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Revolution is pursued for a better love, yet love gets lost in the unpredictable tides of revolution. Veteran actor Lester Chan Chit-Man directs, using the emotions of young people as a thread to connect the Umbrella Movement and the Anti-Extradition Bill protests. When emotions meet politics, social movements and love become intertwined, as four college students drift through their youth. Whispers and embraces, gazes or walking together—the nights in the occupied zones once brought us together. Documentary footage and fictional stories alternate, perhaps evoking memories of the happiness and sorrow of these past years. We thought revolution would ultimately succeed, that it didn’t matter whether we gathered or dispersed. But in the end, we became strangers scattered around the world, only then realizing that regret is inevitable in youth and that looking back always brings a sense of emptiness.

Tin On moves from Hong Kong to Taiwan suddenly in January 2020. She finds out the light in the apartment seems to be broken. The landlord asks her neighbor, Yi Ming, to fix it. Tin On seems far away from her reality. Yi Ming gets closer to her to uncover the mystery of her presence.

In February 2019, the Hong Kong government proposed a bill that would have allowed the extradition of criminal suspects from Hong Kong to face trial in mainland China. The controversial bill sparked immediate outrage over widespread fear of arbitrary detention and politically motivated trials that would decimate Hong Kong’s autonomy under ‘one country, two systems.’ Protests escalated into epic pro-democracy demonstrations, in part led by young people connected via social media. COCKROACH, filmed during the height of the protests, captures the extraordinary intensity of an unprecedented era in Hong Kong’s history.

The Umbrella Movement of 2014, also known as the Occupy Movement, paved the way for Hong Kong’s current upheavals, but unfolded in significantly different ways. This creative documentary focuses on the intellectual, political, and discursive underpinnings of the social and political actions of 2014, before fast-forwarding to 2019. A range of thoughtful and engaged intellectuals, students, scholars, activists, and artists including Benny Tai, Chan Kin-man, Ray Wong, and Agnes Chow (many of whom are facing imprisonment for their democratic activism) articulate a range of philosophies, viewpoints and emotions, set against Hong Kong’s spectacular urban background of skyscrapers, night lights, and street-occupying mass movements.

At the shore of Slowdive Bay, grocery store owner Howard rescues Yilly who ventures into the sea, having just broken up with her partner. Thence she spends her days waiting for the rare marine phenomenon called “sea sparkle.” Days turn into weeks and then months for these two strangers, each with their own pasts, trapped in an indefinite wait. Eventually, they will have to decide on a life ahead, and whether to let go of the past.

In 2019, Hong Kong was swept by demonstrations against the controversial extradition bill. At the Polytechnic University, a group of students also takes a stand for freedom and democracy. Negotiations with the police are chaotic and aggressive, conducted via megaphones and politically charged music played over loudspeakers. The colorful umbrellas which the young people use to protect themselves against the brutal police actions emphasize the group’s bravado, which borders on recklessness. What begins as an energetic battle against the establishment turns into a lopsided game of cat and mouse when the police decide to surround the building. Within its red brick walls, the university building becomes a prison. Over the nearly two weeks that follow, as fear and exhaustion grow among the hundreds of students, so does the uncertainty. Should they hang on inside, or leave the building to face the armed police?

Chen attempts to help his house-ridden brother with cerebral palsy explore the outside world, leading to an adventure full of unforeseen consequences.

I made June when I didn’t have any inspiration to create a feature film. The documentary is about the rarely known stories in the social movement in June. At first the clips of videos were kept for sorting out my feelings, but after being edited, they were made into a documentary and became a record of history. Six scenes and voices were used to tell what happened during that month.

On the 50th day after his wife died unexpectedly, Ji-Hong finds her bedroom door mysteriously locked. Believing the spirit of his wife is trapped within, he struggles to comfort her by mending his estrangement from their daughter.

Wing Sum, a little girl frequently neglected by her mother, is sent to her grandmother's mansion for a temporary stay on a stormy night. There begins a series of queer events. First there is a power outage, then her grandmother reveals her most well kept secret: she is a cannibal all along, and tonight she is having her grand daughter for dinner. Chased by a maniacal cannibal in her own territory, there is seemingly no escape for Wing Sum. She is however miraculously rescued by the queerest turn of events.

Jugaad is a Hindi word that can be translated as "innovative or effective solution that bends the rules". It refers to the extreme capacity developed by Mumbai's inhabitants to adapt and get around any type of constraint or obstacle posed by the city's urban structure. In a relatively small piece of land where 21 million people live today, the inhabitants of Mumbai demonstrate great creativity when it comes to managing the spaces (for sale, for prayer, for traffic) and the flows that cross them every day. Without using language, Hong Kong artist Chak Hin Leung brings together in this video a dozen unique situations in which people, animals, vehicles and natural elements intermingle and brush up against each other, without ever colliding.

Simon Liu's eerie, entrancing portrait of contemporary Hong Kong tracks a series of strange disruptions to the city's urban infrastructure. Deceptively tranquil 16mm images of everyday life are accompanied by muffled music cues, ominous radio transmissions, and intimations of an impending hazardous event that may never arrive.

As pro-democracy activists and armed police battle in the streets of Hong Kong, ordinary citizens are choosing sides. Historically an outlier of both western and Chinese power, Hong Kong wields its own economic force, affording the city and its people a spirit of independence that has now erupted into clouds of tear gas. Filmmaker Bing Zhou uses a nimble camera to follow a group of protagonists—two opposing political candidates, a tea shop owner, a cab driver, a police officer, a paramedic—on two separate days of conflict. On September 21, 2019, protestors from three districts join forces, resulting in unprecedented violence. Just 10 days later on October 1, the National Day of the People’s Republic of China, previously undecided onlookers show their stripes. Thoughts transform into action in this demonstration of how mercurial and personal Hong Kong’s politics have become.

In order to take the precious plaque, you can only win on the ring. Yao Qingwei (Lin Huiqian) defeated the pressure that could not be given by the mother, and left the home to rely on the integrated fighting boxer who retired due to the foot injury (Yang Liuqing). At this time, Fighting Queen He Hua (Jingju) gave birth to the letter of the fist, for the guarantee, two women found the movie star Zhang Lei (Guo Silin) to go to the iron cage. At the crucial moment, there is no way to retreat, the blue blue decides on behalf of the friends and Taiwan ·····

A Hong Kong hitman retires as a fisherman on the peaceful Grass Island. One day, his Chinese apprentice shows up and is tasked to kill him before the last ferry departs.

A 22 year old American went to Hong Kong for work. He documented everything on his camcorder he got for Christmas in 2003. But the footage raises a lot of questions after it was found in a college kid's basement somewhere in the United States.

Until 2015, the government proposed land resumption without consultation to build a subsidized housing unit. In Hong Kong, where land is extremely expensive, it is not difficult to become a target for eradication if it is regarded as "no economic value". Cloth vendors roar for their common beliefs, between struggle and life, between politicians and bureaucrats, in Sham Shui Po "shacks", in the wind and rain, on sunny days, this is their living space.

A whimsical journey of a young autistic girl kayaking in Hong Kong water in search of perfect blue water for her pet Clownfish. Facing incredible odds and dangers, she finds the unexpected in her heart.

The big boss Fetu has a hit on his head. It's not the first time, but this time it's more serious...they hired The Snake, a renowned assassin. A fun comedy, full of colourful characters, exploring an underground world of hitmen.

The documentary “Be Water” records the clash in West Kowloon on 20th October, 2019. Police issued objection notice to the march protest organised by Civil Human Rights Front. The march eventually turns into a clash. Protestors flowed like water, disperse and re-assemble while contending the police.

This timely documentary explores the singer's remarkable journey from Cantopop superstar to outspoken political activist, putting her life and career on the line in support of Hong Konger's struggle to maintain their political freedom.

A devoted couple settled themselves in Hong Kong decades ago through turmoil across the border, navigated through ebb and flow together in life. Since the stroke of the wife, Yeung Ha (Brenda Chan), they were both physically and mentally weighed down. Husband Lau Choi (Ying To Li), with his unswerving affection, continues their journey to the other side of life as it vanish away.

The matter of growing, which we always understand afterward, is driving us far away enough to not having a good farewell. The story begins with a day that Hong Kong experiences a magnitude 4.5 earthquake. It brings almost no impact to the city but a beautiful yet untouchable year to a form-one boy name Kwok Pak Chi. Due to the unadaptable school life and his introspective character, he starts to imagine animals escaped from the earthquake as his friends. However, the more he immerses in his fantasy, the more he is pushed by the reality. With the pressure from his unsatisfying homework, schoolmates’ opinions and caring from others, how should Pak Chi confront himself and his imaginary friends?

After wiping out the other six states and unifying the ancient China, the ambitious Emperor Qin developed the secret technology to immortality at the expense of these states, by combining humans and machines to extend all lifespans to infinity

Shot over an eight-year period (2007-2015), this documentary film aims to present women’s struggle in the private and public spheres, both in China and Hong Kong. It offers a view into the lives of female factory workers, artists, rights activists, and intellectuals – whom deal with political violence, sexual harassment, online bullying, long-term separation from family, arbitrary treatment by transnational factory management, and/or poverty in their home villages.

Hongkongers have been experiencing extremely difficult times due to the political movement caused by anti-Extradition Bill since the summer of 2019 followed by the COVID-19 pandemic. This film explores Hongkongers’ fear in various dimensions, be it a concept or actual physical experience, personal or political, private or public, or the mixing of these pairs.

The film is based on a real incident that happened in Hong Kong. Like any other regular people, Dak made 3 months of effort trying to have his “Know TV” account terminated: calling Service Hotline, faxing and mailing forms everyday, invoices nonetheless are still sent to Dak. Sometimes it takes a silly act to start a revolution.

Grandpa Chan, 73 and Grandpa Wong, 82, run into the mist of teargas and try to protect the young protesters from any harm. With all the dangers and hardships they have been through, to them retreat is never an option.

Taken (Hong Kong Version)

Based on a true incident in 2019 when a notorious pro-Beijing Hong Kong politician openly displayed his camaraderie with the triad goons who attacked peaceful protestors. Wong's sophisticated, compact drama goes beyond agitprop and grapples with complexities and tensions in the movement. The same district election featured here is documented in Memories to Choke On, Drinks to Wash Them Down.

Xun, a Chinese migrant worker, falls in love with Chong, a Malaysian colleague at her warehouse job. Their relationship is like an endless dance of two jellyfish in the ocean, making ends meet with no end in sight. Until one day, Xun announces she is pregnant, which is a deportable offense, and the fates of Xun and Chong are altered forever.

The film's narrator, an observer modeled on the critic Walter Benjamin, takes us on a journey through a variety of urban landscapes, examining public spaces and making connections between light, perception and the culture of attractions in today's consumer society. Structured as a documentary essay in the spirit of city symphony films, ELECTRIC SIGNS features footage in Hong Kong, Los Angeles, New York, and other cities around the world. Also featured are interviews with prominent lighting designers; advertising and marketing professionals; urban sociologists and visual culture experts; and community activists.

Mong Kok First Aid investigates the experiences and unheard stories of a group of young volunteers who provided First Aid services to wounded participants during Hong Kong’s landmark Umbrella Movement of 2014. Just half a decade later, their first-person narratives reveal an intense feeling of time passing and memories fading, as this documentary seeks to challenge history by intervening to supplement the record. After all, who decides whose story can be a part of history?

A trip through the psyche of an apathetic workaholic in the sudden wake of her estranged mother's suicide.

Those Who Do Not Remember The Past Are Condemned To Repeat It (2020) is an experimental documentary investigating the intersection of People’s Temple (Jonestown) with the first-person survival horror game Outlast 2 developed by Red Barrel. Departing as the digital study of the game, this project attempts to recontextualize the relationship between the mass suicide of People’s Temple in 1978 and the game’s narrative. Composed by the archival materials from FBI and machinima made with the game, this work conveys uncanny audio and visual journey in the understanding the self-destruction, the religious utopia, the binary between capitalism and socialism.

2019 in Hong Kong, protests become our daily life. The stuffs in the streets after each protest are changing our urban landscape, and they become the view of our everyday life. Graffitis on walls, unscrewed railings, bricks, respirators, safety goggles. Everything records what has happened in the city and witnesses our beliefs. I walked through the streets with my camera after protests. Mr. LIU Yi Chang let the objects tell the story in his nouveau roman short story, Riot, in 1968. Likewise, I let the objects play the narrators and tell us about the protests. Moreover, there are conversations and dialectic between different narrators…

People leave, taking much with them and leaving much behind. The poet Meng Lang passed away from illness in December 2018. He was forced into exile by political oppression in Shanghai, fled to the United States, then arrived in Hong Kong, and finally chose to settle in Taiwan. Throughout his life, Meng Lang pursued freedom with the will of a poet and lived passionately. He opposed tyranny through his actions and celebrated the power of literature through his poetry. His life was a journey of wandering and migration, and along the way, those he met and came to like were mostly poets. His wife, friends, and comrades discussed poetry and politics with him, and all felt the warmth and kindness he brought to his interactions. In a noisy era, everyone is hurried along by fate. At some moment, with deep reluctance, everyone bid farewell to Meng Lang and set out again on their journeys.

The COVID-19 exploded in China in early 2020. Thousands of people from the mainland rushed to Hong Kong that made the people panic. The supply of the face masks cannot meet the demand. Some non-governmental organizations distributed face masks to the elderly in early February that attracted lots of people to queue up.

This documentary depicts the stories of four Chinese activists—Xie Wenfei, Zhang Shengyu, Chen Yunfei, and Liu Ping—who faced torture. It also invites Hong Kong participants Chan Ho-wun, Li On-yin, Chen Hung Sau, and Cheung Chiu-hung to experience and reflect on these situations through simulated installations. The film highlights that in the advancement of human civilization, "human rights", "rule of law", and "democracy" are mutually indispensable and interdependent. In countries ruled by authoritarian regimes, the rule of law cannot be upheld, let alone the protection of human rights.

A Hong Kong girl went to Kaohsiung in agony to search for her friend who was supposedly kidnapped.

An exploration of various landform’s conditions of uncertainty, focusing on the outlines of objects and transformations between each still through edge detection technique.

This Anti-ELAB (Anti-Extradition Law Amendment Bill) Movement documentary short takes us back to the airport occupation on 12 August 2019. Although this new form of protest soon turned into a crisis, it became an important lesson for the protesters. Compared to the tension inside the airport terminal, the long walk home at sunset on the Lantau highway, which connects the Hong Kong International Airport to the residential areas, felt like a reminiscence of a school field trip.

A sprite in a blue pinafore, plimsolls, and white facemask flits through Hong Kong, enclosed in a quicksilver bubble of magic. Streets become the dull, slow backdrop to her vividness. Oblivious to storefronts and curious stares, seeing only the yellow lines and the cracks in the pavement, she snakes and two-steps around seams and lines without loss of élan, chanting spells that shade into vague sounds. “Step on a line, break the devil’s spine, Step on a crack, break the devil’s back, Step in a ditch, your mother’s nose will itch, But if you step in between, everything will be keen!” By igniting her route with meaning, she briefly wrests public space from the commercial values this city lives by.

Singer-songwriter Vincy explores the meaning of those words closest to their being: music, love, queerness, and Asian identity.

Yao filmed the work 1989 in the square of the C-LAB, evoking our memories of the “Tank Man” with a similar setting. It also deconstructs the significance as historic as stereotypical carried by the original image through absurd, nihilist game-playing. It is worth mentioning that the four inflatable dummy Type 59 tanks in this work were made in and delivered from China to the artist’s order. These dummy tanks are juxtaposed with the made-to-order documents, which not only reveals China’s status as the world’s factory after 2003, but also paradoxically brings a contemporary dimension to the historical image of the “Tank Man.”

Deranged mind Joe Choi gives us a blood red comedy for the stoner in all of us! Set up in the vein of Low Budget Pictures or a Troma flick this SOV trashterpiece delivers the laughs and the bloodshed! No more shitty shark movies, it's time to make a good one!

Never Rest/Unrest is a hand-held short film by Tiffany Sia about the relentless political actions in Hong Kong, spanning early summer to late 2019. The experimental short is an adaptation of the artist’s practice of scaling oral history, of showing political crisis in Hong Kong as ephemeral stories on Instagram for the past year.

A man's loyalty to protect his best friend is pushed to its limits when it becomes clear that the criminal, who is looking for him, is not a patient man. Pushed in a corner, he must choose what legacy he wants to leave behind.

A vibrant watercolour dance, fireflies glowing in the darkness.

The documentary “Not One Less” records the clash in Hong Kong Island on 31st August, 2019, and the assembly on Mid-Autumn festival night supporting protestors in custody. The protests initiated by the "Extradition Bill" has continued for more than 100 days. In this period, over 1000 citizens were arrested, a number of people committed suicide, and there are rumors that some protestors are missing. In the clash scene, protestors strive to protect their comrades from being isolated. After the clash, they still care about their comrades in custody. On the mid-autumn festival night, they sang loudly outside the Lai Chi Kok Reception Centre, to let their comrades know that they were not abandoned.

Tugging Diary documents a footbridge over a year between August 2019 to January 2021. Due to social unrest and the uncertainty of various immediate happenings, both the internet and physical spaces act as critical communication platforms of its own during this period. As such, information can be circulated in the community more widely and rapidly outside of the existing mainstream media. As time goes by, these materials are continuously altered, some were renewed, while the others were removed, covered with paint, or overlaid by other information.

A year on from the 7.21 incident, the narrative of what happened that night has morphed from an attack by white-clad men on ordinary people into a violent confrontation between men in white T-shirts and men wearing black. Hong Kong Connection reviewed CCTV and online footage from the day to look for clues and track down those captured on film in a bid to understand the truth as they told it. One of the producers Choy Yuk Ling was later arrested by the Hong Kong Police Force for her involvement in this truth unveiling documentary.

Hong Kong horror film.

In Hong Kong, a stranger wanders and films frantically monologuing next to her camera. Through the windows of the buildings she penetrates the intimacy of the flats, in the streets she lingers over unknown faces, swallowed by the city she seeks to record what exceeds her. It’s after founding a kaleidoscope on the ground that she meets the man with tattoos - he is haunted by a fight.