Discover Movies

1,301 Matches Found

Character One: Susan

Susan is a glamorous train wreck: a delusional drug-addict and psychotic who compares herself to the likes of Maria Callas, Romy Schneider, Monica Bellucci and Désirée Nick. Her childhood ended when she was sexually abused for the first time at the age of 11. Even though she has a strong personality and speaks five languages fluently, she was never able to take care of herself. In the 1990s, she became one of the IT Girls of the post-reunification party scene in Berlin. She only feels safe among gay men. Decades of drug-abuse may have destroyed her brain, but not her personality.

Character One: Susan

5.0 2020
The Free Man - with AI

Does the algorithm know us better than we do? How will we behave, when the access to information will become permanent and unlimited? The human is asking – Machine is replying is the test arrangement Boisseau & Westermeyer choose for their character ƒ: What happens when our access to information is optimized even more and become permanent and unlimited? Will ƒ’s personality still be recognizable? Will his self-view remain his own or become the view of an algorithm? Will his attempts incorporate the algorithm? The thoughts of the Free Man seem endlessness, but what happens if the uncertain disappears?

The Free Man - with AI

NR 2020
The Best City is No City at All

A young man, sitting on a rusty hangar, playing his guitar. An abandoned wooden church, no longer needed, re-locating to the outskirts of an urban expansion area for cultural interim usage. Nursery school children in a chair circle telling each other what they are NOT doing. In his essay film THE BEST CITY IS NO CITY AT ALL, Christoph Schwarz mixes multiple perspectives on Vienna's largest urban expansion area. They share a sentimental criticism of growth and a romantic refusal to progress while facing imminent ecological collapse, which seems more credible to us than any happy ending.

The Best City is No City at All

NR 2020
His Land

Eighteen years ago, the Three Gorges Dam was in the building process. The Zhang family, who lived in the old town of Yunyang had to move elsewhere. One day, the grandfather suffered a stroke and lost his memory. The children returned to look after him. The eldest daughter even bought an apartment and new furniture for her old man. Years later, Grandpa Zhang turned better. It is time to consider how the family should go on. The topic is now focused on the eldest grandson. The relatives ought to worry about his marriage, for he is already 28 years old. Facing this urge, the grandson has then considered pretending to marry his best friend to comfort the family, while living a completely different life in Europe.

His Land

NR 2020
Mythical Creatures

The pioneering direct action organised by the Palestinian-Israeli sex worker coalition Argaman Alliance in 2019 becomes the core of this courageous and uncompromising story. In response to the passage of a law criminalizing the purchase of sexual services, female members of the coalition take up the fight for their rights, raising questions about memory and how marginalized groups create and document their narratives. Using alternative means of expression, artist and activist Liad Hussein Kantorowicz sheds light on policies of exclusion and strategies of resistance, highlighting the difficulties of fighting for identity in a stifling reality. ‘Mythical Creatures’ forces us to reflect on how we make stories and what meaning they have in the context of the struggle for equality and justice.

Mythical Creatures

NR 2020
Harvesting Giants- High-Tech For Farmers

Not only cheese spaetzle and Kneipp baths come from the beautiful Allgäu in Germany. The world's largest agricultural machinery has been produced in Marktoberdorf in Swabia since 1930. With 3,000 employees, the Fendt company is the German market leader in the manufacture of tractors, combine harvesters and harvesting machines. The WELT reporters follow the path of a “1000 Vario” tractor from construction to sale to the farmer and show how Bavarian high-tech makes life easier for farmers in this country and worldwide.

Harvesting Giants- High-Tech For Farmers

NR 2020
How Long Is Now

Over the course of the 20th century humanity was concerned with the question: what will the world evolve into at the turn of the millennium? Michael Busch addresses the historical legacy of the last hundred years and its utopian potential to reflect on the most pressing problems of our time. The film is a mosaic of images from newsreels and experimental sketches, as well as fragments of lectures given by Boris Groys, Helga Nowotny, James Scott and other researchers at the Haus der Kulturen der Welt. Russian cosmists' idea of immortality, the UN declaration 1514, the body enhancements of the techno sphere, the history of the railways and the algorithms are among the many other 20th century narratives which determine our understanding of what is “now” at a deep level. With its loose structure, Michael Busch's film creates a productive intellectual space in which poignant questions about the present can be articulated.

How Long Is Now

NR 2020
Ophelia

Through a monologue recited in reverse, the video deals with discriminatory depictions of women in the past and present. In a river scene, resembling J. E. Millais’ famous painting of Shakespeare’s dying character Ophelia, the video’s artist appears, speaking constantly into the camera. On different levels, the video moves forward and backward in time. Intelligible words and the usual flow of time do not occur simultaneously, suggesting the entanglement of language, image and social roles.

Ophelia

NR 2020
Urban Dreamscape

If you walk through the city you are often not aware of the outside. The images seen mix with thoughts, occasionally fail, are sketchy. Only certain parts of the path are perceived and when you remember, these snapshots form a collage of some sort. With the technique of photogrammetry in Urban Dreamscape, these parts are captured and staged in such a way that they empathize with this phenomenon. Many individual photos are used to create 3D objects. These are edited, merged, and distorted. A dream landscape arises.

Urban Dreamscape

NR 2020
GALAXY

The narrator in the moving image work "GALAXY" is technology itself. "GALAXY" tells the story of the brief encounter of the two characters Touch and Long Swipe. The story is generated by an algorithm and offers an interpretation of an encounter of love and disappointment. Small deviations in the language and the narrative logic reveal our social imprint of how stories are expected to be told and how technology is programmed to follow these perceptions. The mise-en-scéne is a computer-generated galaxy of objects and images reminiscent of the organic, but dismembered and fragmented, reflecting on the possibility of creating new worlds and stories in digital space by following a subjective system of ordering.

GALAXY

NR 2020
Arho – The Afar Salt Trade of Northeastern Ethiopia

The documentary follows the journey of a camel caravan to the salt plains of the Afar Depression. Traditionally the caravans moved from Afar Depression to other parts of Ethiopia and to the Red Sea coastal regions of modern-day Eritrea and Djibouti. For centuries the control, trade and distribution of salt was of primary importance in the articulation of economic, social, and political life of the nomadic communities living along the caravan trails. Since 2010, trucks have slowly replaced the camel caravans. This has led to a steady decline in the trade. The film, relying on strong visual imagery and traditional Afar music, selected by the participant of this project, documents how the decline of this trade affects the daily life of the communities in Berahle district of North-eastern Ethiopia.

Arho – The Afar Salt Trade of Northeastern Ethiopia

NR 2020
1755 - The Lisbon disaster

It was the most destructive natural disaster in the history of Europe: On November 1, 1755, an earthquake shook the seabed off Lisbon. Buildings collapse in the city, thousands of people die. The survivors flee to the port - and are surprised by a huge tsunami wave. If it hadn't happened on All Saints' Day, the Lisbon catastrophe would certainly not have been so devastating. A large proportion of people perish in the churches where the faithful have just gathered to worship. To this day, no one knows how many actually died from the earthquake. Estimates speak of up to 100,000 dead. The reason for the disaster: off the Portuguese coast, several continental plates are colliding at the bottom of the Atlantic, there is an increased danger of earthquakes - until today. A research team is currently examining the Gulf of Cadiz for traces. The aim is to set up an effective tsunami early warning system.

1755 - The Lisbon disaster

NR 2020