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Blanc de Chine

Mathieu is called on by the French government to investigate murders in the Asian community of Paris. With Chinese and Vietnamese engaged in a bloody slaughterfest, the key to the mystery lies with the orphan girl who Mathieu helped to escape during the fall of Saigon in 1975. Now a beautiful young woman, Mathieu is reunited ten years later with the refugee, and together they attempt to solve the case. He uncovers a CIA plot that has carried over from the last days of the Vietnam War and that is related to the Paris murders.

Blanc de Chine

7.0 1988
Rise and Fall of a Small Film Company

Director Gaspard Bazin is working on a new feature film. For now, he's still looking at the fundraising and casting stage of the process. He calls upon Jean Almereyda, a once-fashionable producer who is now going through a bad patch, finding it increasingly difficult to raise the capital he needs for his ventures. His wife Eurydice dreams of being a movie star. A perverse game between the two men ensues, with Almereyda wanting to please his wife, but reluctant to demand a role for Eurydice because of Bazin's reputation as an incorrigible seducer.

Rise and Fall of a Small Film Company

6.3 1986
The Bathroom

For no apparent reason, "the man" decides he is going to live only in the bathroom of his apartment (clothed). Perhaps he wants the isolation he might find there. His solitude destroyed by a bevy of friends, some housepainters hired by his girlfriend, and his family, our philosophical hero makes his way to a nondescript hotel room in Venice, where he spends his time playing darts in his room. When his girlfriend visits him there, he responds to this interruption of his musings by briefly using her forehead as a dartboard. Eventually he returns to his Paris apartment, and reconciles with his injured girlfriend.

The Bathroom

4.0 1989
Death on a Rainy Sunday

Thriller about a psycho looking for revenge. Bronsky is a paraplegic because of an accident at a construction site that was partly due to the head architect, David Briand. Many years after the accident, Bronsky shows up at Briand's residence with his family and his trailer looking for assistance. He and his wife insinuate themselves into the household without revealing their true identity. They start to work for Briand and his wife Elaine as a gardener and a babysitter with the sole objective of wreaking havoc on their lives and avenging Bronsky's disabilities.

Death on a Rainy Sunday

5.1 1986
La Femme intégrale

Elisabeth takes the train from Paris to Rome to join her husband Jacques, an artist. An Italian man approaches her on the train. During the meal they share, he slaps her. This does not prevent Elisabeth from feeling the desire to make love to Leonardo. In the compartment they share, she pleasures herself in front of Leonardo, who scrutinizes her closely with a flashlight. In Rome, Jacques is waiting for her. Over the next few days, Leonardo tries unsuccessfully to rekindle his relationship with Elisabeth. However, tired of painting, Jacques decides to return to Paris to pursue a career in film...

La Femme intégrale

9.0 1980
Guardian of the Night

With an off-beat sense of humor to match its erratic central character, this original comedy-drama features Jean-Philippe Ecoffey as Yves, a young man who works as a cop at night. The catch is that Yves turns to petty crime during the day, partly to impress Aurore (Aurelle Doazan), a nurse he idolizes from afar. His criminal hobby seems hard to understand, since it's doubtful that they will really get him anywhere with Aurore; besides, she already has a boyfriend. Nevertheless, Yves starts out by robbing a post office and ends up trying to run over Aurore's boyfriend, an act which finally gets him into serious trouble.

Guardian of the Night

6.0 1986
Stations

Stations is an enigmatic, hauntingly vivid work, in which Wilson envisions the daydreams and fantasies of an eleven-year-old boy as a universe both magical and sinister. Resonating with Wilson's precise visual stylization, the tape's pivotal image is a young boy looking through a large window in the kitchen of his home, which becomes the portal for his dramatic, often startling inner fantasies. Fire, metal, wind, glass and water, among other elements, serve as points of departure for a series of elegant pictorial compositions and evocative metaphors. Unfolding without dialogue or spoken language, Wilson's indelible visions articulate the fear and mystery of the internal life of a child, and his relation to the outside world.

Stations

6.5 1982
Comment draguer tous les mecs

Like every provincial girl arriving in Paris, Charlotte gets off the train with one idea in mind: to have fun, to flirt, to find a guy at all costs. But Charlotte is unaware of the two handicaps she carries with her. First: Charlotte is not a fashion cover. Second: Charlotte is chronically unlucky. She attracts disasters better than a lightning rod attracts lightning... Operation Flirt is on! Charlotte's first experiences of love are catastrophic: all her stratagems end in disaster! Fortunately, Charlotte has more than one trick up her sleeve.

Comment draguer tous les mecs

4.7 1984
Maria Chapdelaine

A young woman, living with her parents and siblings on a remote farm in harsh, picturesque northern Québec, has three suitors: a steady and unimaginative farmer, Eutrope, the Americanized and wealthy Lorenzo, who has sought his fortune in Boston, and François Paradis, a rough and virile logger who captures her heart despite the warnings of her parents and the village priest. For a year, marked by seasonal change in an atmosphere charged with the strangeness of Indians and the demons of the woods, we see Maria at work and prayer, struggling with decisions, choosing to stay in Canada, in love with François, seeking to change his rough behaviors, and dealing with extraordinary loss.

Maria Chapdelaine

6.2 1983