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Cinema

A lesson in conciseness, expressiveness, and humor on the inexhaustible theme of the dream of making movies. A parodic lesson, a Brazilian version of historical scenes filmed by the Lumiére brothers in 1895—the baby, the bath in the garden, the workers leaving, and the arrival of the train. The melodrama of a couple of lovers through time and the history of cinema. Many sequence shots, as preferred and taught by Cinema Novo. Everything about a film being made and being watched. The language of cinema (shot, reverse shot, tracking shot, editing, mixing, dubbing, etc.), interspersed with quotes from Humberto Mauro, Godard, Glauber Rocha, and Rossellini.

Cinema

5.0 1974
O Sexualista

Fábio, a mediocre and broke writer, is evicted for unpaid rent and even ends up in jail after a police raid on a brothel. His life changes when he unexpectedly inherits the fortune of his wealthy uncle Casemiro — only for the old man to recover soon after. Suddenly wealthy, Fábio dives into high-society parties while trying to finish a “dictionary of sex” and turn his new lifestyle into personal and sexual success. He reconnects with his former lover Gina, who introduces him to Candy, a glamorous nightclub performer who becomes central to his fantasies and ambitions. As scandals unfold and secrets come to light — including Candy’s identity as a travesti — Fábio becomes trapped between desire, money, social appearances and his own insecurities, forcing him to confront what he really wants from life.

O Sexualista

9.0 1977
Que Ninguém, Nunca Mais, Ouse Duvidar da Capacidade de Luta dos Trabalhadores

The documentary covers the first phase of the brazilian metalworkers' strike in 1979. It was made to be shown to the workers during the truce between the two phases of the strike, with the aim of mobilizing them for the second phase. The film shows the large assemblies, with more than 100 thousand metalworkers, in the Vila Euclides field, in São Bernardo do Campo; the mobilization for a vigil at the Union; the resulting street conflicts and the triumphant return of the board, headed by Lula, in the great assembly in which the truce was proposed.

Que Ninguém, Nunca Mais, Ouse Duvidar da Capacidade de Luta dos Trabalhadores

NR 1979
A Man Called "Bee"

One of the few ethnographic films in which the anthropologist appears as one of the subjects - a lively introduction to the nature of fieldwork. Napoleon Chagnon, who lived among the Yanomamo for 36 months over a period of eight years, is shown in various roles as "fieldworker": entering a village armed with arrows and adorned with feathers; sharing coffee with the shaman Dedeheiwa who recounts the myth of fire; dispensing eyedrops to a baby and accepting in turn a shaman's cure for his own illness; collecting voluminous genealogies; making tapes, maps, Polaroid photos; and attempting to analyze such patterns as Yąnomamö village fission, migration, and aggression.

A Man Called "Bee"

NR 1974