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Oh! Man

After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world war. From the emblem of totalitarianism to individual physical suffering, the directors use this representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children, from 1919 to 1921. From the deconstruction to the artificial reconstruction of the human body, they try to understand how humanity can forget itself and perpetuate these horrors.

Oh! Man

6.7 2004
Petite Mèmoire

'Petite mémoire' tells of a forgotten woman's face and the attempt to shed light on the memory, to restore clear features to what is indistinct, but the closer one gets, the more the face vanishes, taken away by other images ready to reclaim the same attention. …and at the end of the journey, stopped in an empty station, one is left with the doubt that only one's own projections, or those of other travellers, have passed outside the window; that the treadmills of memory have deluded us again, us and our empty suitcases...

Petite Mèmoire

NR 2003
L'uomo privato

Between Turin and Pisa unfolds the life of a socially and professionally successful university professor of law. Endowed with great intelligence and an elusive charm, the man and the professor lead a “withdrawn” existence that occasionally borders on the beds of casual lovers. Determined to control reality and keep it carefully at arm's length, he becomes involved despite himself in the suicide death of a student. The boy, obsessed with the professor's life, has painstakingly recorded his lectures, his behavior, his habits...

L'uomo privato

6.8 2007
Solo limoni

The video is composed of 13 episodes that tell some moments of the days of Genoa. From the climate of the Red Zone to the police charges on the procession of 21 July, to the situation around the body of Carlo Giuliani in Piazza Alimonda. The shooting is a selection of images shot by Giacomo Verde and other independent video makers connected to different groups. The video’s intention is to tell what the media fail to show because they are trapped in the rules of communication-show and scoop. So many episodes are commented by texts of "militant poetry" in order to provide reflective ideas that go beyond the contingency of facts, and others use images "effected" (rallenty, velocity etc.) and an original sound commentary in order to go beyond the documentary data still present. A video that wants to be an instrument of emotional and political reflection, for the various components of the anti-g8 movement, on the different issues raised by the days of Genoa.

Solo limoni

NR 2001
Guerra

GUERRA is a non-linear story and doesn’t have real or proper characters. On the bare space of a stage or in the crowded streets of the Old City of Jerusalem everyone fights – through physical actions, the gestures of the actors and people, through words and music – an ‘inner war that is also the war of the world’. From the travel diaries, the emotions and the glances, the film brings together stories that cross over borders, stories ‘atrocious and happy, simple and full of poetry’, underlying the importance of the theatre and art.

Guerra

NR 2003
Vincenzo Bellini - Norma (De Nederlandse Opera)

In Guy Joosten's ingenious production of Bellini's masterpiece, Norma is about more than just beautiful singing. It becomes a layered, timeless drama in which Norma is the archetypal successful woman struggling to retain her dominant but vulnerable position. Hasmik Papian's lyrical and intense interpretation of the title role accentuates the striking similarity between a Druid high priestess and a modern opera diva. Conductor Julian Reynolds guides the brilliant cast, choir and Netherlands Chamber Orchestra to great heights, providing a refreshing new take on the chef d’oeuvre of bel canto.

Vincenzo Bellini - Norma (De Nederlandse Opera)

NR 2005
Il Lupo

Dir. Stefano Calvagna’s third feature is inspired by the real events in the life of Luciano Liboni, aka "The Wolf." A freewheeling interpretation of the character, here renamed Franco Scattoni (Massimo Bonetti), the film highlights the ups and downs of a rough and violent man, whose behavior borders on madness and is worsened by epilepsy. Il Lupo feels he has nothing to loose. Diving headfirst into a life of crime, he ends up killing a gas station attendant in Perugia in 2002. He then kills a young "carabiniere," and becomes a wanted fugitive. A case study in human behavior’s violent patterns framed as a psychological thriller and police story, this controversial film has been praised for the uncompromising realism of its disturbing narrative.

Il Lupo

NR 2007
Pimpa - Una giornata speciale

Pimpa receives a letter from Rabbit and rushes to the beach, where they play with his siblings. After they leave, she floats on a raft until the little fish Flip wakes her up—he needs a candle for Grandpa Fish’s birthday! Pimpa gives him one and joins the underwater party, where a fish band (Trombone, Trumpet, Drum, and Clarinet) and Boby the dogfish sing ‘Happy Birthday.’ Grandpa Fish shares his childhood dreams with Pimpa, especially his love for stargazing. She takes him to the surface on her raft to see the stars again. Meanwhile, Armando returns home but there isn't anybody, so Mirror Pimpa replaces Pimpa. Colombo arrives in Uncle Gastone’s rocket and whisks Pimpa and Grandpa Fish on a space adventure. Back home, Pimpa tells Armando everything before falling asleep, happy.

Pimpa - Una giornata speciale

8.0 2003
Stolen Art

Where does one draw the line between 'art' and 'theft'? Art and artist? A criminal and aesthetic investigation into the creation of incognito artist Pavel Novak, virtuosi counterfeiter wanted by the FBI for his 1978 "Stolen Art" exhibition in New York, which caused international stupefaction… some pieces proved to be stolen originals. Simon Backès takes us on a trek across New York, introducing us to specialists who unveil and question our relation to art- a matter of cultural legacy, but also, quite simply, merchandise. Does beauty exist without copyright?

Stolen Art

6.3 2009
At the End of the Sea

Todor, a Serbian smuggler in Trieste, Italy, earns his daily bread by smuggling fake brand cigarettes. He sails out in a small boat to collect his freight if there is enough mist to make his illegal mission possible. One day he reluctantly accepts a much larger cargo. In the crate he finds a wounded and drugged woman. Todor decides not to deliver the freight and takes the woman home with him. He takes a chest full of stones to his client and it soon becomes apparent that he has got himself into big trouble with this manoeuvre. Todor takes care of the woman, who slowly but surely overcomes her fear of him. By the time he manages to get her a passport, an unbreakable bond has silently grown between them and he asks her to go away with him. Fate decides otherwise.

At the End of the Sea

6.5 2007