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Regan

Rough, tough and politically incorrect in the way that only the best 70's dramas can be, Regan was a pilot film for The Sweeney - one of the major television successes of the last fifty years. Featuring John Thaw as the irascible Detective Inspector Regan and Dennis Waterman as his loyal 'oppo' Detective Sergeant Carter, Regan was an immediate critical and ratings hit, resulting in four series of The Sweeney and two successful feature films. Jack Regan is a good copper, but his tough, intuitive style is becoming unfashionable in a Scotland Yard seeking a new image. When a policeman is mysteriously murdered, Regan breaks all the rules to find the killer - but he finds there are men in the Flying Squad prepared to break him.

Regan

8.7 1974
The Shadow-Line

Andrzej Wajda's English-language film of a novella by Józef Teodor Konrad Korzeniowski, aka Joseph Conrad, about a young man in his first command as a sea captain. A series of crises prove incredibly difficult for his new authority, for the sea is curiously becalmed and the crew is weakened by feverish malaria. When the first mate's fear convinces many that the ship is haunted and cursed by the malevolent spirit of the previous captain, the young man must cope with their superstition as well as the conspicuous absence of much-needed medicine.

The Shadow-Line

6.4 1976
Steptoe & Son Ride Again

Albert Steptoe and his son Harold are rag-and-bone men, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. Always on the lookout for ways to improve his lot, Harold invests his father's life savings in a greyhound who is almost blind and can't see the hare. When the dog loses a race and Harold has to pay off the debt, he comes up with another bright idea. Collect his father's life insurance. To do this his father must pretend to be dead.

Steptoe & Son Ride Again

6.8 1973
Waves

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.

Waves

7.0 1973
Steppenwolf

In the bourgeois circles of Europe after the Great War, can anything save the modern man? Harry Haller, a solitary intellectual, has all his life feared his dual nature of being human and being a beast. He's decided to die on his 50th birthday, which is soon. He's rescued from his solipsism by the mysterious Hermine, who takes him dancing, introduces him to jazz and to the beautiful and whimsical Maria, and guides him into the hallucinations of the Magic Theater, which seem to take him into Hell. Can humour, sin, and derision lead to salvation?

Steppenwolf

5.8 1974