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1+1: Exploring The Kinsey Reports

A college professor lectures on the recently published Kinsey Report, as Americans are stunned by the shocking sexual truths revealed by the statistics. Five audience members reflect on their own sex lives, which flesh out the research with real life experience. A young couple ponder the repercussions of pre-marital sex. Returning home from overseas, a man learns that his neglected wife has been unfaithful. Anguish follows a divorcee's romantic fling. Having had sex with no one but his wife in his entire life, a man attempts to sow some belated wild oats. A young girl considering abortion is horrified by the filthy illegal back-door 'clinics' that are her only option.

1+1: Exploring The Kinsey Reports

7.0 1961
The Best Damn Fiddler from Calabogie to Kaladar

"The Best Damn Fiddler from Calabogie to Kaladar" tells the story of Emery Prometer, a proud bush worker in Ottawa Valley, resisting government aid to support his family. The film compassionately depicts their struggles and the resolve of Emery's daughter, Rosie, (Margot Kidder in her film debut) to break the cycle of poverty through education. This '60s NFB standout authentically portrays their dignity amid hardship, showcasing Canadian filmmaking despite hurdles from private broadcasters' cost concerns. The Best Damn Fiddler from Calabogie to Kaladar won eight Canadian Film Awards, including Best Picture (John Kemeny, Barrie Howells), Director (Peter Pearson), Cinematography (Tony Ianzelo), Screenplay (Joan Finnegan) and Lead Actor (Chris Wiggins).

The Best Damn Fiddler from Calabogie to Kaladar

7.7 1969
Sweet Substitute

Busy navigating his final year of high school, brainy aspiring teacher Tom is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine, who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy. But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.

Sweet Substitute

4.3 1964
Chuckwagon

Focusing on the sport of chuckwagon racing at the Calgary Stampede, captured through a mix of aerial, POV, and ringside footage, the film is ahead of its time in the way it captures adrenaline-pumping action. This short documentary offers a ringside view of the chuckwagon race, star attraction of the world-famous Calgary Stampede. Once ponderous Percheron and Clydesdale draught thundered around the course. Now they are racers, and it takes a firm hand to guide such horsepower.

Chuckwagon

9.0 1964
The Ballad of Crowfoot

Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.

The Ballad of Crowfoot

6.8 1968
Danny and Nicky

This feature documentary offers a comparison of the care of two boys with Down syndrome. Danny lives at home with his brothers and sisters and attends a special neighborhood school for children with disabilities. Nicky lives in a large institution for persons with intellectual disabilities. This film clarifies common misconceptions about intellectual disabilities, and presents an intimate portrait of the families, staff, and communities that come together to assist Danny and Nicky in learning, playing, and living a fulfilling life.

Danny and Nicky

9.0 1969
Morning on the Lièvre

This short film offers a picturesque tour through the maple-wooded hills alongside Québec's Lièvre River in autumn to the accompaniment of acclaimed poet Archibald Lampman’s poem Morning on the Lièvre. Trees are ablaze with colour, and their splendor is reflected in the mirrored surfaces of the water, offering a glimpse of the landscape Lampman knew so well through the poet’s eyes and words. Lampman’s poem is read by broadcaster and poet George Whalley, with accompanying score by composer Eldon Rathburn.

Morning on the Lièvre

9.0 1961
Georges-Étienne Cartier - The Lion of Québec

This short biopic profiles Montreal lawyer-turned-politician George-Étienne Cartier as he campaigns to unite English and French Canada under Confederation. The political world of a century ago comes to life as we hear debates in the Parliament of Upper and Lower Canada amidst political strife and personal feuds. Ultimately, Cartier skilfully allays the fears of party and sectional leaders, convincing them that federal union would protect, rather than weaken, Quebec’s cherished rights of language and religion. The eloquent and enigmatic Cartier was instrumental in shaping the Canada that was soon to emerge.

Georges-Étienne Cartier - The Lion of Québec

4.5 1962
Palace of Pleasure

John Hofsess’s The Palace of Pleasure emerged from the psychedelic haze of 1960s postmodern art. It was a blistering work that combined arresting abstract imagery with the wounded expressions of a young couple, edited into a collage of mass culture imagery and album and book jackets, all of it framed as a therapeutic treatment. Addressed to a generation coming up in an era of protest and social change, where many found themselves increasingly burdened with hopelessness, paranoia, and neurosis, The Palace of Pleasure was offered as a cleansing ritual, a post-Freudian expelling of dammed-up energies that anticipated The Primal Scream. In this video, Stephen Broomer discusses Hofsess’s therapeutic ambitions, how the film was composed of Hofsess’s earlier films, and the sensual spell of the work, the way in which it commands us to enter into a universal fellowship of touch that circulates, from us to us, through us, to strain the boundaries between the self and the other.

Palace of Pleasure

7.0 1967