Low-budget comedy of errors about false miracles, Catholic priests, greedy politicians and a prostitute in a small Brazilian town, with popular Brazilian comedy stars of the time.
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Low-budget comedy of errors about false miracles, Catholic priests, greedy politicians and a prostitute in a small Brazilian town, with popular Brazilian comedy stars of the time.
A homage to poet Sousandrade.
An analysis of the phenomenon of accelerated urbanization in Brazil, and more particularly in Rio de Janeiro and Sao Paulo.
The romance of a young adult couple.
A lesson in conciseness, expressiveness, and humor on the inexhaustible theme of the dream of making movies. A parodic lesson, a Brazilian version of historical scenes filmed by the Lumiére brothers in 1895—the baby, the bath in the garden, the workers leaving, and the arrival of the train. The melodrama of a couple of lovers through time and the history of cinema. Many sequence shots, as preferred and taught by Cinema Novo. Everything about a film being made and being watched. The language of cinema (shot, reverse shot, tracking shot, editing, mixing, dubbing, etc.), interspersed with quotes from Humberto Mauro, Godard, Glauber Rocha, and Rossellini.
An hour-long conversation with Brazilian Cinema Novo director Joaquim Pedro de Andrade conducted by Sylvia Bahiense.
Documentation of the production of cassava flour, a basic component in northeastern Brazilian food.
A documentary on politician Francisco Pinto's return to his hometown of Feira de Santana.
Experimental trial of urban intervention in Rio de Janeiro, using moments when the country was transported, via satellite, to the World Cup, in Germany.
A documentary of profound irony about the bourgeois dream of establishing a film industry in Brazil in the 1930s. The project in question, the Companhia Americana de Filmes, went bankrupt before finishing its only film, which was called 'Eterna Esperança' (Eternal Hope).
This movie marks Eunice Gutman's directorial debut, a deeply human documentary about adult literacy in rural Rio de Janeiro. Produced within the scope of MOBRAL, the film closely follows the journey of individuals, especially special women, who, upon learning to read and write, find new meaning in their lives.
A tribute to the filmmaker Alberto Cavalcanti and a celebration of the 50th anniversary of his film En Rade. Made in the style of the lyrical documentaries of the 1920s, this is a work on the movement of all things. The youth of the image and the treasure of sound. The image pulsates through the special photographic effects. Electronic music composed by Arthur Omar.
A woman asks her boyfriend for his mother's heart as a proof of love. Another, a kleptomaniac, has an affair with a TV professional. And a young man becomes a sex symbol after an advertising campaign.
The trajectory of an actor. The difficulties of the profession and the magical belief in the vocation. Rodolfo Arena with 64 years of age, 45 years of career as an actor, 109 films and 500 plays.
A documentary on the Afro-Brazilian religion of Candomblé and its rites.
Documents the demolition of the Mendes Caldeira Building in São Paulo, Brazil on November 16th, 1975, being at the time, one of the tallest and largest buildings ever imploded in the world, after the implosions of many structures such as the Traymore Hotel (Atlantic City, USA, 1972).
A drama in the amazonian country.
Fábio, a mediocre and broke writer, is evicted for unpaid rent and even ends up in jail after a police raid on a brothel. His life changes when he unexpectedly inherits the fortune of his wealthy uncle Casemiro — only for the old man to recover soon after. Suddenly wealthy, Fábio dives into high-society parties while trying to finish a “dictionary of sex” and turn his new lifestyle into personal and sexual success. He reconnects with his former lover Gina, who introduces him to Candy, a glamorous nightclub performer who becomes central to his fantasies and ambitions. As scandals unfold and secrets come to light — including Candy’s identity as a travesti — Fábio becomes trapped between desire, money, social appearances and his own insecurities, forcing him to confront what he really wants from life.
Theodoro Bezerra is a member of the Brazilian elite, a farmer and politician since the 1940s who has been elected as a state congressman by the state of Rio Grande do Norte. He concentrates on his own characteristics as a popular leader, despite being sexist and elitist, as well as using public funds for personal causes.
The documentary covers the first phase of the brazilian metalworkers' strike in 1979. It was made to be shown to the workers during the truce between the two phases of the strike, with the aim of mobilizing them for the second phase. The film shows the large assemblies, with more than 100 thousand metalworkers, in the Vila Euclides field, in São Bernardo do Campo; the mobilization for a vigil at the Union; the resulting street conflicts and the triumphant return of the board, headed by Lula, in the great assembly in which the truce was proposed.
One of the few ethnographic films in which the anthropologist appears as one of the subjects - a lively introduction to the nature of fieldwork. Napoleon Chagnon, who lived among the Yanomamo for 36 months over a period of eight years, is shown in various roles as "fieldworker": entering a village armed with arrows and adorned with feathers; sharing coffee with the shaman Dedeheiwa who recounts the myth of fire; dispensing eyedrops to a baby and accepting in turn a shaman's cure for his own illness; collecting voluminous genealogies; making tapes, maps, Polaroid photos; and attempting to analyze such patterns as Yąnomamö village fission, migration, and aggression.
Chico Buarque and MPB-4 performing live at TV Cultura.
The origins of Brazilian popular music and the types of scales used, as well as the various currents that emerged and formed different schools. The great composers.