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Between love crises, nervous laughter, and unanswered messages, Fleayag turns emotional chaos into comedy. When his best friend Cami insists she needs to “open her heart,” Fleayag ends up hosting Cami’s cousin, an unlikely guest who becomes the center of a romance as confusing as it is irresistible. Blending sharp humor, vulnerability, and the dilemmas of those trying to make sense of themselves amid social media and fleeting relationships, the web series follows a generation that laughs at its own pain and turns it into a show. Fleayag is about loving the wrong way, laughing at yourself, and still somehow keeping on trying.

This is the story of Geppetto, an 11-year-old boy who likes to create his own toys. His father, Genaro, is the one who builds them using wood from fallen trees in the Enchanted Forest. But what Geppetto doesn't know is that the Fairy Godmother lives there, who has the power to give life to his wooden toys. The forest is beautiful, but all this wonder is under threat! Our characters will get involved in a great adventure to stop the evil Mr. Machado from illegally cutting down a single tree!

Barbara is a girl with a special talent for imitations. Coming from a poor family in the countryside, she is the one who brings relief to the everyday problems they face. Inspired by a theater company that settles in the city, she begins to dream of becoming an actress, while teaching her father that there is no adversity that laughter cannot cure.

This documentary takes a deep dive into the history of Brazilian broadcast television, focusing on the decades when the pursuit of the number one spot in the ratings pushed every ethical boundary. Through a detailed analysis and interviews with people who experienced it behind the scenes, whether as viewers or industry insiders, the film brings back the era of live variety shows, hidden camera pranks, the rivalry between Gugu and Faustão, and the PCC scandal. More than just a nostalgic look back, the film questions how sensationalism and the exploitation of poverty shaped the behavior of a nation raised in front of the screen, revealing the secrets of a TV industry that wasn’t afraid to get bizarre to hold onto its audience.

Ana, an 8-year-old girl, lives surrounded by fears. The real monster? She's still trying to figure out where he's really hiding.

A young woman confronts her religious mother. A biker explores the night with a group of rebel dykes in Rio. A rapper in French Guiana comes to terms with her roots. Five young women reflect on life at a luxury spa in the French mountains.

The camera gets lost in the deserted streets and lonely reflections of the city lights. Without words, it captures the loneliness of souls who, although surrounded by crowds and concrete, remain invisible and disconnected. Every corner, every abandoned detail, every step echoing along tells an untold story, where the silence of the night is the only interlocutor.

After a tough breakup, Caio starts a bizarre rice experiment to test the power of love and hate. What begins as a self-help project spirals into obsession and delusion. As his mental state decays with the rice, the line between experiment and emotional collapse blurs.

The disappearance of onças from the territory leaves the community devastated. Women from different generations face this conflict, which requires uncovering ancient secrets to bring the onças back before everyone else disappears.

This Brazilian documentary follows four drag‑queen artists — Tchaka, Hellena Borgys, Márcia Pantera and Vera Ronzella — as they share their personal journeys, performances and identities. Filmed between late 2022 and early 2023, the film explores both the celebratory, glamorous side of drag performance and the challenges these performers face (prejudice, resistance, the work of building a public art identity). Beginning with their stories and everyday lives, the documentary invites viewers into their creative worlds — how each developed their persona, how they navigate their art in society, and how they claim their truth on stage and off.

Acclaimed journalist visits the University of Brasília and interviews students.

In the void of night, a hungry creature looks for food and perpetuates an everyday cycle.

Humor and critique blend seamlessly in this year's Female Lines. With stand-up comedy, sketches, and special guest appearances, the show dives into important themes of the female experiences.

While painting intuitively, Fran recounts defining moments of her journey as a trans woman. In an intimate space, the short film builds, through voice and color, a sensitive narrative about identity, body, and hope. Between brushstrokes and silences, a life is revealed—one that resists and finds recognition through art.

"Há terra! is an encounter, a hunt, a diachronic tale of looking and becoming. As in a game, as in a chase, the film errs between character and land, land and character, predator and prey."

In Bad Omen, we follow Selene, a singer giving an interview for the release of her first solo album. There, she remembers Stella, her best friend since childhood, from whom she was forced to separate and take opposite paths after tragic events at the end of their adolescence. Years later, they meet again in completely different realities and are challenged to confront the weight of love and truth in a world that is not willing to accept them.

Melissa, a young girl who has always lived in her own bubble, begins a new chapter when she starts college and decides to live in a student house. There, she allows herself to have new experiences, going through a process of growing up and gradually discovering a new family.

Faced with a great evil approaching, a family of quilombolas needs to unite technologies and ancestral knowledge to protect the environment, their roots and their own lives, before everything ends. A feature-length socio-environmental thriller that presents the story of a family of quilombolas who need to combine technology and ancestral knowledge to protect the environment, their roots and their own lives, before everything ends.

Follows a week in the life of New York-based Brazilian stand-up comedian Rafi Bastos, as he gets from a gig to another, showcases the American comedy scene and prepares his first special in Chicago.

BUT IT WAS TOO LATE! WE FOUND HER A FEW NIGHTS LATER AT THE JUNGLE'S EDGE ...SWAYING TO THE SAVAGE RHYTH OF THE DISTANT DRUMS!"

Celebrating the roots of samba and its significance beyond the Carnaval tradition in Brazil, Rio-based director Victoria Fiore explores the art as a profound act of cultural preservation for short film Pavilhão. Immersed in the community as part of Rio de Janeiro’s Paraíso do Tuiuti, and a passista – or samba dancer – at Rio Carnival, Fiore connects with Brazil’s samba schools as living archives where history, tradition, and innovation merge, sustaining a vibrant expression of Afro-Brazilian identity and resistance.

A broke DJ tries to live her life

In Sange Khara, commissioned by Fundação Bienal de São Paulo for the 36th Bienal, Laila Hida offers a landscape where memory is not narrated, but circled – tentatively, tenderly, with the gravity of something sacred and half-forgotten. The project stages a kind of poetic inquiry where images seem to emerge from a re-constructed memory anchored by a 16mm film and expanded through an immersive installation. Characters cross paths, brought together through a tapestry of iconographic and cinematic references: the young woman from The Wanderers of the Desert (1984), the couple in The Sheltering Sky (1990). Two young guys ride their bikes and strike poses on a dirt road as if freshly cast in a rap video summoning an apparition, a construct of a landscape, the desert, the oasis, and the people who inhabit them, filtered through cinema and image.

“Look closely at the mountains!”: the phrase was coined by artist Manfredo de Souzanetto during Brazil’s years of dictatorhsip. Mining activities were destroying the environment in the state of Minas Gerais in the south west of the country. Through editing, Ana Vaz draws parallels between this region and the very distant Nord-Pas-de-Calais in northern France, also marked by over three centuries of mining. On one side, eroded mountains plague its inhabitants with deadly landslides. Hollow and gutted, these mountains become the receptacles of a ghostly memory. On the other side, in France, mining waste stacks become mountains and reservoirs of biodiversity, where the frontier between nature and technology is now indiscernible.

Seven friends, a remote forest, and a short film that should never have been made. What begins as a simple independent production turns into a bloody nightmare when one of them disappears and strange events begin to follow the script — literally. Amid brutal deaths, unexpected betrayals, and a killer who seems to know too much, the line between fiction and reality blurs. In the end, only one will survive to witness the final cut.

The film “Mistérios do Nixipae” portrays the emergence of the Nixipae drink (ayahuasca) in the worldview of the Huni Kuî people. In a hybrid language between fiction and documentary, indigenous leader Isaka Ruy guides us through a story that permeates the world of the enchanted. This short film is the result of a sociocultural audiovisual training project in the Katukina-kaxinawa Indigenous Territory, in the Brazilian Amazon rainforest.

Filmed in Amazonas in 2021, on Estrada Fantasma BR-319, Transamazônica BR-230 and in the real city of Realidade, “Curupira and the Machine of Destiny” documents the encounter in the present time between a curupira and the incarnate ghost of Iracema, a character in the movie “Iracema – an amazon sex”. Open as wounds during the civic-military dictatorship that entangled Brazil in the cries of order and progress, the asphalt rebars that crisscross the country were built, destroyed and are now drowning in a process of reconstruction. Warm ruins of an addicted future. In love, Iracema ghost sets off at the crossroads of the straight roads of the Amazon to find Curupira and avenge the future.

In an urban village surrounded by the concrete of Campo Grande (MS), Ailton, an Indigenous man of the Terena people, raises his voice against erasure. A leader in his community, he resists the State’s attempts to turn the village into a mere housing development, as well as the churches' efforts to suppress ancestral spirituality and knowledge. Starring non-professional Indigenous actors and inspired by real events lived by the protagonist, the short film reveals the daily life of struggle, faith, and belonging in the urban villages of Mato Grosso do Sul.

Tete is a cat fascinated by art, skateboarding, and her city, Rio de Janeiro. On a late summer afternoon, bored with the monotony of her room, she hits the streets for an adventure on wheels. Rolling past various tourist spots, dribbling around cars, and riding down hills, the kitten finds her peace. However, Tete didn't expect a mysterious portal right in the middle of the skatepark. Distracted while doing a trick, she falls into the hole and travels through different dimensions of animation. Confused and scared of losing the trace of her identity, a new adventure begins for Tete: finding her way back home.

In Work A Lot, Memphis Depay steps off the pitch and into the daily lives of the people who keep São Paulo moving. The mini-documentary weaves interviews with Brazilian workers — from street vendors to truck drivers, from bakers to hairdressers — with behind-the-scenes moments of Depay’s own life in Brazil, spanning music, football, and visits to local communities. Stripped of glamour and filters, the film connects different realities through a shared truth: working hard isn’t a lifestyle choice, it’s survival. A raw, urban and honest portrait of daily struggle, belonging, and real life.

Vitor is 18 years old. Recently graduated from high school, he's not quite sure what to do with his life. He enjoys soccer, watches superhero movies, and plays video games in his free time. Vitor is also extremely romantic—in his own way. Marina is 24 years old and a Virgo. Finishing the final semester of her veterinary medicine degree at the university she always dreamed of, she's preparing for a new chapter in her life. She likes Brazilian Popular Music (MPB), astrology, cycling, and French cinema. Marina isn’t easily won over—until now. In a completely awkward date, Vitor and Marina discover what their age difference can bring.

After a five-year hiatus, the "Capelinha" quadrilha returns to the competitions. Intense rehearsals, pulsating rhythms, and elaborate costumes mark the preparation to reclaim their place in the arenas.