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Lee Sin-yu wants to make a documentary about a friend and his dementia grandfather, who would occasionally say that his wife is "Lo Ting". Lee Sin-yu set out for the fishing village of Tap Mun to begin filming, and starts to understand the dark side of Lo Ting that has been hidden in history.
Phone Made Good Film No.6
While protests rage in Hong Kong, Kit spends most of his time on his father’s fishing boat. The radio and his phone keep him abreast of the latest developments. The migration of his girlfriend and the destruction of his gang’s secret base accelerate his uncertainty and impotence about the future.
A girl with a mysterious background arrives at the city, whose existence gradually becomes as light as the floating air. In the dark night of a chaotic age, must we live like spectres?
A terrible mistake puts two best friends on a quest to reinvent themselves and overcome personal barriers to pursue their long forgotten dreams, right before the pandemic hits.
Roy has been learning pole dancing without telling his wife Chloe. In addition to the lack of personal space at home, he is also looking for a passion and the joy of self-exploration. Chloe, who works hard, and Roy, who hangs out to practise dancing, are becoming more and more alienated. Is it marriage or ignorance of each other that kills them?
Phone Made Good Film No.5, about correcting the method of using chopsticks.
The Old Chef has been prisoned and will soon be executed. Determined to uncover the truth, his apprentice, the Young Chef, realizes that the Last Supper could be his only chance to reach his fellow master before it is too late…
Ten-year-old Kwong is a Primary 5 student who has to contend with "Internal assessment for Secondary Places" and parents who constantly argue. He is at a loss. His grandma, who lives alone, is always patient and happy to learn about his world. Grandma passes away suddenly, Kwong suffers from insomnia. At night, when he looks at the boundless sky, he feels secure, as if many friends are talking to him. He keeps all this to himself. To his parents, Kwong is just a naughty boy. They have no inkling that Kwong may be experiencing emotional problems.
Yumi works at a record store, dreams about Kurt Cobain could take her away from the boring life she lives. As she is approaching 27 years old, she begins to think about what can she do to resist the social norms.
Phone Made Good Film No.4
Fut, a parking attendant who believes in gods and Buddha, meets a mute one day during worship who reveals a secret to him. From that day onwards, Fut gets very lucky and wins a windfall. Meanwhile, massage girl Fei Fei and her friend Mei want to blackmail Fatty, a lustful taxi driver...
Amid changing times, as friends and relatives are leaving the city one after the other, our once familiar neighbourhood is becoming foreign. Yeung Por Por has her luggage packed for the one-way flight out of the city with her son. During her final hours in Hong Kong, she goes to the Wan Chai seaside and is shocked to find a barricaded construction site. Following Rhea, her domestic helper to the latter’s Filipino community, Yeung Por Por realises what it means to be uprooted from one’s homeland. Subtly and wistfully, the film relates the difficulties and dilemmas of migration, closing with ‘You Said We’d Be Back’ by the folk-rock duo My Little Airport.
Sparked by the demolition and reconstruction of its century-old campus, Ying Wa Girls' School embarks on a project to chronicle the transformation of its students through the camera of director Mabel Cheung, its distinguished alumna. Following a group of young students since 2011, the documentary captures the trials and tribulations that go with the most turbulent decade in Hong Kong's history.
Smoker, a prefect in a boarding school, maintains order with weed and terror. Within the confines of the school, we witness a twisted version of a coming of age story of unbridled violence in the name of law and order, culminating tragically to the death of the bullied Dickhead. As the incident escalates and things go astray, Smoker faces a moral dilemma: Should he clear himself of further corruption, or should he act as an accomplice of the authorities? Stylistically extravagant, the short uses the secondary school as a metaphor to underpin the absurdity and brutality in ‘the worst of times.’
Sunk in boredom, a young woman decides to walk the streets of Hong Kong until she finds a goldfish that reminds her of the nonsense of a cyclical life. As she goes through the different stages of the water cycle, she remembers through past lives that in order to achieve calm, lethargy and catharsis are necessary.
Brilliantly played by LAW Ka-ying, the revered Skyblade hails from a prestigious family of Cantonese opera singers. Pressured into performing opposite the sponsor’s child at the celebrated Red Banquet in return for financial support, the reluctant Skyblade is further taken aback when he realises that Jade is a girl slated to play a male lead role in a predominantly masculine cast. However, as Jade’s talent becomes apparent to Skyblade, a bond is formed between the two during rehearsals, and a mutual understanding that both have been sacrificing their dreams and passions out of duty towards the family. When Jade reveals a shocking resolution to take control of her life, it is up to Skyblade to decide their fate on stage.
Kong is a screenwriter in crisis, who’s trying to meet a deadline. He is nervous, he has to get out of the current stalemate by hook or by crook. He tries but finds himself trapped in something new and unfamiliar.
Wan-yu goes on a farewell trip with her close friend Jack, seeing him off to the airport. During the drive, they ruminate on the departure and the resulting ruptured relationship. Before leaving, Jack entrusts his car to Wan-yu. Underneath Wan-yu’s calm and almost indifferent façade lies a hidden anxiety and confusion, for other than the car, she has to deal with another more complicated problem of her own. Shot as a conversation in a car, the short’s claustrophobic atmosphere heightens the helplessness of the characters. From director Wong Fei, winner of the 15th Fresh Wave Award, comes a quiet and contemplative piece about making difficult decisions amid drastic changes in life.
A group of delinquent tricks a middle-aged man and steals his phone. Upon checking the phone's content, they find a short sex clip. While noisily commenting on the video, they cause the displeasure of two children, without realising they are getting involved in a gang dispute.
That spring, there was _____ in the sky of H-ville. What is _____? No one can tell. The sudden “unknown” caused absurd and strange phenomena. The real nightmare was not the natural disaster, but the man-made one. The regime used this to implement the “state of exception”. The system continued to operate. How much human value would be left? As Giorgio Agamben stated at the beginning of the pandemic, “The epidemic has caused to appear with clarity that the state of exception, to which governments have habituated us for some time, has truly become the normal condition.”
Film director James produced a short film under the pandemic. He invited his good friend Man as his main cast. After the completion of the short film, Man was suddenly arrested and put behind bar. James was worrying about if Man could adapt the life in prison. James planned to write letters to Man. When he started to write, James is feeling helpless that he found his daily life during the pandemic might somehow similar to what Man was confronting.
You loved Reservoir Dogs. You cheered for Reservation Dogs. Now get ready for Preservation Dogs. Local Hong Kong teenager Kent might be out of a job, but he has more important duties at hand. Called to rescue stray dog Tin Tin, Kent realizes he must navigate the treacherous underworld of rooftop gangsters, femme fatales and cable wires if he is to track down his elusive canine friend.
Qingming Festival is not only a solemn occasion for tomb-sweeping and honoring one’s ancestors, but also a joyful holiday when people get close to nature, go for spring outings, and enjoy the pleasures of springtime. In the future Hong Kong, the government still enforces strict epidemic prevention measures. Starting from 2026, the government will divide the 18 districts into separate zones, restricting residents’ freedom to move in and out. For Hope, who knows nothing about places outside Wong Tai Sin, there is only one wish: to get to the seaside.
K.M.Lo , tech-nomad, filmmaker, trainer, starts an ONE-MAN-MISSION, he uses a Tuk Tuk (tricycle) as platform/symbol to run a mobile film school by day and open air cinema by night, to train young folks in developing world to get film education, a sense of achievement and organizing self-generated entertainment and cinema art as cultural events. He wishes to spread happiness to the community and it might eventually change the world.
Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.
The Winter Solstice has been for the Chinese an important family occasion; however, will this time-honoured tradition become obsolete? The children head back to their family home in the country to see their elderly mother. All seems well on the surface, but each faces their own crisis and difficulty: The eldest brother struggles to raise several kids; the well off second sister plans to leave Hong Kong; estranged from her husband, the younger sister keeps up appearances; and the youngest brother commits to the difficult career as a farmer. The cheerful, animated conversation at the dinner table is overshadowed by simmering anxieties.
In a small town, the funeral of a matriarch brings about the reunion of family members, many returning to the village after leading new lives elsewhere, some no longer speaking the language of the native land. With the passage of time, the big clan becomes fragmented as members, like other modern Chinese in mainland China, face changes in lives, ideals, and family structures. The occasion becomes a hot ground for deals and negotiations that are inevitable amid the rapid development of China, where family members prosper while relationships become calculated. Still, a funeral procession amid an impending storm requires them, already down different paths, to walk together.
Stagnation in the body cannot keep up with the changes in real life. When memory of the trembling hand constantly haunting, when the cavity is filled by artificial materials – if body remembers, how should it response with the years of traumatic past? Three of us, describe the indescribable body changes try picking up the hints and signs.
After his success as a martial arts film star, WONG Joi made a fatal decision to write and direct his debut feature Golden Sword Woman, with his beloved wife Mei-fung starring as the eponymous heroine. Years later, a senile, demented WONG, who keeps blabbering about his ‘groundbreaking’ debut, is being taken care of by his grudging son Ho. The film parodies the visual style of the Shaw Brothers martial arts films to tell the story of a contemporary father-and-son conflict and reconciliation. Golden Sword Woman travels in time and between both sides of the silver screen, between the romantic world of swordsmen and the unpromising, secular family life.
A lonely girl thinks about her past with her boyfriend.
Stark though it is, the roof terrace with its low ochre-red wall and washed turquoise abstract seems the nearest thing to a garden among the forbidding cliffs of mass housing that rear up all around. Like bold tendrils of organic life, three young girls appear with jump ropes and show off some individual fancy licks, before switching to a stately coordination mode. Their bright white ropes make squiggles in the air like waved sparklers at night, while wrists and feet maintain a rock-steady beat. The joy of skilled movement, of pure synchrony, illuminates their faces.
A girl called Christy is missing. The case haunts Detective Max, time and time again, leaving him with a sense of remorse. Following a trail, Max arrives at an abandoned school where he finds traces of a cult ritual and a murder scene. Suddenly he finds himself in a stylish bar where he sees his former colleague and Christy. Meanwhile the murderer is lurking behind... Will Max find hope and redemption from the dismal past? Shot in black and white, this mysterious thriller employs the stylistic elements of neo-noir and horror to recreate our urban terrors of missing people.
In the majestic tropical island of Palawan, three environmental crusaders confront murder, betrayal and political corruption in this thrilling documentary about land defenders battling to save and preserve paradise in the Philippines.
On stage, senior Cantonese opera singer Sam Chan is bright and well-received. Yet at backstage, how could she deal with her fear and difficulties and a complaint against her regarding National Security Law in Hong Kong?
Three stand-alone shorts offer insight into contemporary Hong Kong. In Departure, we meet a young couple who are soul searching en route to the airport. In 06:00 AM, an anxiety-ridden student enters a nightmare reality where she is forced to submit to compulsory government surveillance. In The Night Before, three twenty-somethings from different walks of life become fast friends as a result of their participation in the pro-democracy movement.
A lonely teenager hooks up with someone at the hotel, where they soon realise how their minds are both preoccupied during their encounter. Their bodily passion could hardly continue, and they have no other way but to tap into each other’s heart and soul.
The immersive, interactive VR experience guides the audience through the intimate creative world of the partnership between dance duo Ix Wong Thien-pau (Malaysia) and Aaron Khek Ah-hock (Singapore). Blurring the boundaries between reality and memory, and using archival material and virtual technology to bridge the divide that separates souls when a loved one departs too soon, Chroma 11 is a poignant reflection on the enduring nature of human connections.
In a capitalist city, where people have kids to be proud of, a woman - Rose unexpectedly gives birth to a cat son. The Baby doesn’t behave as an ordinary baby and Rose struggles to love him. Rose tries her best to change him, even if it means changing his true nature. However, to find a connection she will need to learn to love him for whom he is and to remember something about herself that she has forgotten a long time ago.
A love story engulfed by the turmoil of Hong Kong, 2019. A city at war with itself. social and political conflicts insinuate themselves into every citizen’s life. families fragment, loyalties are questioned and long-cherished relationships succumb to the slow-motion disintegration of a once iconic city – tearing itself apart.
Traumatised by the doomed rights movement in Garan, former activist Decem seeks refuge and solitude in the forest, fleeing his homeland and all those he held dear. Relief is however short-lived. As time passes, nostalgia and loneliness creep upon the exiled youth. Decem remains trapped in recurrent nightmares of the past and continues to plunge into despair, living with a constant sense of peril. The challenges of living in the forest along with the wildfire in the mountains eventually make him reconsider the path ahead. Mirroring the disturbed youth’s inner turmoil with the sinister wild nature, the psychological drama relates the tormented state of the exiled body and soul.
In the hyperkinetic multichannel video installation Devil’s Peak, Simon Liu surveys the psychogeography of Hong Kong as a feverish dreamscape, activating charged sites of recent civic upheaval, personal heritage, and postcolonial legacies.
A rent-boy goes on vacation to a remote Hong Kong island with his bestie to forget his ex-lover, but the trip turns haywire when he meets a mysterious stranger evoking the legendary poet, Wat Yue from 2000 years ago!
Sequel of “Even Ants Strive for Survival” (2017). To earn money for his ailing father's medical expenses, Ma Second needs to attend a job interview. The process is constantly haunted by past experiences, like a nightmare, which he responds to with intense, frantic behavior. Viewers concerned about Hong Kong politics will easily understand Ma Second's anxiety and see the director's strong self-expression.
Thousands of Hongkongers, still living in the shadow of the 2019 protests, are immigrating to the UK to forge a freer future. This film documents their struggle to break free from a homeland that is no longer welcoming, while holding on to the Hongkonger identity in which they find purpose. In exile, can the Hongkonger identity persevere, or is it destined to obscurity? Can they really find a place to call home?
Matthew Leung Ming-hong had been working as a breaking-news reporter for six years in Hong Kong but recently emigrated to the United Kingdom because of concerns about growing restrictions on journalists working in the city. Three Hong Kong media outlets popular with the opposition have folded in just six months, following the introduction of a controversial national security law in Hong Kong on June 30, 2020, raising fears about the future of press freedom in the city. The 29-year-old is starting a new life in Britain’s northern city of Manchester and plans to eventually resume his journalism career in Europe.
This portrait of a Chinese family centers on the paterfamilias, who at the age of 85 still works his land by hand every day, his wife, who feeds and slaughters the chickens, and one of their sons, who lives in an apartment in the city and spends his days keeping company with his television and a steady flow of alcohol.
Diane want to get rid of her relationship with Anthony, however her flatmate Joan doesn’t agree with her.
With the abundance of antiques and culture in Jordan, you can only see so much of the essence of traditional craftsmanship in a blink of an eye. This film showcases the beauty of old Hong Kong, all in a glimpse of textiles, flasks, paintings and statuettes.
When Hong Kong’s basic freedoms come under attack, media tycoon Jimmy Lai finds himself in the crosshairs of the state and must choose between defending Hong Kong’s long-standing liberties, or his own freedom.
Echoing with voices from the streets of Hong Kong, "Love in the Time of Revolution" documents the passion, spirit and sacrifice of ordinary Hong Kongers during a time of political and social upheaval. In 2019, Hong Kong government plans to introduce a law permitting the extradition of criminal suspects to Mainland China sparked a mass protest movement unprecedented in scale. The people of Hong Kong marched - 1 million strong, then 2 million - to save what they saw as the city's eroding freedoms and rule of law. When their demands went unheeded, the protests intensified, and the streets of Hong Kong became soaked in tear gas and blood as valiant frontline protesters clashed with riot police. Behind the frontliners stood a peaceful silent majority, committed to a hard-won solidarity as they attempt to save the city that they love.
Taking us from Hong Kong's 1997 handover from British rule into Chinese administrative control, all the way to 2019, when a controversial extradition bill is greeted with massive street protests, this urgent film beds in with Hong Kong's pro-democracy demonstrations, offering a frontline portrait of four young protesters through a year of struggle. We see their hopes for a freer life and feel their fears as the authorities crack down. Pulse-racing scenes bring the viewer to street level, where peaceful protest is met with fury and tear gas. Clear-eyed about the complications and contradictions that come with a movement that changed Hong Kong forever, Hong Kong: City on Fire is a brave document of troubled times.
A filmmaker daughter studying in a foreign country belatedly learns of her mother’s cancer. Her mother has hidden it from her, lest she worry, but the daughter feels upset. The mother has been a doctor for thirty years, and she has thought as much about death as about living well. As the hospital has been her playground, the daughter is familiar with the scene of death, but the thought of losing her mother scares her.
Facing a debilitating illness, a former dancer recounts her life of movement—onstage, travelling and now through remembrance.
A man with no memory wakes up in the woods, pursued by mysterious forces closing in on him, forcing him to confront a chilling reality he cannot escape.
When Zhou Mu encounters Yi Ran and his so-called 'girlfriend' meeting, feelings flare up and Zhou Mu is determined to make his way back into Yi Ran's life.