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Carla da Victoria was born into the 'clay potters' tradition, the name given to women who make clay pots in the city of Vitória/ Brazil. A transgender woman, Carla is a daughter, granddaughter and great-granddaughter of potters. She learned to shape pots in the same way that she shaped her identity. Transviar is about breaking rules and the encounters that the mangrove swamp can bestow.

In the last moments of her life, a woman remembers an overwhelming love.

In an episode of the Aura Musical podcast, multi-award winning popstar Anil Saint talks about his new musical work and monstrous memories.

Guto wants to confess his love for Renato. But Renato wants to confess something to him too.

Years ago, Miguel stopped presenting himself as Mika Sapequinha: he cut his hair, shed his skirts, and created a new version of himself. A frequenter of the Evangelical Church, today he faces a turbulent journey of self-knowledge.

A monarchy to sustain itself needs to use conservative forces to maintain power. While in palaces around the world some fight for power, in cis and heteronormative households, couples explore their own games of power and seduction, which escape the power dynamics behind the curtain, despite apparent stability.

A video art that questions the use or absence of randomness in artistic experimentation.

Collage made from photographs of yacht magazines.

A film by Matheus Zenom.

The colector Ravena brings the universe of 15-year-old girl parties to talk about dreams and belonging.

The host of a failing television show starts making up live news. However, the things he says on air begin to actually happen.

It's dawn in the capital of Mozambique. Young people leave the nightclubs and, in the backyards, women start their day. A man runs, a woman arrives from a trip, a tourist takes a walk, a worker takes the public transportation and the Maputo Nakuzandza radio station announces the disappearance of a bride.

A mixture of a time travel, a documentary, artistic and performative record of the director's subjective view of the places, people and moments he spent from 2015 to 2018. Filmed on super 8 mm film.

Spain, 1940s. Two young seamstress sisters, Maruxa and Coralia, have their lives changed during the Civil War. In resistance to the Franco dictatorship, the anarchists leave their house every day at two o'clock. Years later, they become the most photographed women in Santiago de Compostela, land of pilgrims. To find out what Maruxa and Coralia have done, director Uliane Tatit travels to the Galician capital and follows the paths made by the two sisters.

On Christmas Eve, Nando meets an old lover and has to deal with conflicting feelings.

Brazil is huge, made of an extremely colorful mix of races, origins, ideas and cultures. Now it has come to a boil: the country torn apart by political, and religious conflicts, our forests burnt down and razed to the ground, "minorities" persecuted, and part of the population arming itself on the expectation of something wicked coming our way in the most polarized election ever.

A mysterious creature tries to contact for the first time.

The shaman and his family go fishing. While fishing, a jaguar approaches and starts screaming, scared, looking for help. Her scream is a warning. The forest burns in flames. The shaman immediately returns to the village and warns his people about the approaching danger. He seeks spiritual strength in shamanism as his concern grows. The fire invades the forest and the animals flee looking for shelter, but many cannot resist and die.

A portrait of an idyllic day at the public market of Pelotas, Rio Grande do Sul.

Ronaldo travels to the city of Soure, on the island of Marajó, and plans to renovate his parents' house, which has been unoccupied for a long time.

Forced to become a mother, Helena plans to run away with her boyfriend and abandon her son. However, on the day of the escape, the boy gives up and leaves her alone, desolate. Determined to keep on the run, Helena embarks on her theory that her entire life has been a lie and she has never had a child.

Fabiano, Lucia and Clelio are brothers and live in an old house with their cousin Henrique. On a stormy night they are visited by Mr. Tijo, a family friend. A blackout occurs in the region, the lights go out. In a candlelit environment, supernatural things begin to happen. Judging that someone invisible wants to communicate with them, they decide to play a dangerous game with the supernatural. Through this, a message emerges bringing out terrible facts from the group's past and a warning of a great risk to one of them.

Electro-pop avant-gardist LYZZA slips into a surreal neon underground in this visual accompaniment to her mixtape of the same name.

A film about self-discovery. It addresses, through visual metaphors, the (re)discovery of the self and of the other, through affection and relationship.

One hundred years later, Count Orlok returns from the dead.

A young woman copes with grief over her mother's death.

A fun reinterpretation of the main landmarks and characters of the movement and what independence means for the people 200 years after the cry on the banks of the Ipiranga River.

An intimate short documentary about a young black architect who lives in the downtown area of Teresina and her impressions about living in a decaying neighborhood.

Two men in Bahia, Brazil, try to prove their UK ancestry to qualify for a small plot of land in the city’s finest location: the British Cemetery.

Children from different ethnic groups defend Sumaúma, the sacred tree of the Amazon.

A girl gets ready during the COVID-19 pandemic for a journey that is both emotional and physical.

Joaquim awaits news about his brother's premature birth, while he spends the night at his best friend's house.

A site which once served as a slaughterhouse has become an environment to preserve the life of Brazilian cinema. Until the first fire arrived. And then another, and another. Hundreds of negatives lost due to a policy that negates preservation actions. The distant relationship between the Cinematheque of São Paulo, public neglect, and the fire are rescued in a film whose very function is to preserve the memory of this Cinematheque.

A reflection on the current situation of Brazil and the problems of contemporary society told through circles.