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Seacoal

Betty and her daughter Corinna are introduced to the harsh seacoaling way of life by Ray, an ex-seacoaler returning from a job with ICI. His offer of a caravan on a cliff top and promises of the Klondyke that awaits them at least seem preferable to the violent marriage she has left behind. The film sets Betty's struggle for survival against the wider struggles of the seacoaling community, surviving on the fringes of capitalism. Despite the exploitation by a local entrepreneur, run-ins with dole snoops and School Board men and the ever encroaching regulations of a hostile council, their lives retain a kind of anarchic romance, which is reflected in the film's lyrical style.

Seacoal

6.0 1985
Page 3 Girls

Page 3 Girls 2 Fifteen-year-old Sharon from Rotherham wants to be g a Page 3 Girl. A year ago she sold her pony and started writing to the leading glamour model agents. One agreed to see Sharon; so, with her mother at her side, she went on her first trip to London. Samantha Fox is Sharon's idol. When Samantha was just 16 she appeared topless on the front page of a national newspaper - and left school the next day. Since then she's become Britain's best-known Page 3 Girl - said to make a lot more money than Mrs Thatcher. Samantha says: 'I've been lucky - I don't think it happens all the time.' It happened to Linda Lusardi - 'Star Bird of 84'. In the 70s it happened to Vivien Neves , Jilly Johnson and Nina Carter the original newspaper glamour models. But will young Sharon find fame and fortune after her first photo session in Balham?

Page 3 Girls

NR 1985
Julius Caesar

Dame Janet Baker, in one of her greatest roles, leads a cast of some of Britain’s finest interpeters of baroque opera and their performance under the baton of Sir Charles Mackerras is one of the highest musical excellence. John Copley’s acclaimed English National Opera production was restaged in studio, skilfully using all the technical advantages offered, to create this top quality recording. The opera was first performed in 1724 at the Haymarket Theatre in London using castrati singers in the heroes’ roles. This production follows modern practice in using women in these parts. Dame Janet’s virtuoso role as Julius Caesar has been heralded as a masterful recreation of the music which Handel wrote for the finest singers of his time.

Julius Caesar

NR 1984
The Secret Life of Sergei Eisenstein

A biographical film, in English throughout, telling the story of film director Sergei Eisenstein (1898-1948) from his childhood in Riga, Latvia to receiving the 'Stalin Prize' in Moscow. Based on his own writings, the film uses actual film clips of Eisenstein at various points of his life as well as photographs, illustrations and archival film of a variety of locations around the world. Eisenstein's talent as a satirical cartoonist and later an artist is particularly highlighted with many photographs of his work. Films discussed include "Strike", "Battleship Potemkin", "Oktober", "The old and the new", "Alexander Nevsky" and "Ivan the terrible". There is a detailed account of Eisenstein's world tour during which time he met and worked with other leading film-makers, writers and personalities including Einstein, James Joyce, D. W. Griffith and Walt Disney. Includes anecdote on his visit to High Table at Trinity College, Cambridge and its inspiration for a scene in 'Ivan the terrible'.

The Secret Life of Sergei Eisenstein

6.7 1987
David Hockney: Joiner Photographs

David Hockney is unquestionably one of the most passionate and versatile experimental artists on the contemporary scene. In the late 1970s the British artist developed a pioneering concept which also changed his perspective on painting – his “joiners”. In this film, the artist himself talks about this photographic approach, a kind of Cubism-inspired photocollage which explores the space-time continuum. Hockney allows the viewer to share in the creative “joiner” process and leads us step by step into the universe of his artistic creativity.

David Hockney: Joiner Photographs

NR 1983
Friendship's Death

A robot messenger is sent to earth to appeal to humans to live in peace. Originally designed to go to MIT, by mistake she ends up in Amman, Jordan during the Black September riots of 1970. Sullivan, a British journalist, comes to her aid when she is found wandering without papers following a bombing and grants her refuge in his hotel room. But there she tells him she is a robot, sent as a peace envoy from another planet. He is not sure whether to believe her story or not, but finds her unusual view of the world appealing. They examine the human condition in a series of incredibly insightful and entertaining conversations.

Friendship's Death

6.9 1987
The Secret Policeman's Other Ball

Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.

The Secret Policeman's Other Ball

6.3 1982
All Passion Spent

his three-part miniseries begins with elderly Lady Slane (Wendy Hiller) sitting watchfully by the deathbed of her husband. Tended by her equally aged French maid Genoux (Eileen Way), who has served her faithfully for a lifetime, Lady Slane deals with a succession of advice from her large flock of middle-aged children. The family is chagrined by, but honors, her choice to live a modest country retirement at some distance, in Hampstead Heath. Lady Slane competently comes to terms to lease and restore a crumbling house, aided by an aging land agent Gervase Bucktrout (Maurice Denham). Once settled, an acquaintance from 50 years past, Mr. Fitzgeorge (Harry Andrews), visits the cottage to rekindle memories of their brief, deep, but unfulfilled brush as soul-mates in colonial India when Lady Slane was a devoted young wife and mother. Great-granddaughter Deborah (Jane Snowden), who has been trapped by a socially desirable but passionless engagement, regularly visits to confide and seek wisdom.

All Passion Spent

8.7 1986
The Aerodrome

In the future England is ruled by a fascist government, and one day the leaders begin the construction of a heavily guarded, mysterious airport. BBC adaptation of Rex Warner's 1941 novel of the same name. A stereotypical village in a somewhat alternative England is taken over wholesale by 'The Air Force.' Living in the village is young Roy, who has just learned he is not who he thought he was. Attempting to forge a new sense of identity, he joins the dashing Air Force, seduced by its dynamism and direct and brutal ways.

The Aerodrome

7.0 1983
Depuis le Jour

Derek Jarman's interpretation of the aria 'Depuis le jour' from the final act of Gustave Charpentier's opera Louise (1900) features Aimée Delamain as an aging opera singer taking her final bow and recalling a love affair from her youth. As the aria goes: 'Et je tremble délicieusement au souvenir charmant du premier jour d'amour! (And I tremble deliciously at the delightful memory of the first day of love!)' – Her reveries feature Tilda Swinton and Spencer Leigh wandering around the topiaries of Swinton's family garden and at various seaside locations. The film was made for Aria (1987), the portmanteau project of producer Don Boyd who invited ten directors to create short films set to operatic arias of their choice. The particular performance used in Depuis le jour is by esteemed African-American soprano Leontyne Price.

Depuis le Jour

NR 1987
Beloved Enemy

A cool hard study of 'the art of the deal' on a global scale. Sir Peter, the chillingly affable chief exec of big British multi-national UKM, learns that the Soviet Union's chief scientists are in London with government credit to spend. He's keen to flog them a tyre-production plant. based in the Ukraine, which will unshackle UKM from bothersome unions at home. But at the negotiating table, it fast becomes apparent that the Soviets are more interested in the laser technology UKM employs to vulcanise their tyres; and Peter starts to foresee a new future in military aerospace for his ever fiexible firm.

Beloved Enemy

8.0 1981
J.M.W. Turner: Turner at the Tate

The works of Joseph Mallord William Turner (1775-1851), one of the best known English Romantic artists, still play a leading role in the art market to this day. Since 1987 the majority of his pictures have been exhibited at the Clore Gallery, a separate building of Tate Britain. Daniel Wiles visits the gallery to explore the life and works of this eccentric artist, and also talks to countless experts and artists in an attempt to establish what it is about William Turner’s pictures that still fascinates so many people.

J.M.W. Turner: Turner at the Tate

NR 1987