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Three Arguments about the Opium War

The Taiwanese philosopher-filmmaker James T. Hong (*1972) work: “Three Arguments about the Opium-War” (2015) is an inquiry into the competing narratives and contradictory logics embedded into what constitutes “history”. The dual-channel film juxtaposes footage of sites from the historical Opium Wars with contemporary views of Hong Kong’s harbor and cityscape. Each channel is accompanied by textual components: the war sites are overlaid with distanced narration describing how certain socio-political conditions pave the way for colonization, as well as the impossibility of any population having the same uniform political views. The recent Hong Kong footage features text justifying the British colonization of China, focusing on opium as a fitting punishment for perceived Chinese transgressions.

Three Arguments about the Opium War

NR 2015
Punks from Afar

In 2017, four bands from the Chinese mainland toured in Taiwan. It marks a historic moment in the cross-strait subcultural communication. The tour is the biggest underground rock event made by rock bands from the Chinese mainland in Taiwan. With the GT Bitches's tour as the main plot, the film is an interview of 10 punk bands, gig organizers,and music fans from the Chinese mainland and Taiwan. What is the punk cultural difference across the strait? The interview in the film might provide a partial answer…

Punks from Afar

NR 2018
The Inspired Island: River Without Banks

River Without Banks (2014) takes poetry and war as its main theme. As homage to Death of a Stone Cell, the film is structured into ten segments; each led by the first lines of the first ten stanza of the poem. Correspondences between the poet and his friends are incorporated throughout, taking the audience back and forth between Lofu's youth and middle age, only to eventually depict a full picture of the protagonist. The camera follows Lofu on his trips back to the bomb shelter and tunnel in Kinmen and his hometown Hengyang in Hunan Province of China, while also capturing his daily life in his adopted country of Canada. Acclaimed as the "Wizard of Poetry", Lofu shares through the film of the most insightful reflections.

The Inspired Island: River Without Banks

NR 2014
A Sam

Sam, a 25-year-old young guy, is lost in the process of making his movie dream come true. Where is his future? Who should he believe? Sam doesn't have the answer. He decides to leave for Yunnan, trying to embrace the notion of pure nature, leaving all the frustration and difficulties behind. However, he still returns to Beijing for achieving his movie dream. During his journey, he has heard different opinions about what he should or should not do. Facing all the expectations and suggestions, Sam can't figure out his way, but wants to hide and to run away instead...

A Sam

NR 2011
Travelling Through Brush and Ink

"Travelling Through Brush and Ink" is a stop-motion animation of a little modern man traveling through four significant ancient Chinese paintings, transforming himself into animals and plants, and becomes part of the nature. Each painting represents four important stages of landscape art in Chinese history. Based on the original paintings, we built the sets and animated little character inside- all frame by frame. The animation is the opening film of 2016 annual exhibition National Palace Museum Taiwan.

Travelling Through Brush and Ink

NR 2017
Marshal Tie Jia – Turtle Island

Chia-Wei Hsu's video engages with the history of a tiny island off the coast of Matsu, which is situated in the Taiwan Strait. The island is under the commandment of a local god called the " Marshal Tie Jia," a frog deity. This deity originated from a temple on Wu-Yi Mountain in China, which was destroyed during the Cultural Revolution when the deity migrated to Matsu. In Hsu's work, the island is used as a stage. Employing the cinematographic device of the "green screen" - a generic background replaced in the post-production process with any other background image - Hsu places a fictional version of the original tiny temple on the island, which has long since been replaced by a dilapidated bunker.

Marshal Tie Jia – Turtle Island

NR 2012
Miracle

In the day he is a delivery driver for a factory, but on dates that ends with 3, 6, or 9, he exchanges his dirty work clothes for a mottled apron with a delicate yellow dragon. The apron is like a mission that carries on the last wishes of his late father. Taking over the mantle of his father, he becomes a psychic. He must encounter all kinds of issues, which include joy, sadness, sickness, and even death. Moreover, he faces the dilemmas and helplessness of other people. We want to know how he can find a way of life for those believers, and how he can strike a balance between being himself and a psychic. (Taiwan International Ethnographic Film Festival)

Miracle

NR 2016
Realm of Reverberations

For more than two decades, internationally acclaimed artist Chen Chieh-jen has illuminated the deep impact of power on bodies and architecture. Here he explores a pair of sites built by the Japanese colonial government in the early 20th century: the Losheng Leprosy Sanatorium and the Taipei Prison. The first was on the outskirts of Taipei, the second in the heart of the city. Both were used for controlling marginal populations; both continued to operate long after the Japanese left; and both were eventually torn down for urban redevelopment. Across its four sections linking different times, places and people, Realm of Reverberations reveals cycles of construction and destruction, and the ironies of emotional attachment and historical detachment.-UCLAFilm&TV

Realm of Reverberations

NR 2017
The Inspired Island:  The Coming of Tulku

The Ancient Chinese philosopher Zhuang Zhou’s dream of becoming a butterfly blurs reality and fantasy, reflecting a poet’s desire for freedom and eternity. The coming of Tulku draws from Buddhist classics, using Chou Meng-tieh’s life as a metaphor. His experiences at WuChang Street and his bookstand, started in 1959, led to enlightenment and loyalty to Buddha and loved ones. Influenced by Buddhism, his poems blend Zen with grace, affection, and prudence, capturing life’s essence with strength and delicacy. He closed his bookstand in 1980 due to illness.

The Inspired Island: The Coming of Tulku

8.0 2011