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The Bird in My Backyard

In an urban backyard on Canada’s West Coast, a window salesman has created a living laboratory for investigating hummingbird behaviour. The Bird in My Backyard follows citizen scientist, Eric Pittman, as he documents the journeys of two female Anna’s hummingbirds as they attempt to raise their young in his urban garden. It’s a story about the childlike curiosity in all of us, the wonders it can reveal and the doors it can open if we just lean in a bit closer.

The Bird in My Backyard

NR 2025
Caring Cabin

Starring electronic-music pioneer Beverly Glenn-Copeland and conceived by his wife and creative partner Elizabeth, this never-before-seen pilot for an unproduced children’s show is a joyous, colorful kaleidoscope of handmade puppets, eye-whirling archival montage, and Glenn-Copeland’s transcendent music. Though the planned series ultimately never came to fruition due to Glenn-Copeland’s subsequent dementia diagnosis, this small treasure is a testament to the radiant imagination of a singularly serene, inspirational life force who is a beacon to both underground music and the trans community.

Caring Cabin

NR 2025
Treasure of the Rice Terraces

Filipino Canadian filmmaker Kent Donguines travels back to the Philippines to reconnect with his roots. In a nation with over 134,000 years of history and centuries of colonization — under Spanish, American, and Japanese rule — Donguines notes a shared feeling of weakened traditional identity among many Filipinos he knows and meets. A vital part of their heritage, the centuries-old practice of tattooing, was banned by colonizers and even shunned by Filipinos. Donguines travels to Buscalan, a secluded mountain community, to discover more about the revival of Indigenous Kalinga tattoos. Guided by 107-year-old master artist Apo Whang-od, Donguines learns the deep history and symbolism behind the tattoos. The revival of this Indigenous body art tradition offers a powerful way to preserve culture, spark pride, and strengthen identity, and Treasure of the Rice Terraces shows how traditions can survive, evolve, and inspire both local communities and cultural identity worldwide.

Treasure of the Rice Terraces

NR 2025
Can You Feel It Now?

Set in a speculative future on Turtle Island, where ancestral dreams and visions shape reality, the film follows the poetic journey of the Welcomer, a vessel of First Nations resilience, and the Arrivant, a traveller from the African diaspora. The Welcomer, reflecting on the echoes of a past reshaped by colonization, envisions a future liberated from its violence. The Arrivant, seeking a place to anchor their journey through time and space, is drawn to the Welcomer’s vision.

Can You Feel It Now?

NR 2025
Elle va crier

Audrey, a woman in her mid-fifties, has never been able to make peace with her tumultuous family history. A clumsy mother, an emotionally distant father and sexual assaults that have gone unreported. She now decides to confront her demons. Supported by her son, the director of the documentary, she revisits a striking scene from her past: the moment when she told her parents that her grandfather had raped her. Together, through a year-long production process, they transform this awkward exchange into a moment of communion, thanks to actors, a set and Audrey's desire to do herself justice.

Elle va crier

NR 2025
Thirteen Buttons to Heaven

A documentary that tells a remarkable story of George Mansour, one of the pre-eminent independent film bookers in the US history. He is - after all - the man who gave us John Waters, Sean Cunningham and Wes Craven. He is the man who for many years championed independent cinema, showing films we would never had a chance to see without him. He is also the founder of the prestigious Boston Gay and Lesbian Film Festival, fourth oldest in the country. The film chronicles his humble beginnings, early clashes with an antigay policies of the USA government, up to the time he became a scion of an independent film movement.

Thirteen Buttons to Heaven

NR 2025
Romy keeps a diary

Through a simple juxtaposition of words and images, Charles-Émile Lafrance and Romy Bélisle give us a coming-of-age story distilled to its purest components, emphasizing the essence of being aware of the passing of time. Romy Bélisle’s writing grants us access to her inner self, to the universal significance of the end of adolescence, to one world dying so that another can be born. Her words are paired with images of her last summer before heading toward adulthood, captured by a warm and discreet camera. These seemingly mundane fragments contrast with the breadth of emotions conveyed by her entries, and from this tension crystallizes the underlying goal of immortalizing what is about to disappear with the maturity and clarity we all wish we had.

Romy keeps a diary

NR 2025