High on the Tibetan Plateau, the old way of life is on the decline. We follow the nomads of Ritoma as they navigate the collision of tradition and modernity.
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High on the Tibetan Plateau, the old way of life is on the decline. We follow the nomads of Ritoma as they navigate the collision of tradition and modernity.
For Sang-yu, to be rich in Hong Kong means you get to make choices instead of someone making them for you. Hired by giant property developers to buyout ownership of tenement buildings, she earns considerable income and lives the kind of life lauded by mainstream society. During one of the buyouts, she starts to realize the harm her work inflicts upon others. She falls further into a moral dilemma when her boss assigns her a difficult buyout task, a profitable opportunity for her. In Hong Kong where real estate is considered above all else, the grassroots are left to fight for survival in desperation.
In a fast growing city of East China, migrants have been arriving and living for a dream of a better life. But what they find there is little opportunities and poor living conditions that push people, even couples, into violent and oppressive relations. Xiao Min, Ling Ling and Lao Yeh are some of the characters of this bitter chronicle of today China.
Revolt is youth. The story centres around a teacher’s pet who strives his best only to become the eternal runner-up, and a pair of intelligent but diametrically different step-siblings. Set in 2012 during the transition to the new academic structure for senior secondary education and higher education, the young students reconsider and challenge the limits of sense and sensibility through seven exam questions. In their wet dreams, all rules go loose.
A Chinese Chiropractor who wants to forget a miserable past, a grandma who depend on her granddaughter for survival, a new immigrant who had suffered domestic violence. Three desperate people survive rigorously and helped each other each in such a difficult time. Their destiny smashes their dream that has been woven under the hard life. An abandoned traffic accident turn their fates into a bond. Miserable memories light up the flames of vengeance of fire, triggering a chain of violence, …. He who kills pays the forfeit of his life. He who rapes pays the forfeit of his life.... All dead! ... Is it that violence must be met by violence., or ... ... even violence has its path! Can providence cover up the intention of killing?
A jobless Pakistani immigrant who wants to salvage his marriage by driving for riding apps, which is targeted by the Hong Kong police.
Jamie re-encounters his old school friend, Kevin, who has been suffering from depression, and must make a choice between following his heart or society.
Difference in generational values is perhaps as old as time itself, and can neither be explained nor resolved. An ambitious teenager is eager to explore the world by reaching the other side of the river. He meets an indifferent and unenthusiastic ferryman. The tiny ferry is not large enough to hold dissenting opinions. The ferryman considers the teenager naive while the teenager thinks the other spineless with no stance. Reflecting on the present, their conflicts and separate beliefs make a consensus almost impossible. Two people set for sail, yet only one reaches the shore. On the other side of the river, the youngster, instead of hope, witnesses the end of an era.
The film charts the origins of the Umbrella Movement through the eyes of the activists and ordinary people who made it happen. From the June 4th Candlelit Vigil until September 28th, this documentary puts us at the heart of the action, allowing us to experiencing the highs and lows of that remarkable summer, when Hong Kong witnessed a "blossoming of democracy."
A co-creation by Kongkee, Weigo Lee and Tsui Kahei. This is a sci-fi set in the 60s Hong Kong with a fictional history and a rewritten future. Illustrated with mesmerising colours, a robot is in search of the secrets of souls.
Welcome to the No Sleep Club where you are never alone in fighting insomnia. The three members of the Club, including the hot-headed and now unemployed chef who often goes on profanity-laced tirades, Tina, a runaway forbidden by her parents to pursue dancing, and William, the poet who feels underappreciated. They share a common objective: to be cured of insomnia and leave the Club. Chi, the latest chairman of the Club, is in charge after losing both his girlfriend and his sleep, bringing a breath of fresh air and a new goal to the Club.
In June 2018, Hong Kong singer-songwriter Gin Lee held her solo concert First Of All at the Hong Kong Coliseum for the first time. She kicked off the concert with Guang Huan and Sui Feng Er Lai, Sui Feng Er Qu. Gin performed all her hit numbers, spanning from her debut track "Dive" to the recent hit "Faith." She also reinterpreted Shirley Yamaguchi's Qiu Yi Nong, which she sang on The Voice of China three years ago. Justin Lo appeared as the guest singer and the two sang Kong and Jacky Cheung's classic "Love is Eternal" together. Gin's friend AGA also made a guest appearance to sing their famous duet Yi Jia Yi.
Cheung, perceived as weird and bullied by his classmates for his introversion and odor. Amidst the bullying, he finds solace in the attention it brings, contrasting the typical victim stereotype. His classmate Kwong leads the bullying to mask his insecurities but faces backlash as classmates shift their views. Meanwhile, Yu, who has a longstanding crush on Kwong, finds her feelings unreciprocated, leading to broken bonds and misunderstandings. Their school life is deeply affected by the pervasive bullying, leaving all parties hurt.
From funny to warm & touching… A smile with tears story of a group of unsung dog rescue heroes The charitable film takes the "Paws-Men" as the backbone of the dynamic organization, bringing out the message of respect for the spirit of life and the love of animals, that hopes to raise public awareness of animal rights and interests. The movie is divided into four chapters, each chapter with a famous actor as the leading character. The Paws-Men are Tat Yan, Charlie, Seal, and Keith. When a dog is in need of rescue, the Paws-Men assemble to save the dog immediately like Batman. “Paws-Men” tells the story of rescuing dogs, in which Paws-Men encounter many difficulties, such as a dog eatery, bullies and a dog abusing granny. Yet Paws-Men witness true friendships between dogs and humans. This film makes us realize: Saving dogs is not hard. People are the real problem.
A rousing dog and man comedy composed of just 61 shots, and set in Shenyang in northeastern China, where people argue continuously. The film takes off from the premises of an MA student losing his professor’s dog and must enlist his father’s help to retrieve it, lest his prospects of a tutorship vanishes. A biting satire on every conceivable ill in modern Society, and an endearing portrait of a father-and-son relationship.
Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.
The two protagonists – an architect and a prisoner living in parallel realities in the present time and an ambiguous distanced past, respectively – conjure up imaginations and experiences of imprisonment. In their dialogue across space and time they debate the relations between humans, the world, and freedom. They talk of visible and invisible imprisonment, existentialism as a means of self-redemption, and at the same time question the relationship of humans to the space around them. An attempt at reconciliation with the world and human nature.
In a world where only the abuser and the abused exist, suffering and torture are the only outcomes amid the silent cries. 10 year-old Minnie, kidnapped six years ago, is not the only victim. The kidnapper Ha abducts little girls for their youth and immaculate skin in order to create his “masterpiece”. After six years, spared her life, Minnie is all obedience to Ha, even wishing to be part of the sadistic killer’s tour de force. Unfortunately, she is not the perfect collection for him. To Minnie, Ha has become her lifeline, shelter and everything. When the line between the perpetrator and victim blurs, who takes ownership and control over the destiny of the other?
Hand drawn animation by Ho Tsz Wing is a creation of an imaginary and magical forest
Kuen is a lounge singer on Temple Street. Her son Kakei, now a university student, returns to Hong Kong for just a few days after emigrating to Canada with his father. Kuen's colleague Kit has to work overnight and enlists Kuen’s help to take care of her young son. During the sleepless night, Kuen and Ka-kei relive their past and envisage their future through another pair of mother and son. Under the bright sun, the cycle of life and family relationships continue, made all the more touching by the nuanced moments of care and concern between each other. SHAM Ka-ki of Weeds On Fire plays the son and renders a tender and layered performance full of subtlety.
Hins Cheung held his HINSIDEOUT Concert 2018 in June for six days at the Hong Kong Coliseum. During the concert, he performed some of his greatest hits, like "Under the Cherry Blossom Tree," "Ardently Love" and Hurt So Bad. Hins also reinterpreted a few Cantopop hit numbers, including Joey Yung's "The Big Yellow Door," Kary Ng's "Myself," Joyce Cheng's "Goddess" and Kay Tse's "Wedding Invitation Street."
Motion creation, energy transmission and kinetic combustion. An audiovisual collaboration.
The Adventure of Tingting – Postman the Ghost (Ep1) Date: 17 August / Weather: Sunny / Temperature: 27°C Tingting Wong and best friend Lingling Chan have been caught by the cops! The policewoman tortures them forcing them to unveil who burnt down the postbox and why! Tingting fights with the policewoman like a superhero! Finally, Tingting wins over the Postman Ghost to protect the future of Hong Kong!
Lai-sing, full of aspirations as a journalist, lives in Hong Kong with his sister Kei-mei. Their parents live in Hainan since retirement while Uncle Guoyou lives in Shenzhen. The family is separated until the third anniversary of the death of Lai-sing's grandmother. According to tradition, a monument has to be erected on this occasion, which brings the family members to meet up. The reunion slowly unveils the indiscernible distances and intimacies built over time. It is only through understanding and acceptance that they would cast aside their differences and show genuine care for each other.
As Hong Kong increasingly loses its sovereignty under China’s control, Momo leaves home for Berlin, hoping to finally breathe the air of freedom. But life doesn’t look like what he imagined—instead of advancing his fashion career or finding love, he ends up working and living in a Chinese supermarket. Momo soon finds himself straying even further, going on an uncanny journey with other outcasts in the city of Berlin.
Makino Takashi takes us to a place where different rules apply. He overwhelms us with his universe, which is built up of countless images, figurative and non-figurative, accompanied by an equally sophisticated soundtrack. At times very abstract and distant, at others almost palpable and narrative. We naturally seek recognition in the infinite layering of the images, and in so doing compose our own story, based on what we ourselves know of the world, using our personal references to help us. In this way, a work arises unique to every viewer, which continues to reverberate long after we leave the cinema.
In the aftermath of 2014's Umbrella Revolution, five Hong Kong activists are confronted with the question of what it means to be Hong Kongers.
The Umbrella Movement was a wave of street protests that took place in Hong Kong from September to December 2014 as a reaction to oppressive practices of the Chinese government against the citizens of Hong Kong dissatisfied with planned changes in the electoral system. In her feature film debut, To Liu captured the citizens of the western part of Kowloon, Mong Kok, whose protests might not have been as visible as those of the leading activists, but were no less important. The documentary rhythmized by opening entries and darkening of the scene, much like the director’s first film, follows two characters, a master and an apprentice.
This film shares the common theme of migration and search with Kal Ng’s 1999 film Dreamtrips, while further visualizing the two cities of Toronto and Hong Kong. We can see in this film an empty version of Toronto and a purified version of Hong Kong, which appear and disappear on the screen alternately and create a world of constant flux and imagination. Influenced by André Bazin's 'myth of total cinema', Kal Ng feels that the ultimate purpose of cinema is to re-present a priori experience of human existence deep down inside. In other words, cinema is never a fully developed invention, but a progressive movement that continuously explores the imagery system. Through his films, Kal Ng focuses on exploring the spatial dimension of how emotional messages are conveyed beyond the narrative through the interaction between human beings and landscape.
Beginning with a private, rolling party on board one of Hong Kong's iconic streetcars, travel journalist Rudy Maxa and former chef and now Washington, D.C. restaurateur Daisuke Utagawa lead viewers through on of the worlds most exciting cities. Hong Kong takes cuisine from around the world and makes it its own. Explore the cuisine as well as the mostly unknown, lush side of Hong Kong where hiking trails and beaches rule. Bangkok - In a city where the weather is always hot, it is natural that residents spend so much time eating outside. Street food rules the capital of Thailand, and no visitor should miss the opportunity to follow local custom. Utagawa and Maxa taste their way through the city while exploring the Klongs (canals) and temples that make Bangkok a visitors paradise.
An overwhelming pro-democracy movement in Hong Kong (also described as the Occupy Movement or the Umbrella Revolution in the region) in 2014 has devastated many families in the city. A veteran journalist father, a policeman son and an activist daughter are living in a torn society of Hong Kong. The trios in the Suen family are caught off-guard by the teasing of Moerae, or the Goddess of Destiny. In philately, "tête-bêche", or head-to-tail in English, is used to referred to a pair of generic stamps which is inverted in relation to one another, either through a printing error or intentionally. The stamps are of special value only when they are unseparated. Metaphorically, "tête-bêche" can precisely reflected the portrayed family's tricky situation, that different role-plays or value judgments can lead to sparkling tension among family members, yet somehow the old saying of "blood is thicker than water" prevails.
Hong Kong's story is a history of loss, embodied (or rather disembodied) in the hairs on Kin's head, which fall out one by one.
Mothers often go to extremes and make sacrifices for their children, including feigning madness. Fun-nei's mother has been kept in custody in a mental hospital for killing her husband, leaving daughters Fun-nei and Si-ling on their own. Fun-nei later achieves success by making her eventful life story into a documentary. One day the mother escapes from the hospital and returns home. Furious that Si-ling has not reported the escape, Fun-nei clashes with her sister and films the conflict, eventually unveiling the hidden truth.
Hundreds of feet in the air, a drone approaches a row of skyscrapers along Hong Kong’s affluent southern coast. The target: giant holes in the buildings’ facades kept clear for the passage of mythological dragons. Over three successive trips, an affectless voice offers thoughts on feng shui architecture, ideological resistance, and notions of queer identity.
“Human race will just surrender to fear by betraying our true feeling.” – Taizo Kato. The value and happiness of people should not be built on others. If you try to find someone to complete your life, your self-value will become dependent on others and will feel incomplete when you lose this person.
Once upon a time on a deserted parking lot, in a galaxy far far away, everything turns rainbow, rainbow, and rainbow...
Global in scope but intimate in spirit, Simon Liu's Fallen Arches is a dizzying assembly of footage shot between the bucolic English countryside and buzzing metropoles New York and Hong Kong.
After releasing the album Wake Up Dreaming in late 2014, Jacky Cheung held a small concert at Beijing's National Olympic Sports Center on May 24, 2015. The Wake Up Dreaming Concert only hosted 8,000 audience members at the venue, while its livestream accumulated 50 million views. The concert is now released as a live video album featuring the pop king's impeccable performances of the songs on Wake Up Dreaming and other select hits and medleys.
The essence of "The Pearl of Tailorbird" lies in the fortuitous poetry generated through the process of multiple translations – avian to human, phonetic to semantic, textual to visual – in which the latent porosity of language helps give birth to multi-layered resonances. For Hayama, this kind of whimsical linguistic deconstruction underscores the central role of language in the process of anthropocentric world-building – and offers a method for transforming hegemonic modes of knowing into ones perhaps more sensitively attuned to our own origins in the natural world. Coaxing a depth of associative meaning from the rhythmic interplay of sound, text, and imagery, The Pearl of Tailorbird perhaps most resembles lyric poetry – or a hermeneutic puzzle – given spatial form. (www.emptygallery.com)
The Screen Shaver starts shaving every inch of his hairy body, but saves the stache.
A documentary or travelogue about China 2017
The motions and gestures of military riot police, slowed down while performed by dancers, are surprisingly beautiful. Menace and violence estranged from context and time looks eerily strange, and all too familiar. In this gallery piece, Isaac Chong Wai somehow anticipates, a year early, key images of the Hong Kong protests.
Documentary short film capturing a reflection of a grandmother headed towards the end of the autumn years of her life.
Impressions of Hong Kong and Tokyo by day and night shot entirely with a 35mm still camera. Star Ferry is structured between moments of stasis and frenetic movement, drawing out tensions between abrupt passages forward past neon signs and LED advertisements to quiet observations of personal rituals.
Franco Mella is a devoted figure whose life bridges Catholicism and Communism. He has journeyed through Asia, lived simply, and fought for social justice, notably within Hong Kong's protest history as depicted in "Ordinary Heroes" (1999). Mella's path weaves through religious and revolutionary movements, from church beginnings to Communist activism and the Handover, always driven by his missionary spirit and communist ideals. For four decades, he has steadfastly championed the oppressed, undeterred by shifting politics, expressing solidarity through music and protest, and remaining a symbol of wisdom and resilience for the people of Hong Kong.
Hyacinthine Scar condenses the undigested emotions in me while traveling from Hong Kong to my brother’s wedding in Guam. Presences and gazes of all sorts, to look and to be looked at, repetitive camera work of the hired videographers, the vow that is rehearsed over and over again by the priest, all the uncontrollable clickings of the shutter from all us (including myself), and the endless sightings of different sides of the fragmented Western Pacific. The many spots I visited appear as though they belong to passersby. They are as real as they are dreamy.
A young girl Pui and her father live together leaning on each other for support, but they still feel lonely and insecure. At the same time, the young girl is haunted by the death of her mother. After small accidents, she magically starts to walks into an Another World over and over again, where memories and realities intertwined, but she has no idea whether it’s a dreamworld, or a ghost land.
A stunning piece of imagined night cartography rendered in an intricately crafted digital filigree.
How would monkeys behave if they had access to social media and the internet? A black monolith falls into the Stone Age world and wakes up a monkey. Through the monolithic screen, will he discover how his species colonized the Earth in a parallel world?
It’s confronting to step into the unknown. Reassurance or validation is sought from anywhere we can find it; at least for that bit confidence to move forward. Building on experiences, exploring new environments, adapting to the unfamiliar, all becomes part and parcel of progress. But what if it all gets too much? Finding yourself and fitting in, compromise and keeping up? Sometimes you just need to pull yourself out of it, appreciate the people around you, and enjoy every moment. Because life should be more uplifting.
Dear, Can I Give You a Hand? explores the erotic obsessions and existential panic of a senior citizen with a deadpan narration as touching as it is disturbing.