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GRWM

Prosumers consume and produce simultaneously, while social networks store hours of content. This content commercializes our life experiences in the virtual world, turning them into popular culture, which feeds and leads us to spend part of our daily time on our virtual presence. GRWM (get ready with me) shows influencers sharing their first moments of the day. These videos have become virtual spaces where intimate moments, which may involve important subjects such as mental health, are also shared. By delving into these spaces, GRWM reflects on the banalisation of sensitive content.

GRWM

NR 2022
Julia

This film documents the extinction and abandonment of the rural world, as we know it from the eyes of its protagonist. It walks a path through Julia's life and invites spectators to embark on a slow journey between past and present; in which the decline of the Spanish fields in the last 70 years can be appreciated Hoping that the generational replacement happens and that great-grandchildren pick up the reigns to guarantee a worthy future for the rural world, Julia defends the woman's role, as historic memory and as an attention call; if we forget from where we come from, we'll never know where we are going.

Julia

NR 2022
The Knots We Knot

A care­ful trans­la­ti­on of sha­red thin­king. An applied sketch of beco­ming and gene­ra­ting-with. Intertwined trail wal­kers. A sil­hou­et­te of the reflexi­ve encoun­ter, in its most mun­da­ne con­di­ti­on. Becoming what the other sug­gests. Accepting the pro­po­sal of sub­jec­ti­vi­ty. Apprising the way in which eve­ry­thing is addres­sed to each other. Opening ver­si­ons like books, in the exer­ci­se of rope figu­res, spe­cu­la­ting the sto­ries to continue.

The Knots We Knot

NR 2022