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Many people live out their final days inside of a hospital, and in France, intensive-care personnel are becoming society's undertakers. Going behind the closed doors of an intensive care unit, this project uncovers the rhythms of daily life for health-care professionals. As it moves through their routines, their atmosphere and their conversations, it immerses viewers in the intense demands of confronting and “managing” death on a day-to-day basis. In France, we die in hospital, often in intensive care. Why ? Because this highly technical discipline concentrates the last hopes of our civilization which no longer wants to die. Caregivers, despite being trained to save lives, are on the way to becoming the undertakers of our society. This is not without consequence. By staging their words, their daily lives in the service, our project tells of the difficult confrontation with the end of life by the caregivers who manage it every day.

The island of Patiras is the first land on the water of the estuary of the Gironde (west south of France). It is the first place where the winds of the ocean sink. It is a modest land with no relief. At the point, there is a shelter, an observatory overhung by a lighthouse. It is a rough and delicate corner, where time is suspended, but swept by the wind, burned by the sun, blown by the salts of the spray.

Since he retired, Serge suffers from a bad case of nostalgia. When he finds a disposable camera lost during the family trip to Italy in 1989, he decides to have it processed as a surprise for his wife and kids.

The French controversial author Gabriel Matzneff talks about film/cinema and his taste and flavors, without editing or interruptions. Among a lot of favorable experiences Matzneff mention "The Boy with Green Hair" (1948) by Joseph Losey, "Salò, or the 120 Days of Sodom" (1975) by Pier Paolo Pasolini, and directors/auteurs like Marcel Carné and Orson Welles.

“Santa Claus is a capitalist. He brings toys to children of the wealthy and sweaters to those of the poor”. Nikos, aged five.

Camille, a young lady who has joined a Catholic mission in Cambodia and is ready to take her vows, crosses paths along a river and the Angkor ruins with a Cambodian man, Sambath, on a regular basis.

Tomorrow morning, Patrick must sign his youngest son up for a holiday camp. But first, he has to get Camille's health booklet from his mom's place, and she won't answer his calls. His eldest son, Michael, has the keys, but honestly, he's got other plans right now.

Hugues is forty years old. He's an actor but he doesn't want to perform. He's taken refuge with Serge, his partner, in the house where he grew up. However, Micheline, a director, insists that he tread the boards once again. Serge gives him an ultimatum: it's him or the play. Hugues chooses the play. When rehearsals start, Hugues, alone in the house, discovers naked people frolicking in the field adjoining the garden.

P lives in a world where differences are not accepted. When his family discovers his homosexuality she offers him a pill of normality. Convinced that this is the right choice he goes to the conversion room, but after remembering the best moments of his relationship the choice of "normality" is no longer obvious.

Perhaps it speaks to the sheer power and beauty of L’Atalante that 40 years after its initial butchered release, critics and fans still seek to piece together Vigo’s vision – and debate the choices involved in that process. Bernard Eisenschitz, who was involved with Luce Vigo (daughter of Jean Vigo) in the 1990 reconstruction of this masterwork, takes us into the raw materials by which this complex film was re-envisioned and continues to be analyzed and changed today. An important vision of film as a tradition of viewership, curation and exploration.

Presents archival material as well as interviews with those who were close to Jacques Brel, who died way too young, at age 49. Jacques Brel sings "Madeleine" over the opening credits of this film and immediately the audience is drawn into the intense theatricality of his performance. Left without a choice, they follow his lead, join the chanson and are left sweaty and breathless, just like Brel. Philippe Kohly, a documentary filmmaker who is renowned for profiling artists, created a fascinating portrait of the legendary singer of Flemish descent who became a master of French chanson.

Axel and Maelle are in couple, they seem to have a simple life, without issues, but in their intimacy, Maelle uses violence. Axel needs an introspection, to save his couple, and save himself.

A two-channel installation utilizing both digital video and 16mm film, Commensal focuses on the controversial figure of Issei Sagawa, who gained notoriety in 1981 when, as a graduate student in Paris, he murdered a fellow student and engaged in acts of cannibalism. After his release from a mental institution, Sagawa returned to Japan, and later appeared in innumerable documentaries and sexploitation films. In contrast to earlier journalistic documentaries on Sagawa, the film suspends moral judgment and explores a realm that eludes classification as either “documentary” or “pure fiction,” to instead chart the ambiguous territory between crime, fantasy, and social realities, between an individual and the economy of his public persona.

Sarah, a disabled girl aged about twenty, lives with her parents. She is increasingly subject to many fantasies and sees her sexuality taking up more and more of her attention. The arrival in the house of a new cleaner, Victoria, a transsexual woman, will upset the family balance.

Wood is a young boxer living in the city who hides his fears behind tough looks. His world is suddenly disrupted when a boy he beat up a few days earlier enters the gym where he trains.

Madame Carmabeau hasn't spoken to her gay son in many years, even though it pains her. Her mindset begins to change after a chance encounter with a sick little girl during her grandson's seventh birthday party

Six strangers confront their uniquely 21st century anxieties with the help of a sorcerer in this playful performance art consciousness-bender-cum-ghost story about the search for meaning in the age of social media.

Charles lives with his obese mother, and takes care of everything in the house. Constantly laughed at by his classmates, he takes refuge in a dream world populated by frogs. They help him through hard times that are about to get worse.

Techno culture and anarchism are two alternative social forms that have much in common in their radical re-evaluation of all social relations. An overlooked but obvious thought that ‘Rage’ takes to the extreme in a philosophical rave party

Bobby, a young space guardian is finally assigned to an exceptional mission. This clumsy hero is going to have to face his fears in order to avoid catastrophe.

Despite his solid build, Jason is a shy teenager. At the pool, a classmate bullies him, comparing him to a "Sumo". Furious, he seizes the young man and tries to drown him. The assault is violent, Jason faces three days of suspension. At home, he kills time researching on "Rikishis", these Japanese athletes considered godlike. The identification is instantaneous. The journey begins...

It's Halloween. Three friends spend the night together at a slumber party, but someone's watching them.

Memorable sketches and parodies by Les Inconnus.

Director Delphine Wil collects testimonies from the last witnesses of the evangelization of the Congo, missionary priests and Congolese servants in their nineties, in order to paint as nuanced a portrait as possible.

Confronted with an unplanned and often interrupted pregnancy, men from 20 to 40 years talk about their feelings and thoughts about such events. Through these stories, director Coline Grando questions the place of a man in the relationship between women and men.

In a remote village, young Luka has already seen the worst. His father's disease and a very close relationship with his mother have made him the man of the house. During the male nurse's daily visit, an unexpected invitation to have lunch awakens his jealousy. He decides, then, to bring his own guest. Freely inspired by Georges Bataille’s childhood.

Over 8 years, a small fisherman puts himself, as 'David against Goliath', in the heart of the new reform of the Common Fisheries in Brussels, to try to understand and change the system that took everything from him.

Early in the morning in the square of a small Swiss village, preparations are underway for a big celebration. Volunteers are busy getting everything ready... and the first musicians are arriving.

After her son is killed in a terrorist attack, French-Moroccan Latifa becomes an influential activist striving to prevent such attacks. In this documentary, we follow Latifa as she travels France with unstinting energy, discussing integration, racism and of course Islam. Emotions at times run high.

The action takes place in Burma. Thiri, who dreams of becoming a writer, falls in love with a European traveller. Momo thinks he can read the mind of a mysterious Western hermit who looks like Christ. Ada, because she is in love with a monk, is ready to become a nun. Through the intertwined paths of those three female characters, this movie depicts the reality of Burma now, an Asian country undergoing major changes and facing the Western world.

Today, as in the spring of 2016, when this film was shot, the debate about the future of the island encourages Cuba and its inhabitants. A journey into the thoughts and stories of the Cubans of the interior reveals the complexity of the Cuban reality and its uncertainties in the face of a future that is far from being mapped out beforehand. This documentary analyzes the situation in Cuba after the reestablishment of relations with the United States, which began in 2014 and was initiated by the president of the United States, Barack Obama, and the Cuban head of state, Raúl Castro

Are women also window-shopping in brothels?

While rummaming through a carnival dump, the young Amy and her mechanical-robotic bird will discover an old rusty key and wind it.