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Buñuel

Completed a year after his death in 1983, this program presents the definitive biography of Spain’s renowned Surrealist film maker and iconoclast, Luis Buñuel. Using photographs, film excerpts, and numerous interviews with Bunuel, the video chronicles his early friendships with Salvador Dalí and Federico García Lorca, the stormy reactions to many of his groundbreaking films, and the influence he has had on international cinema. Among those interviewed are directors Federico Fellini, John Huston, and Jose L. Saenz De Heredia; Buñuel’s wife, Jeanne Rucar, and son Juan; actor Francisco Rabal; and Octavio Paz.

Buñuel

6.0 1984
This Body of Mine

United by an unbreakable friendship, Rafael and Carolina embark on an emotional and geographical journey in search of reconciliation and acceptance. Along the way, we follow Rafael through the first years of his gender transition: an intimate process filled with challenges, discoveries, and small victories that bring him closer to the square meter of peace he so deeply longs for. A luminous story in which friendship becomes a refuge and the personal expands until it feels universal. Amid remote landscapes and shared moments of vulnerability, the film reveals the beauty — and also the harshness — of inhabiting a body in transformation in a world that is only just beginning to learn how to see.

This Body of Mine

NR 2026
Ane

Ane's birthday is approaching, and with it, the gift she has been longing for: a car that Jon, her neighbor, has repaired for her. For her and for her mother, María, who could thus move Ane away from the neighborhood. Until things calm down, nothing more. But Ane is not willing to leave: following the government's new measure, the Gaztetxe in her neighborhood is going to be closed, and everyone must be mobilized to prevent it. And Ane knows that to achieve her goals, sacrifices must be made.

Ane

NR 2018
The Scars

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

The Scars

10.0 2019
Oculto

At a conference of dream interpretation, the lives of three people will become inescapably entangled: Beatriz, hired to do public relations for the conference; Alex, a writer for an Internet publication covering the event; and Natalia, an audience member whose revelation of her dream sets off a chain of events that brings together these three otherwise disparate characters. The Hidden is about those unseen, largely unknowable forces that seem to surround us and define our lives. Natalia’s dreams might be expressions of her fears and anxieties, but perhaps they could be messages from some beyond. For Beatriz, what’s “hidden” may be less supernatural than emotions she can barely express or control. Antonio Hernandez deftly navigates the lives and feelings of these three characters, gradually peeling away their self-deceptions and delusions until there’s a remarkable and unexpected final revelation.

Oculto

4.8 2005
The Olive Tree

Alma’s family has been producing quality olive oil in the Baix Maestrat area of Spain’s Castellón for generations. Yet changing pressures in the industry have made their traditional practices economically untenable, and the family is now in the mass-production poultry business. Alma’s grandfather has not spoken in years. Sadness envelopes him, and he no longer wants to eat. His sons—Alma’s father and uncle—are impatient with him, but Alma understands her grandfather. She realizes he has been grieving for a thousand-year-old olive tree that the family has uprooted and sold to pay some debts. (A sadly common reality in Castellón at present.) Unable to bear the idea that her grandfather could die without seeing this terrible wrong corrected, Alma undertakes a quixotic mission to locate the tree and return it to the family orchard, so that her grandfather may have peace in his final days.

The Olive Tree

6.7 2016
Living Memory

The Living Memory Project began back in 2009 on the 70th anniversary of the end of the Spanish Civil War with the recording of the event, organized in Paris to the Spanish Exiles and the victims of the Nazi extermination camp of Mauthausen. Our goal thereafter focused on collecting the greatest possible number of testimonies related to the history of Spanish anarcho-syndicalism. As part of the celebrations of 100 years of CNT we set up the project, the union decided to fund it and we set off . We travelled 12,000 km visiting three countries relying on the logistical support of CNT and selfless work of their members as well as partners Malicious Films GuerrillART. This is the result: 80 hours worth of records, 300 hours worth of testimony in timing and transcription meant for reference purposes at the Anselmo Lorenzo Foundation and 0 actors. Written by Antonio J. García de Quirós Rodríguez

Living Memory

6.5 2014