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Gentille Alouette

Gentille Alouette is a 1990 French-Chilean film written and directed by Sergio Castillo. Geraldine Chaplin stars as an actress in Paris that is stalked by a Latin American colonel played by Hector Alterio. The colonel (Alterio), begins to stalk his former lover, Angela (Chaplin) as he suspects her of political involvement in an anti-government group. Surrealist elements become apparent as the Colonel fuses his memories of Angela with his suspicions to create fantasy scenarios of capturing the elusive actress.

Gentille Alouette

8.5 1990
El columpio

Late at night, a boy and a girl are waiting for the last train in a subway station, which is deserted but for them. They are thinking to themselves about their problems, and we hear their thoughts as voice over monologues. Soon they start exchanging casual glances; they find each other very attractive, and, separately but simultaneously, they start to fantasize about what would happen if they got together that night. They get really excited with this game in their minds; It's almost like they've fallen in love at first sight. And then they hear the train coming... they have to take a decision: Will they dare to say to each other what they're feeling before it's too late?

El columpio

6.9 1993
Jealousy

A month before he's to marry Carmen, Antonio finds a photograph of a man with his arm on her shoulder. The photograph triggers jealousy: he questions Carmen, Carman's friend Cinta, and his friend Luis who introduced him to Carmen. Cinta tells Antonio the man's first name. Carmen tells him that the man meant nothing to her, and that the photograph was taken before she met Antonio. She loves Antonio and sets out to wipe the photograph from his mind through exuberant sex, but her ploy backfires and Antonio remains fixated. Slowly he finds out about the man, and about Carmen's past. Will jealousy consume this couple or can they find a way to kill the green-eyed monster?

Jealousy

5.4 1999
Vertical Love

The architecture student Estela (Silvia Aguila) makes a suicide attempt after her plans for solving Havana's housing shortage are rejected. This brings her into contact with earthy, cynical hospital nurse Ernesto (Jorge Perugorria). Estela invites him home for dinner, and he succeeds in offending everyone present. Unable to find a quiet spot to be alone, they finally find a squatters' tenement, where their sexual frenzy causes a ceiling to collapse. They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge. Amid the misadventures, lust turns to love

Vertical Love

7.4 1997
The Miracle of P. Tinto

Wafer factory-owner P. Tinto and his wife Olivia want a child of their own more than anything else in the world. Years of trying, however, have left them with nothing but a pair of extraterrestrial midgets living in the spare bedroom. When they decide to try adoption, a series of misroutings and chance encounters results in an escaped adult mental patient arriving at their door with adoption papers in hand. P. Tinto and Olivia accept this without question and welcome him in as their son. Can this family arrangement work?

The Miracle of P. Tinto

6.8 1998
Do It for Me

Andrés's wealthy father-in-law runs a textile factory; he retires and brings Andrés to Madrid, with wife and son, to run the company. Andrés works long hours, but his wife is bored, and there are tensions at home. When Isabel, a femme fatale, spots Andrés at a party, he's easy prey - but soon, she might be falling for him, perhaps enough to dump her boyfriend Paco, a small-time cocaine dealer. What if Andrés falls for her? What would he sacrifice to have her? And what about his wife; will she fight to keep him?

Do It for Me

6.3 1997
The Bilingual Lover

Joan Mares obsession for the lovely and luscious Norma Valenti takes epic proportions because he cannot let go of her. After he is injured by some skin heads, he uses his scars to pursue his life as a street musician. He devices a plan to get to Norma and she never catches on to his deceit, except she realizes that as Juan Faneca his performance in bed is exactly what she had experienced with Joan Mares because she concludes they were taught sex by the same prostitute.

The Bilingual Lover

4.0 1993
Padre, patrón

Mister Joaquim Pelletier and his wife request the services of the private detective Pepe Carvalho to find the murderer of their only son, Mariano. As the investigations progress, Pepe finds out that Mariano was not such a model son as his father thought. He had a double life: a banker at daytime, a thug at night; he was cooperating with Jesús Arquimedes, the boss of the underworld, by doing illegal works for him. But Mariano had decided to betray Arquímedes, embezzling $500 000 of the money he was laundering in Bank Pelletier, to start a new life in the USA. Arquímedes puts pressure on Carvalho to find his money. Surprisingly enough for the detective, the guilty one is not Arquímedes, but the father of Mariano. Mister Jaoquim had a passionate relationship with his son since childhood, he wanted to mold his son as he had always dreamed, and never admitted that Mariano was someone different and a rebel who wanted to run away from Barcelona for ever.

Padre, patrón

10.0 1999
Gimlet

Julia runs a trendy bar in Barcelona. She treats men with caution, believing one can love too much and invite pain. She's been dating Pablo, one of her waiters. After his grisly murder (his heart is cut out), she receives anonymous messages and video tapes from a man who says he is in love with her. Another murder follows, the police give her 24-hour protection, and Pablo's replacement at the bar, the virile Antonio, seems to be attracted to her. As Julia's stalker closes in, she's on the verge of a nervous breakdown, then becomes almost serene. Leading the investigation is a police comisario who's eyes are covered as he awaits the completion of treatment. Will we see the murderer?

Gimlet

5.7 1995
How to Be Miserable and Enjoy It

Carmen, an attractive 40 year old woman, suddenly belongs a widow. For her, the emptiness feeling is new and disorienting. Trying to rebuild her life, Carmen finds that men around her are interested in offering her more than a shoulder to mourn. The unexpected pregnancy of his daughter, putting even more pressure on Carmen. She brings her daughter back and to look after the baby together. This becomes one more element to overcome in their efforts to organize themselves.

How to Be Miserable and Enjoy It

6.7 1994
Ciro-Norte

On stormy night in an ugly urban landscape, Ciro Norte, a scientist with wild hair and thick glasses, straps himself to a chair he's has fashioned with wires: lightening strikes, convulsing him. It seems his experiment has not worked. The next day, he drives his jalopy to a bar, sits alone, and weeps. But suddenly, a vortex sucks him into a dream state where he wanders, escapes man-eating fish, confronts his doppelganger, walks through a field of giant flowers, and comes upon Venus herself, buried up to her shoulders in sand. She is a giant, and she takes him to her breast. He wakes from the vortex, back in the bar, his mood transformed.

Ciro-Norte

5.3 1998
Turkish Passion

A young woman’s passion forms the basis of this erotic Spanish drama adapted from a popular novel by Antonio Gala. The night before Desideria’s marriage, her girl friends give her some valuable advice on sex. The marriage takes place, and while it is generally happy, her husband Ramiro suffers from sexual dysfunction and Desideria is frustrated. The two end up on holiday in Istanbul with two friends. Desideria falls madly in love with the sensual ambiance of the ancient, teeming city. She begins a passionate affair with a handsome Turkish guide, Yaman. Upon her return home, she learns that she is pregnant. Ramiro agrees to support the child, but unfortunately it dies in infancy and the grieving Desideria flees for Istanbul to find her lover. She finds him and they renew their torrid affair. Later she learns some distressing things about Yaman, but this does not stop her from becoming his sexual slave and a call girl for wealthy carpet sellers.

Turkish Passion

5.5 1994