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18 or the Daisies Withers

Set during the final ten minutes before an eighteenth birthday, the film follows a young protagonist on the threshold between childhood and adulthood. Through poetic monologues and symbolic ritual, it explores the fear, loss, and quiet transformation that accompany coming of age. Blending introspection with elements of symbolic horror, the film treats growing up not as a celebration, but as a rite of passage, culminating in a final return to childhood memory as midnight arrives.

18 or the Daisies Withers

10.0 2026
Shoah

Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single frame of archival footage. Dividing Holocaust witnesses into three categories – survivors, bystanders, and perpetrators – Lanzmann presents testimonies from survivors of the Chelmno concentration camp, an Auschwitz escapee, and witnesses of the Warsaw Ghetto Uprising, as well as a chilling report of gas chambers from an SS officer at Treblinka.

Shoah

8.2 1985
Thérèse Étienne

Her father having served a prison sentence, there is unending gossiping about Therese's family. Unable to put up with it any longer, the young woman leaves her native village for the canton of Bern where she manages to be hired by Anton Muller, a wealthy, authoritarian farmer. Under the young woman's spell, Anton wants to make his servant his mistress but Thérèse refuses energetically.. Later on, she nevertheless accepts to marry Anton. On the wedding day, she meets Gottfried, her bridegroom's son, and they instantly fall passionately in love with each other.

Thérèse Étienne

8.0 1958
The Umbrellas of Cherbourg

This simple romantic tragedy begins in 1957. Guy Foucher, a 20-year-old French auto mechanic, has fallen in love with 17-year-old Geneviève Emery, an employee in her widowed mother's chic but financially embattled umbrella shop. On the evening before Guy is to leave for a two-year tour of combat in Algeria, he and Geneviève make love. She becomes pregnant and must choose between waiting for Guy's return or accepting an offer of marriage from a wealthy diamond merchant.

The Umbrellas of Cherbourg

7.4 1964
Phono-Cinéma-Théâtre

The Phono-Cinéma-Théâtre was a special pavilion at the 1900 Paris World's Fair which featured filmed performances presented with sound via wax cylinder recordings. Many of these short films were also presented in hand-tinted color. The performances ranged from theatre (Coquelin the eldest, Gabrielle Réjane, Sarah Bernhardt, Félicia Mallet), opera & operetta (Mariette Sully, Emile Cossira, Jeanne Hatto, Mily-Meyer, Désiré Pougaud), to café concert & music hall variety (Footit et Chocolat, Mason and Forbes, Little Tich, Brunin, Polin, Jules Moy) and dance (Blanche and Louise Mante from the Paris Opera, Carlotta Zambelli, Michel Vasquez, Rosita Mauri, Jeanne Chasles, Achille Viscusi, Christine Kerf, Cléo de Mérode).

Phono-Cinéma-Théâtre

1.0 1900
Empire of the Wolves

When the young detective Paul Nerteaux finds the third slashed female corpse of illegal Turkish immigrants, he decides to ask for support to the experienced dark retired detective Jean-Louis Schiffer to chase the serial killer. Together, they infiltrate in the Turkish mafia trying to find the answer to the crimes. Meanwhile, the worker Anna Heymes is being submitted to a brain treatment and has severe headaches and glimpses of memories and visions. When these two parallel events collide, disclose that the Turkish organization "The Wolves" is behind them.

Empire of the Wolves

5.7 2005
Going and Coming Back

Salomé Lerner just finished writing an autobiography. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created from her gripping story. A film entirely made of music because after seeing the young pianist Erik Berchot, Salomé believes seeing her long lost brother, who was a musician as well. A brother she had lost along with her parents in 1943. However, the Lerners did in fact escape the gestapo and might have based themselves in Paris...

Going and Coming Back

6.5 1985