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The Man From Cairo

"The Man from Cairo", a Michaeldavid production for distribution by Lippert, with Ray Enright the only credited director on the film print, finds Mike Canelli, the man from Cairo, nosing around Algiers with mystery surrounding the people he meets and the things he does and has done to him, all deriving from the war-time theft of $100,000,000 in gold which lies somewhere in the adjacent desert. People representing many nationalities and reasons are also seeking the gold. It boils down to a battle between Canelli and the original looter aboard a speeding train.

The Man From Cairo

5.6 1953
A Day of Grace

Ian and his faithful sheep dog Dan are inseparable but following a near-fatal accident at the lumber yard, Ian's uncle Henry is determined to have the dog put down. Ian and his faithful pal run away from home and are eventually found by a kindly farmer. He suggests the perfect solution to save Dan. Both boy and dog will be employed to help on the farm and the money they earn will be paid towards Dan's keep. Henry, ashamed of his harshness, agrees to the scheme allowing Ian and Dan to be together......for good.

A Day of Grace

10.0 1957
Man of Africa

Filmed in Uganda, Man of Africa was assembled by legendary documentary producer John Grierson. The film depicts the mass migration of the Bakija and Batwa tribes to a new territory after the natural resources of their native soil has been depleted. The pro-ecological message is always present, but never so much as to degenerate into fatuous speechmaking. As a means to introduce the semblance of a plot, writer/director Cyril Frankel concentrates on the trials and tribulations of clerk-cum-farmer Jonathan (Frederick Bijurenda) and his native sweetheart Violet (Violet Mukabuerza). Print quality in Man of Africa varies from adequate to murky.

Man of Africa

7.0 1953
In Prison

In Prison (1957) is a BBC documentary examining daily life inside HMP Strangeways Prison in Manchester. Filmed within the institution, the film observes prisoners and officials as part of a closed system housing hundreds of inmates, focusing on routines, discipline, confinement, and the psychological effects of incarceration. Avoiding dramatization, the documentary presents prison life as an enclosed social world, shaped by regulation, isolation, and repetition, offering a rare contemporary view of Britain’s penal system in the postwar period.

In Prison

NR 1957