Padma learns that Raghu became a retard due to the opium-fed during his childhood to put him to sleep by the maid, Ayamma (Vijayalakshmi).

Chandrika, the only daughter of the rich industrialist Janardanan Pillai falls in love with Gopi, the son of the maid servant. Gopi is aware of his social status and keeps away from Chandrika. But Chandrika does not leave him.

Kotayya (Ranga Rao) is a kind man. He marries Rami. She succumbs to pressure from Gopala Swamy and elopes with him, leaving her husband. Rami and Gopala successfully plan and send Kotayya to jail. After returning from jail, Kotayya becomes a rowdy drunkard. He plans to take revenge and kill Gopala Swamy.

Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini. Diwakar will soon become a recognized poet and Jamuna gives birth to a boy. Unfortunately, the happiness does not last long: Diwakar loses his job because of a critical songs against the British. Now he can no longer feed his sickly father nor his son, who is starving. All this makes Jamuna angry, but above all Diwakars growing obsession with Mohini. As Jamuna decides to live apart from Diwakar, it is destroyed internally and no longer capable of proof. Jamuna slowly realizes that she can not live without Diwakar and forgives him.

Jayanta Chowdhury, a ground engineer, is gravely injured and is received by his fiancé, Kuntala who takes care of him. However, Jayanta is not at peace as he suspects a conspiracy. He returns to Kolkata, much to Kuntala’s dismay, and starts following another ground engineer Sandeep Mukherjee, who he believes has betrayed his employer. Jayanta gets together with the Intelligence Officer Ranjit Mitra and traces Sandeep’s whereabouts. Sandeep is actually involved with the criminals Krishn Chand and Abdullah who force him to plant a bomb on an international flight. Sandeep, rather unwillingly, gives in as he needs money to treat his handicapped younger brother. Although he loves a girl named Ruby, he is unable to marry her for the same reason. Jayanta takes up the name of Arun Roy and befriends Sandeep to learn more about him. And the plot thickens.

Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.

The plot revolves around a boy called Shyam and his relationship with his mother. It shares the effect Shyam's mother has had on Shyam's life and upbringing, and how he is taught to stick to his ideals and principles, even in the face of poverty. The relationships of all the individuals in Shyam's family are explored.