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Der verliebte Teufel

The devil plays the leading role, but rarely has the devil taken such a charming and seductive form as in Anouilh's. As a young girl named Biondetta - blond and innocent as an angel - Lucifer appears to the young Spanish nobleman Alvarez, who is an officer in the service of the King of Naples. In this guise, it is easy for the devil to make the young Spaniard fall in love with him. But Eros has a hard time when strict custom and morality suppress nature. In vain the devil tempts him with the pleasures of the world. Neither carnival, gambling, nor the most beautiful courtesan can yet soften the officer. Or can they?

Der verliebte Teufel

5.3 1971
The End of the Rainbow

Uwe Friessner’s first feature, At the End of the Rainbow, follows the exploits of a West Berlin teenager named Jimmi who ekes out a living through petty theft and part-time hustling, hangs out in punk clubs, and who, for reasons which this film subtly details, is thoroughly unemployable. Drawing on his own experience in trying to help a young runaway who eventually committed suicide, Friessner wrote into Jimmi’s story several older students who attempt to find work for him, and who give him shelter for a time in their commune.

The End of the Rainbow

5.4 1979
Small Freedom

The allotment gardens on the outskirts of the city of Zurich provide hundreds of unpropertied men and women with a home which they are unable to find in the impersonal rented blocks in which they live. The gardens represent their hobby, their freedom and their living space, which exists side by side with hard work. They cannot however own these "homes" and the film shows the chronicle of the events which took place in 1976 - 77 when construction of the Zurich wholesale market hall destroyed 150 gardens and made many people "homeless". This portrait of a group is complemented by the stories of three individuals.

Small Freedom

10.0 1978