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Chronicle of the contemporary era, and its parallelism with the intense 1930s, through a kaleidoscopic collage built with hundreds of images and sounds of all kinds: film clips, advertising spots, magazine covers, interviews with politicians...

Mara returns to Tenerife after breaking up with her boyfriend in Madrid. She spends the whole day with her sister Emma and they go to Carnival together. But there she remembers that this was the place where she met her ex.

Roberto is bored with life and dreams of making a zombie movie, but no one takes him seriously.

Emilio (24 years old) works as a production assistant on the set of a film in the desert. Due to poor planning, he will be forced to search for a nearby gas station to refill the generator that powers the team’s lights.

Discrimination, body shaming & violence. This is ballet in 2024. But a group of defiant dancers, survivors of industry abuse, want to form a radical, diverse company that opens its doors to others who have also suffered abuse, and gives these talented, traumatized survivors a chance to fight back, on stage. They find a run-down studio, and Chase Johnsey, a gender-fluid dance insurgent, to direct them. But, they have no money, no reputation, and Chase has never directed before. The dancers are brave, but young and deeply fragile. They must confront their traumas and find belief if they are ever to retake the stage. It is a journey of pain, hope, and above all resistance -to fight for justice, change lives, and create groundbreaking, liberated ballet- one choreographed step at a time.

The documentary 'Jaén, Viento del Pueblo' places the viewer in the year 1936 and takes them to the present day, analyzing and pivoting around the processes of exhumation of the graves in the province of Jaén, the stories of relatives and experts

Sofía goes to her family doctor because she continues to have severe menstrual pain. The results indicate that everything is fine and normal, but the normality lies in the paternalistic tone and treatment she receives from her doctor, Martín. And to make matters worse, she receives the same treatment from the viewer.

A lyrical tapestry of life and landscape, The Unfixing reveals one mother’s path from illness to healing and from climate despair to environmental awakening. American filmmaker Nicole Betancourt fell ill in 2014.

Marcos tells his grandmother Julia about the last summer that Alzheimer's allowed them to enjoy together. He helps her remember what their walks in the mountains were like, the meals they shared, and the long after-dinner conversations. Marcos relives that strange summer, recounting to his grandmother the most intimate moments they shared and the slow and painful way in which Julia faded away.

A date between two young men seems to be going perfectly, until he starts acting strangely...

Margot will suffer the consequences of a series of extreme situations where she decides not to intervene.

Mireia and Gala are at their grandmother's masia when they find a Spanish Civil War bomb in the forest. The discovery disrupts the relationship between them, making the girls understand that nothing in the world is eternal and that everything has an end.

Mara visits an old friend who lives in the Sierra de Irta, Vera, who did not expect this visit, is about to go to Valencia to spend the Easter holidays. When Vera leaves, Mara makes a strange and irrational decision: to occupy her friend's house for a few days.

"Omega Wants to Dance" is a visually striking documentary filmed across Europe, North America, Asia, and Latin America. It explores how dance, in all its forms, reflects both personal expression and collective identity - shaping how we connect, communicate, and grow as human beings. At the center of the film is a unique question: What makes us human? This perspective opens a broader reflection on how we define ourselves physically, emotionally, and spiritually and where our shared potential as a species might lead.

Starting from archival images (from different eras and formats) of the San Francisco neighborhood in Bilbao — its streets, nightlife, clubs, and discos that no longer exist — this film essay explores the idea of a queer space. It invites a perhaps utopian journey through places of sexual dissidence, sketching a history of cruising and gay desire in the city.

Locks, screws and fruit enjoy having sex.

Valladolid, 1944. A boy (13) rushes into a house he finds with the door open, throwing off his pursuer. Inside, he finds a table with bread, water, and milk and sits down to eat. A retired soldier (42), carrying a cane, appears inside the house, reassures the boy, and sits down with him. The two talk about their past while the boy continues to eat and drink, until he falls asleep at the table.

Two Barça's goalkeeping legends meet face to face on a special spot, the Goya Theater in Barcelona. Don't miss his conversation about the job of being a goalkeeper at Barça.

Juan is 26 years old and has terminal cancer. He is confined in the hospital but he’s tired of feeling sick. So, one night, he decides to escape, with the help of his friend, Marta. Juan wishes to spend a normal night, like any other. He wants to drink with his friends, play table soccer, some darts, smoke a joint while the sun goes down but most importantly he wants to feel that everything else doesn’t exist… He wants to feel the time go by, no rush, just being with the ones he loves the most. That is his farewell. Really living one last night. But leaving just like that is not easy, and not everyone will agree with it. Because, sometimes, happiness also tears you apart.

A girl alone in the middle of the night hears knocks at her door—could it be that she’s not as alone as she thought?

On a summer afternoon, desire and imagination gain presence. Not everything is as it seems: behind the stillness of the trees and buildings, islands hide.

Antonio, who’s recently met with an unfortunate accident, is left in the hands of a sole caretaker in the form of his unfamiliar father-in-law, Miguel. The accident also happens to take away the life of a loved one for both protagonists, a wife in the case of Antonio, and a daughter for Miguel. They recieve a call that is intented uniquely for Antonio, but, due to his physical condition, he is unable answer. The call reveals truths on Antonio's past, that shall change his life forever.

Antonio and Inés are two complete strangers who arrange a meeting through a second-hand app. Inés wants to sell something she no longer tolerates; Antonio wants to try it. When they meet, an odd sense of mutual understanding emerges between them. However, what we do privately is not always something we want to acknowledge.

A couple wakes up the next morning after a night of sex. He wakes up feeling cheerful, eager to have breakfast and get to know each other a little better; she wakes up wanting him to leave her house.

Martí arrives in Bilbao for an artistic residency. His clothes take up only a small part of the huge wardrobe in his new room. When he meets someone, the wardrobe gradually begins to fill up. But where did the emptiness go, the free space, the little corner of his own? Did the wardrobe swallow it all, or was it love?

Tres Mares is a short film that explores the matters of identity, love and cultural heritage from a personal perspective. Raised at Catalonia but coming from Ethiopia, Beruh Pietx Prat thinks about her childhood and the memory lapses leaved by the shortage of information about her biological mother. Together with her sister Eskedar, they create an imaginary figure of their mother, weaving knowledge from their adoptive mother to fill the holes. Using a mixture of Super 8 and digital footage, the movie merges real and imagined worlds through living colors, textures and figures. The heart of the narrative is the exploration of the physical resemblance of the sisters with her biological mother, the only tangible bond that they have left of her. Through this personal trip, the movie stands out the universal emotions of family, memory and identity, totally embracing the complexities of adoption and cultural roots.

A very personal tribute to cinema, through a surrealist comedy of a very peculiar town family.

Fede a gay man is depressed following a breakup and firmly convinced he has no interest in social life. He meets Iván, and old acquaintance from his childhood who is also kind of blue, and he insists they should provide each other company because even though their lives may seem unremarkable, they can still anticipate plenty of unexpected plot twists in the future.

Lubna (10) has arrived in Paris fleeing from the war. There she can see how whales fly over the Eiffel Tower, while she voices the hope that her parents can get there too.

In San Francisco, a man enduring homelessness for two decades connects with passersby to be seen among the invisible, a skill he learned from a promising music career cut short in the 70s, and one that will ultimately transform his life.

José Torresma, Carlos Llecha and Pep Alba star in this short film inspired by true events, set in the harsh rural landscape of Mallorca.

Four roommates and classmates spend a morning playing a card game to decide who gets a ticket to see a famous actor.

"To you, tireless home, provider of hope, I give you these recycled, devoid, images, for when the now becomes an incomplete circle. I hope you find the same truth in them as you find it in words."

A summer bike ride, two adolescent boys and a game with a dead fish that takes an unexpected turn. Using stop-motion animation, this film tells the story of a first kiss and the fear of unknown feelings. A raw and fragile look on growing up, where one innocent game reveals more than both heroes are ready for at the moment.

In the final days of summer, a young ornithology student is about to leave the rural area where he has spent the past few months monitoring a bird population. Before leaving, he enters the forest with a friend to remove the markers that delineate his study area. As night falls, the walk through the woods becomes a farewell enveloped in memories and silences that surpass words.