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A medical doctor gets into trouble when one of his patients turns out have been involved in espionage (maybe).

On October 17, 1961, 30,000 Algerians demonstrated peacefully in Paris to protest the discriminatory curfew imposed upon them and to demand Algerian independence. Under the authority of the then Prefect of Police, Maurice Papon, the demonstration was brutally repressed, resulting in the deaths of dozens of Algerians. Historians cite eleven thousand arrests, dozens of murders, demonstrators thrown into the Seine, hundreds of expulsions, and just as many complaints that went unanswered; all for a night that would become a blind spot in the national narrative. No investigation, no trial, and certainly no commemoration. The day after the demonstration, Jacques Panijel began filming *October in Paris* to alert the public to the massacre that had just taken place in the streets of Paris. The film was banned by the French authorities. It obtained a distribution license in 1973. It was first shown in theaters in October 2011.

Frédéric, a shy small-town man, falls in love with Anne, a middle class woman married to Didier, who cheats on her with top model Barbara. Catherine, a very determined woman, is secretly in love with Frédéric and in order to keep him away from Anne, pushes him into Barbara's arms.

A montage of newscasts tracing the events of the "damned war" and the German invasion of 1940.

Photographer Henri Barbier is lured by his old friend Barbara to fake the theft of her jewels. It turns out that he is suspected of murder and extortion, while Barbara and her lover are the culprits, which is eventually revealed.

Wishing to find an old love that resurfaced, Juan, a Chilean diplomat, Dominique asks his friend François to act as an intermediary.

A French telefilm broadcast on 30th September 1962, this is a detective fiction, set in London, 1927. The plot is set in a single space... a police interrogation room for suspects. It has only three characters; the suspect, who is an architect, and an idealist influenced by radical ideas. The other two characters are policemen, who try to coax from him the motive behind the death (murder?) of his three year old child. Even in a remastered DVD, the beta production values of a television production will be evident. But at barely a few minutes over an hour, it packs a brisk, at times rushed, but an interesting narrative. Makes one wonder, what other gems must the TV vaults in France (and UK, and Germany, and Italy) conceal?

The brave and moody François, a window washer by trade, has fallen head over heels in love with a delicious woman he spotted while working on the 17th floor of a building. From that moment on, all his dreams turn to the woman he doesn't dare approach. Fortunately, he finally meets her in Perros-Guirec, after following her on a train journey. She calls herself a chatelaine; he introduces himself as a writer. Will love triumph over these pious lies?

A story of "La Pasta", a renowned prima donna, and her extraordinary rival.

The first "filmed portrait" of Pasolini was created by French television in July 1966 as part of the prestigious series Cinéastes de notre temps, directed by Janine Bazin and André S. Labarthe. Interviewed on the streets of the Roman suburbs and in his studio, Pasolini analyzes his dramatic relationship with Italian society and retraces the trajectory of his works up to Hawks and Sparrows.

Justin, a lyricist by trade, and his friend Pierre, a composer, lead a bohemian life in Paris. Justin thinks his mother Josefa is richer than she appears, and decides to swindle her out of three million centimes by using Pierre as an intermediary in a case involving an insolvent check. Josefa uncovers the ruse and refuses to help her son. However, Pierre has discovered the identity of his friend's father, who had been unknown to him for twenty years. With the help of Justin's mother, the two friends do everything they can to extort the son's missing three million centimes from his ashamed and repentant father.

In British colonial India, Lt. Dick Ramsay is charged with secretly rescuing the kidnapped daughter of the British viceroy of India and her fiancée, a fellow British officer from a cult of murderers who worship a white elephant. While on his mission he meets Princess Dhara and her man servant and protector, Parvati Sandok. Princess Dhara's brother has also been taken captive by the Cult of the White Elephant. Princess Dhara and Parvati Sandok aid Lt. Ramsay in his mission to free the captives and put an end to the cult's reign of terror.

Convicted of murdering his wife, a crime of which he declares himself innocent, Jacques Mazur is serving a long sentence in a prison where his presence causes disruption.

Because he was given 50 francs one night as he was reciting poetry in a Parisian café, Grégoire decides to discover the world, and to take his fiancée Micheline alongside.

Steph, Jean-Claude and Jacques work in a Parisian art shop, but they mainly work in the field of eroticism, which they conceive as a wide-ranging field of exercises and experiments.

In a building close to the Place de la Contrescarpe in Paris, a tale of criss‑crossings in turn romantic, gourmet, interested or mystical, between an Italian gigolo and a nightclub hostess, a family of butchers and an apprentice rocker, a mystic tailor, a writer sending himself telegrams, an alert paralytic woman, a thoughtful concierge, a bird breeder and a just‑out‑of‑jail hooligan. Little by little each one discovers each other’s more or less troubled history… when a mysterious death introduces the Police within this huis clos, hastens disclosure of well‑kept secrets and ruffle this little World.

A dialogue of forms, colours and movements follow a rhythm which is both plastic and musical.

Documentary directed by Alessandro Blasetti.

A mysterious violent man breaks into a rich couples apartment and holding his wife hostage. The threatening and dangerous situation devolve into an erotic game.

Guillaume Dodut is a stationmaster in rural France at a station where trains no longer stop. His dream has always been to holiday in the famous resort town of Biarritz. Meanwhile, he gets involved in the romantic life of his son who is studying to be an engineer in London.

Milan is an ex Formula One driver and now he lives with his wife Roberte in a small country town. But Milan is not satisfied, so Roberte encourages a love-story between Milan and Helene, a young woman. Milan can't decide and at last the tragedy comes. Then Milan returns to drive in Formula One.

An adventurer intends to seize the fabulous treasure of the Tuaregs. But when he falls in love with a beautiful Indian woman, he ends up defending the booty from other adventurers with less scruples.

The ancestor of the carnival is the Feast of Fools. During the Middle Ages between Christmas and Epiphany, everything was turned topsy-turvy. The poor could mock the rich, the humble could deride the powerful. A “fool’s pope” was elected and one could disguised himself as a bull, a cow, a deer or other pagan divinities. In New Orleans, the carnival has preserved this sense of liberty. Suddenly, everything is permitted, even the most absurd extravagance.

In November 1942, American troops landed in Tunisia. German paratroopers were immediately launched and occupied Tunis. A French squadron of chasseurs d'Afrique was sent to Medjez-el Bab with the mission of occupying the bridge over the Medjerda. But the captain is mute and the cavalrymen don't know whether the operation is being prepared against the Germans or the Allies. The first hypothesis inflames Maréchal des Logis Bourgeon and his friend Maurice, who have not forgotten the defeat of '40. In the village, Maurice meets up with his friend Léa, a refugee, and discovers with fury that she is Jewish, because he doesn't like Jews any more than he likes English or Germans! The hunters set up camp on the bridge. Soon, a German column appears and demands passage. The captain refuses, awaiting orders from Vichy. But in Tunis, confusion reigns. Finally, the captain himself takes the initiative to oppose the passage of the German troops...

A drama that chronicles the heroic endeavors of POWs trapped within a Russian prison camp in 1950 and their attempts to escape.

A unique documentary about New York City by the great New York photographer Jan Yoors and Pierre-Dominique Gaisseau.

In a busy, noisy neighborhood, a frustrated young wife in a failing marriage is offered her freedom by her indifferent husband, but has second thoughts after meeting an intriguing stranger.

Edith Stein (1891-1942) had been born Jewish in Breslau (now Wroclaw in Poland). She studied philosophy in her native town before joining Göttingen University. In Freiburg, she worked with Professor Edmund Husserl, the philosopher who established the school of phenomenology. At the age of thirty, she converted to Catholicism and later entered the Carmel of Echt, in the Netherlands. In 1942, she was arrested there and sent to the Auschwitz concentration camp where she was gassed. Edith Stein, who had become Sister Theresa of the Cross, was canonized in 1998.

A woman's father, a scientist, receives repeated death threats and eventually ends up dead. Receiving no help from the police, the woman begins to realize that she is next.

Greek painter Domenikos Theotokopoulos (Mel Ferrer) woos a beauty (Rosanna Schiaffino) and faces the Inquisition in 16th-century Spain.

Portrait of American boxer Cassius Clay.

On the day of the Assumption of the Virgin, a very old sacred liturgical drama is performed by the people of Elche.

Vincent Vivant agrees to Stephan the spy's proposal: he is to cross the border with a mysterious suitcase.

In a frightening dream, Pauline, daughter of Felix the Roman governor, foresees the death of Polyeucte and cannot agree to let her husband leave the Palace. In love, Polyeucte leaves however on the advice of his Christian friend Néarque who encourages him to neglect the tears of his wife and urges him to be baptized...

François Toledo, married businessman and father, falls head-over-heels in love with Janine, a work colleague. However, he is soon found out: after three dates, he strangles some prostitutes, when, the victim of blackmail, he becomes dishonored. He is taken to court, and sentenced to be killed by a guillotine.

Once upon a time there lived in the same village two men bearing the very same name. One of them chanced to possess four horses, the other had only one horse, so, by way of distinguishing them from each other, the proprietor of four horses was called "Great Claus," and he who owned but one horse was known as "Little Claus"...

A tale of mad love.

Furtive traces of a visit, a certain February 22, 1962: Buster Keaton.

Olivier Larry, a young cartoonist, is looking for a woman to symbolize all the avowed or secret desires of today's public. He visits the abstract painter Salvador Dalloz and inspects his models in vain. Then he goes to a photo studio of a special kind. At night, he goes through the striptease boxes, always looking for the one he can draw.

Nicolas Pappas and Léon Dubois, two particularly calamitous killers, arrive in Paris, where a gangster boss in need of "staff", Jo Laguerre, hires them to cover the escape of the perpetrators of a hold-up. They get away with it as best they can and then find themselves in charge of liquidating a certain "Magnum"...

An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

In the Saint-Lazare metro and station, a young man dreams of getting away from the dullness and everyday life. Colored snapshots of postcards, metro stations or signs, symbolizing distant destinations, mingle with black and white images of reality in a sort of invitation to travel.

A young Italian is commissioned by the National Statistics Office in his country to carry out a social survey in France, in a large clothing establishment.

Lively scenes of Paris, all narrated by Maurice Chevalier, link together four dramatic ballet choreographies by Roland Petit: La Croqueuse de diamants (The Gold Digger), Cyrano de Bergerac, Deuil en 24 heures (A Merry Mourning), and Carmen.

A bed built by two lovers and then, sleep. Born thanks to Un chant d’amour, by Jean Genet, this short film is an (inspired) response to it.

A young woman is forced into espionage so that her father can escape blackmail. The love of an aviator helps her regain her freedom and secure the arrest of the members of the network, whose leader commits suicide before the police arrive.

Purged from its details, the image thus obtained offers a vision of this sculpture reduced to moving lights.

A story about two girls who grew up as sisters, were separated and finally met again.

A man witnesses a suicide and starts imagining that it was a murder committed by himself.

A woman wants to film a prisoner being tortured.

The Martin family is shopping in a department store. Tiennot is responsible for looking after his little brother, Bébert, but he prefers to chase girls. On the train home, Tiennot leaves Bébert alone. On arrival, Bébert has disappeared. The Martin family sets out to find him.

A sleeping car employee seeking a well-deserved rest is prevented from doing so by the crowing of his neighbor's rooster. Just as he's about to settle the score, he's presented with a gift: a rubber band around the annoying bird's beak temporarily puts an end to its vocalizations. But the animal can't be left alone, and Pierre has to take it with him on his nocturnal journeys: you can imagine the disturbance it can cause when, after being thrown out of a wagon window, it lands in the next van full of pheasants. The whole little world spills out onto the train, and the conductor is not at all pleased! Pierre manages to get a young passenger to assume ownership of the rooster, but not for long. Every time Pierre tries to get rid of it, it somehow comes back to him.

A man approaching his thirties works as a weaver for an old man with whom he has lived since the age of fourteen. His host mistreats him and the young man having complained about this outside, the old man slaps him and overwhelms him with reproaches. Unable to bear it any longer, the weaver thinks of killing him in his sleep.