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I Wonder Who's Killing Her Now?

Oliver is in trouble. He's been caught embezzling money from his father's company, and unless he can pay back the $250,000 he took (which he can't), he will be fired from his job, arrested and probably sent to jail. Meanwhile, his rich wife has not only refused to bail him out of this mess, she's planning to divorce him. Desperate, Oliver thinks up a way out. He takes out an insurance policy on his wife with him as the beneficiary, then hires a hit man to kill her. The only problem is that because the doctor who performed the examination is an incompetent fraud, the insurance policy is invalid. Desperate to call off the hit, Oliver tracks down the hit man, only to find that he's subcontracted the killing to another hit man. Tracking down that killer reveals that he, too, has hired it out to a third person, and so on, and so on. Just how many people are trying to kill Oliver's wife?

I Wonder Who's Killing Her Now?

3.6 1975
The Young Runaways

Heartless parents C.L. Doyle and his wife take two of their older children, Rosebud & Joseph T. Doyle, on a family vacation to Alaska, but dump their younger ones, Freddy & Margaret Jean, in a Los Angeles foster home. Infuriated by this, Rosebud talks Joseph T. into running away with her so that they can break their younger siblings out of the system, which sparks a manhunt, and an outburst of sympathy among kids everywhere. [Wonderful World of Disney (1954), Season 24, Episode 17]

The Young Runaways

7.0 1978
Juke and Opal

“WINTER, 1973. Late afternoon: the entr'acte between dusk and darkness, when the people who conduct their business in the street -- numbers runners in gray chesterfields, out-of-work barmaids playing the dozens, adolescents cultivating their cigarette jones and lust, small-time hustlers selling ‘authentic’ gold wristwatches that are platinum bright---look for a place to roost and to drink in the day's sin. Young black guy, looks like the comedian Richard Pryor, walks into one of his hangouts, Opal's Silver Spoon Café. A greasy dive with a R & B jukebox, it could be in Detroit or in New York, could be anywhere. Opal's has a proprietor -- Opal, a young and wise black woman, who looks like the comedian Lily Tomlin -- and a little bell over the door that goes tink-a-link, announcing all the handouts and gimmes who come to sit at Opal's counter and talk about how needy their respective asses are.” — Hilton Als

Juke and Opal

NR 1973
Las Vegas Lady

In Las Vegas, Lucky and two of her girlfriends, Carol and Lisa, plan to steal half a million dollars from the sadistic manager of the Circus Circus Casino. A shadowy man is their contact and organizer. Each of the women could be a weak link in a scheme that has to be flawless: Lucky's boyfriend is a security officer at the casino, Lisa is a trapeze artist who's now plagued with vertigo, and Carol is in debt to a nasty thug - plus, as a Black woman, she's subject to additional harassment. Can the gals pull off the heist, or is the plan, with it's mysterious organizer, too complicated to succeed?

Las Vegas Lady

4.2 1975
Black Belt Jones

Jones is a secret agent who has gone into semi-retirement, concentrating instead on teaching the martial arts to inner city youths. The karate school is run by a kindly old coot named Pops. His gambling debts, however, bring the local thug, Pinky, down on him. To make matters worse, Pinky is then hired by some white thugs who want to get a hold of the property Pops' school occupies so they can build a shopping mall. When things get heavy, Black Belt Jones leaps into action. Only he's not alone. Pops' daughter, Sidney, shows up to lend a hand, proving herself every bit as agile and powerful a martial artist as Jones.

Black Belt Jones

6.0 1974