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Kitty Mahone

Walter Gibbons was one of Britain's most forward-thinking film entrepreneurs, and deeply entranced by the music hall. In 1900 he launched his 'phono bio tableaux', which synchronised songs recorded by famous music stars on disc with a film of the performance. Sadly, all but one of the films are lost, making this last survivor a unique record of a major Victorian music hall star in sound and vision, as well as the oldest British 'sound film', nearly thirty years before the 'talkies' arrived. Lil Hawthorne, who performs this song, was a well-known American singer, often adopting a male persona, although she was not strictly a male impersonator.

Kitty Mahone

5.0 1900
Ein Münchner im Himmel

Alois Hingerl, porter no. 172 at the Munich train station, gets into heaven. St. Peter introduces him to the heavenly house rules: “rejoicing” and “singing hallelujah”. Of that, “Angel Aloisus” is not very edified, especially since he is supposed to get “heavenly manna” instead of Munich beer. Due to a few irksome events at the side, his dissatisfaction is only increased. Angrily, he sits down on his cloud in order to rejoice and sing hallelujah. But that sounds in such a way that the heavenly population’s hair stood on end. In his indignation, Alois even doesn’t mince his words towards the Lord. The latter gives in and orders Alois to deliver the divine afflatus to the Bavarian government. He sends him immediately with a corresponding letter to Munich. As “angel Aloisius” comes back home, he at once goes to the Hofbräuhaus. And like this, the Bavarian government waits till today for the divine afflatus in vain.

Ein Münchner im Himmel

7.4 1962
Roundhay Garden Scene

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

Roundhay Garden Scene

6.5 1888
The Kidnapping of Arabella

Holly spends days at her dead-end job fantasizing about holes in the space-time continuum and wondering where her life went wrong. When she meets Arabella, an eight-year-old rebel hoping to run away from her self-absorbed author father, Holly becomes convinced their meeting is a cosmic sign, and that Arabella is, in fact, her past self sent back for a second chance. The two embark on an unconventional road trip between two lost souls who might be exactly what the other needs.

The Kidnapping of Arabella

7.1 2025
The Woman in Black

The story follows a young lawyer, Arthur Kipps, who is ordered to travel to a remote village and sort out a recently deceased client’s papers. As he works alone in the client’s isolated house, Kipps begins to uncover tragic secrets, his unease growing when he glimpses a mysterious woman dressed only in black. Receiving only silence from the locals, Kipps is forced to uncover the true identity of the Woman in Black on his own, leading to a desperate race against time when he discovers her true identity.

The Woman in Black

6.1 2012