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After twenty years of radio silence, Vera receives a telegram from her father: she is to visit him in his castle. Once there, she learns that the old man has suffered a heart attack during the night. But this is just the beginning of a series of mysterious incidents that drive Vera to the brink of madness...
In the Bavarian village of Schladerbach, the kobold Hatschipuh and his comrades live, of whose existence only Grandpa Reiter is aware. When the building constructor Lederer builds himself a new mansion, the subterranean settlement of the kobolds gets destroyed, and Grandpa Reiter sees himself forced to move them into his barn. But this abode as well is soon threatened: Since the farm is no longer profitable, Father Reiter plans to sell it…
An outlook on working from home and how this could affect women.
A student from Munich, Sonja Martin, inherits a castle in Mallorca from her aunt. What she doesn't know is that the lawyer of her deceased aunt has turned the castle into a luxury brothel.
A thriller-comedy by Torsten Emrich.
Alexander sits in the pub and wants to be left alone. The fake sailor Konstantin sits in the pub because he can't leave his fellow men alone. That evening, however, he has his sights set on Alexander and won't let up until he reluctantly tells him about his accident at work. After the accident, he is only good for desk jobs, which leaves the once perfectly healthy construction worker struggling with his fate. Unasked and uninvited, Konstantin provides the embittered Alexander with more than enough work by declaring him responsible for a long overdue road construction project in the municipality. The old man takes not only Alexander by surprise, but also the mayor. He had put off planning the project for far too long. Understandably, neither of them are thrilled, but now that things have got rolling, they have to act...
At Gestapo head quarters a young woman establishes a relationship with another inmate. This young woman is Sophie Scholl who tells the story of her life and of her resistance movement′s courageous fight against Hitler′s Nazi regime.
Compilation of amateur short films that consist of sex, violence and very bizarre humor. The safety regulations apply: keep out of the reach of children and adolescents!
Little Sabine has spent her childhood in an orphanage after her parents died in a car accident. When one of the women in charge at the orphanage, Edith, leaves to have a baby, Sabine runs away, because Edith was the only adult there she could trust. She then wanders through the city to find someone to take her in. She meets a lot of people on her journey, but she seems out of place everywhere she goes until, at last, she realizes that there is a special place where she belongs.
In his film, Josef Aichholzer observes the search for the perfect body, the golden calf of the leisure society: Meditation, sport, medicine or gene technology may be used but the goal remains the same: the individual gets a sense of life, efficiency and recognition from the fitness studio and the operating table. Experiments on genetic methods of selection are carried out under the microscope. The struggle against wrinkled skin, thin legs and flabby bellies is becoming more intensive and successful. The more time a person devotes to his body, the more possibilities he has to perfect it. The human hand seems to have a tight grip on evolution.
Pride is the first of the seven deadly sins. The introduction is made through early allegorical forms and figures (triumphal procession, dance of death, Baroque tragedy etc.) The triumphal procession of the giant haystack as a symbol of human vanities becomes a military parade of abrupt, functional and arrogant gestures. The most diverse musical fragments and rhythms intone the montage of details in the staged triumphal procession, juxtaposed with documentary images, including marches, ticker-tape parades and military review.
A musician beds down a prostitute he knows is diseased in order to gain inspiration, an act he later believes to have been a tacit pact with Satan
The story of Jacob Fabian, a somewhat liberal Berlin advertising copywriter who witnesses the collapse of the prewar German society during the 1930s.
An exhilarating and amusing encyclopedic look at the "prehistory" of cinema. Werner Nekes charts the fascination with moving pictures which led to the birth of film, covering shadow plays, peep shows, flip books, flicks, magic lanterns, lithopanes, panoramic, scrolls, colorful forms of early animation, and numerous other historical artiffices. Working with these formats, early "producers" created melodramas, comedies, -- as well as lots of pornography -- anticipating most of the forms known today. Nekes probes these colorful toys and inventions in a rich and rewarding optical experience. Film Before Film is a bewildering assault of exotic (and sometimes erotic) images and illusions.
This documentary film without commentary examines and describes the confrontation of (white) tourists with the still "undiscovered" North Camaroon. A combination of documentation, acting by lay people, interviews and self-portrayals are used. It is shown above all from the viewpoint of black Africans and narrated by four natives. The chief of an untouched village high in the Mandara mountains represents the "original" Africa; Christophe Colombe plays the guide in his native village, Rhumsiki; an African who has visited Europe and has got to know white people; and finally, the famous poet, René Philombé, recites poems.
The German national swimming team travels to Budapest for a competition. However, the teenagers are more interested in flirting with each other than training. Their coach is less than thrilled with his team's behavior.
In the 1770s, Swiss farmer Johann Heinrich Pestalozzi established a school for poor orphaned children in the Aargau. Up to total exhaustion he sacrificed himself for his pedagogical theories. Five years later, the project of the idealistic educator failed after bloody attacks of the French. In retrospect, the disappointed Pestalozzi experiences the last few months with "his" children.
The story of the 18 year old prostitute Fanny who falls back into her old life after being released from a reform school run by nuns. The feeble-minded Frieder tries to liberate her, fails, and pays for it with his life.
Viktor and Angelika are a straight couple. He is a professor of veterinary science and she has studied art history. Both are more interested in their hobbies and professions than in each other; also, Viktor isn't terribly interested in satisfying his wife anymore. Their upright relationship changes dramatically when Viktor gets to know Lotte, a former school friend of Angelika's. Back in school, Lotte would have done anything for Angelika.
October 1982: The entire German political scene is corrupt, the German government a puppet of the USA. To play it safe, the CIA replaces German politicians with compliant doubles. When the chancellor's doppelganger, of all people, is to be taken out of circulation, the secret service accidentally kills the real chancellor, who is floating dead in the swimming pool. Agent Erwin of the Federal Criminal Police Office is assigned to solve the case...
Wim Wenders talks with Japanese fashion designer Yohji Yamamoto about the creative process and ponders the relationship between cities, identity and the cinema in the digital age.
Willie, a sweet little woodworm, accidentally becomes a stowaway on Noah's Ark and Noah and the animals believe he is drilling holes into the wooden boat. Can Willie really be responsible?
Klaus is one of the numerous drug addicts in Austria. His story (parents are separated and he is isolated) is made more realistic with interviews. Not only do the therapists of the drug units at Mödling and Enns, the physicians and politicians who are confronted with these social problems have their say, but also the man on the street who expresses the "voice of the people" - and many other drug addicts.
A little mouse is struggling terribly to bring in her harvest. She has overestimated her strength, the load is too heavy. He suspiciously refuses any help, but has to realize that others think more selflessly, because they have secretly grabbed the load and pushed it along. Together with her helpers, the mouse celebrates the harvest festival.
Whatever tycoon R.C. Mallon wants, he takes. Obsessed with money and power, he crushes all who stand in his way. But now, the woman who was once the object of his desire has dared take away the most precious of all Mallon's possessions, his ten-year-old son — the heir to his corrupt and violent empire. And all hell has been let loose.
A father and his 13-year-old son approach new media in quite different and rather haphazard ways; one with vague fears, the other completely uninhibited.
A woman is being taken from her German hotel to be interrogated by police agents.
This is a portrait of a man and of a country, as he travels through it. He is a travelling salesman, and travels through Switzerland selling cosmetics to beauty parlours.
Doug Harris's 1982 avant-garde jazz film Speaking in Tongues was funded by German Public Television channel ZDF and broadcast throughout Europe when it was first released. The now rarely seen work features saxophonist David Murray, percussionist Milford Graves, and poet-playwright and novelist Amiri Baraka, and serves as a tribute to Albert Ayler, a tenor saxophonist who was a leader in the free-style jazz movement before his mysterious death in 1970.
Oskar Panizza’s The Council of Love (1895) is a blasphemous play set in 1495, during the first recorded outbreak of syphilis, which Panizza satirically presents as the punishment from Satan for sexually active humans. As a result, Panizza was imprisoned for obscenity. Schroeter alternates scenes from the Panizza’s work with a dramatization of his trial, presenting the play as an expressionist spectacle performed by actors wearing exaggerated makeup who gesture and grimace grotesquely. The film thus forms a bridge between Schroeter’s use of tableaux in his early experiments with the political urgency of his 1980s films. On the eve of the AIDS crisis, Schroeter is presciently worried about disease as an excuse for governmental repression and the oppression of sexuality. - Harvard Film Archive
The journalist Alf Mattson gets thoroughly drunk at his birthday party, where his wife announces that she intends to divorce him. He is knocked down on the street and is later carried home by a friend. The next day he is to fly to Budapest in order to make a report for the Stockholm television. Mattson disappears in Budapest.
No one has any time for Moritz. And at school, things are not exactly the greatest either. Moritz runs away and moves into the inside of an advertising pillar. A speaking cat, a circus girl and a street sweeper become his new friends. Gradually, they help the young boy to realize that running away does not solve anything.
In the late 1970s the German secret service fights against RAF terrorism and searches for constitutional enemies in the public service. Teacher Brasch implicates secret service agent Körner and the government in the suicide of a young teen. As a result Brasch and the exposed Körner are fired.
Factory workers Yvonne and Evchen have their nose full of married men who appeal to them again and again in their home for a short adventure. In short, they decide to profit from this state: Evchen goes to her home with the willing men and puts her in a clear situation of which the then suddenly emerging Yvonne takes a photo. Then it says: 5000 marks or your wife learns about this failed side jump. So far, so profitable! But when the two women encounter the art hehler Domski in their bar, things get out of control...
IT specialist Victor Faber makes a living securing computers for large corporations and banks. His reclusive private life is upended when he falls in love with a strange woman named Juliet. Her friend convinces Faber to exploit his knowledge to rob a bank.
After arriving in 1940 New York, Freddy struggles to find work. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer.
On 30 April 1945, dictator Adolf Hitler, his wife Eva Braun, and prominent members of the Third Reich live out their final hour in the Führerbunker.
When a young family, father, mother and their daughter, is on a trip in the mountains, they lose orientation and have to stay there for the night. The daughter finds a dead young girl who does exactly look like herself. When they check for mountain rescue service they suddenly find themselves deeply involved in an local myth about a prophecy which seems to be fulfilling now. The mountains are bearing an old curse.
The Smiths live in concert at Rockpalast, Hamburg May 6th, 1984
Caught Feelings is the succinct title of a film which deals with emancipation trends from the viewpoint of young Austrians. Manfred Kaufmann's first film reports on tensions which may arise from the contradictions between collective and individual feelings. He works with subtle and psychologically perfected indications which explain the symptoms and illustrate the reactions. But this film is also a vehement attack on bourgeois feelings and the resulting behaviours. He shows character traits which use masks to simulate emotion as well as those which are ready to remove their masks in order to let feelings take effect. (Herbert Holba)
Two bank robbers hold the clerks hostage and demand 3 million German marks as ransom. What the police do not realize is that the true criminal mastermind watches them from outside the bank, anticipating every move.
This chilling, vitally important documentary was produced to mark the 40th anniversary of the liberation of Auschwitz Concentration Camp. The film contains unedited, previously unavailable film footage of Auschwitz shot by the Soviet military forces between January 27 and February 28, 1945 and includes an interview with Alexander Voronsov, the cameraman who shot the footage. The horrifying images include: survivors; camp visit by Soviet investigation commission; criminal experiments; forced laborers; evacuation of ill and weak prisoners with the aid of Russian and Polish volunteers; aerial photos of the IG Farben Works in Monowitz; and pictures of local people cleaning up the camp under Soviet supervision. - Written by National Center for Jewish Film
The social democrats of the sixties and seventies worked on their grand plan to build a highway network in Germany that every German citizen could reach within five minutes of their home. The little film hangs around between and on the streets of this network - where the country discos, pedestrian zones, shopping centers, hospitals and roads home are behind noise barriers.
Today, the only inhabitants of this environmentally inhospitable Pacific island are birds and crabs. Yet over 80 years ago, Clipperton hosted other visitors: a demented rapist and a terrified group of women and children. Cousteau returns to the island to recreate the deadly series of events - from the death of the brave French captain to the courage of the widow who killed her torturer - through the eyes of one of the survivors, then a child.