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Ucrania: OBLIGADOS A SOBREVIVIR

The war in Ukraine continues to leave indelible scars, but beyond military strategies and political speeches, there are stories that are rarely told: those of people who survive day by day amid the conflict. In an effort to document the human reality of war, Rubén Díez (Lethal Crysis), one of the most influential Spanish-speaking travel and exploration content creators, and Ignacio Marín, a renowned photojournalist specializing in war zones, traveled to the heart of the conflict in December 2024 to capture the experiences of those who resist in the shadows. For two weeks, they visited trenches, evacuation points, rehabilitation centers, and front lines, meeting soldiers, doctors, civilians, and refugees who shared their daily lives in a world where normalcy has been destroyed. Through intimate encounters and raw testimonies, this feature-length documentary offers an honest, unfiltered look at the human capacity to adapt, resist, and carry on—even in the darkest of settings.

Ucrania: OBLIGADOS A SOBREVIVIR

NR 2025
Joe Kardos, el último cowboy

It tells the story of an unknown figure from the world of Spaghetti Westerns, Joe Kardos, who never played the lead role in any of the more than two hundred films in which he appeared. Always dressed in a hat and wearing an eye patch over one eye, Kardos is just another member of the cast of characters that populate the northern part of the Community of Madrid. To his credit, Kardos has appeared in more than two hundred films, mostly as a stunt double or extra. No one remembers him, no one knows who he is, but he claims to have been the greatest cowboy the world of cinema has ever known.

Joe Kardos, el último cowboy

NR 2025
Ekphrasis

With this installation, the Estampa collective continues its exploration of the new algorithmic relationships between words and images established by analytical and generative AI models. In Ekphrasis, excerpts from various films are subjected to an extremely complex and layered algorithmic description process: objects, faces, and emotions are detected and classified by artificial vision and facial analysis systems, while image-to-text models are used to generate detailed descriptions and analyses. The work draws our attention to the poetic potential inherent in the radical impossibility of translating images into words, and vice versa.

Ekphrasis

NR 2025
A Little Bit From Everywhere

We're all descended from immigrants if we dig deep into our roots. We all belong to a place, but that place doesn't belong to us. This is the conclusion reached by actor Alex O'Dogherty, as he continues the research his father began into the history of his surname. Not all descendants of immigrants are treated equally. It depends on where they come from and the color of their skin. Alex tries to find out who he is, searching for where he comes from, only to discover that he's from... a little bit of everywhere.

A Little Bit From Everywhere

NR 2025
The Smoke that Thunders

In one of the most beautiful and captivating corners of the planet—between the majestic Victoria Falls and the mighty waters of the Zambezi River—the human–wildlife conflict has reached alarming levels. Elephants, baboons, crocodiles, and other dangerous species are leaving protected areas and venturing into the city in search of food. At the same time, some residents of Livingstone are entering Mosi-oa-Tunya National Park, setting snares or attempting to defend themselves from attacks by wild animals.

The Smoke that Thunders

NR 2025
Night Has Come

The making of a soldier in Peru. A group of young men, some of them teenagers, voluntarily enlists in a rigorous military program within the Peruvian Armed Forces. They are driven by their desire to engage in an ongoing armed conflict in the VRAEM, an area with military intervention framed by a 'war on drugs' policy. They aspire to become ‘men of war’ and embark on a transformative journey from hopeful adventurers into soldiers. Amidst the violence in the secluded military environment in Peru, intimate moments unfold beyond a prejudiced gaze, where compassion and care blossom among them.

Night Has Come

NR 2025
Capitol vs. Capitol

Instant chronicle of the times we are living, with a world and moral order that seems to falter without letting us glimpse what will come, the strength of the film lies in the use of images destined to disappear, poor images, rescued from mobile phones, social networks, Telegram groups, that no one will bother to archive. The film confronts us with two memories: on the one hand, the memory of the day before yesterday, where a spark emerged that caused everything, and on the other, the memory that we captured without protecting it later, without making it accessible.

Capitol vs. Capitol

NR 2025
Gökotta

After a "dream" about a guardian of the forest, Samuel, a 25-year-old boy unmotivated by adulthood, recalls the story he experienced as a child: One day, he found a small gnome village in the middle of the forest. He always went to play there to try to spot some creature, until one of the times he returned, he found it destroyed. He salvaged a few remaining pieces, and his mother stored them in a trunk in the basement. That morning, after so many years, he decided to go down to the basement in search of the trunk. With it under his arm, he set off on a hike back into the forest to see the ruins of the village, hoping to find at least some sign of a creature living there. When he gave up on everything, he found a door in the trunk of an old tree. Behind it, the rebuilt village appeared, and the lights began to turn on.

Gökotta

NR 2025