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Pierre Hébert: Le Goût Du Risque

One morning, Pierre Hébert woke up with the fear of becoming the spectator of his own life by settling in comfort and stability. It was on that day that he decided to cultivate A taste for risk. In this bitingly ironic second show, he derides his own fears in order to convince himself to leap into the void! With a hilarious sincerity, he draws inspiration from the laughable and absurd aspects of his daily life to make viewers want to get out of the routine, to make daring choices. Will you take the risk of falling under its charm?

Pierre Hébert: Le Goût Du Risque

NR 2019
Palais des Papes: A Gothic Fortress

Deep within its ramparts, Avignon is home to a medieval city and structure built over 800 years ago: The Palais des Papes, or Papal Palace, the largest Gothic construction of the Middle Ages. The work on the impressive building started in 1335 on a rocky outcrop to the northwest of the city by hundreds of workers, under the authority of the best French architects of the time, Pierre Peysson and Jean de Louvres. The majestic Palais des Papes houses exceptional frescoes, painted in 1343. Both fortress and palace, the Papal Palace is the symbol of the influence of the church on the Christian West during the 14th century.

Palais des Papes: A Gothic Fortress

NR 2019
Miriam Goldschmidt – Creator of the In-between

Nearing the end of a long and successful stage career, Miriam Goldschmidt finds her prowess as an actress increasingly on the wane. She struggles to memorize her lines and as her last project with lifelong collaborator, the legendary director Peter Brook, threatens to fall apart, Miriam looks back. Referencing Brook’s ground-breaking book «The Empty Space», she uses an empty rehearsal room in Berlin to invoke her archetypal life journey that took an orphaned black child from post-war Germany to the world’s biggest stages. We «Call Her Miriam» is a bewitching and moving portrait of a great artist living between dream and reality, truth and fction and life and death.

Miriam Goldschmidt – Creator of the In-between

NR 2019
1940: Taking over French Cinema

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.

1940: Taking over French Cinema

9.0 2019
Reservoir

For the first time in decades, Simon and Jonathan can agree: their late father would have hated the farce surrounding his funeral. ”We should have spread his ashes over Gouin Reservoir.” The spur-of-the-moment idea quickly becomes a plan. On impulse, they rent a houseboat and set off with the ashes. The two brothers venture out onto the vastness of the reservoir, foolishly hoping to find the cabin where their father taught them to fish when they were young. But the watery expanse is much larger than they remember, and their relationship has disintegrated more than they thought. Enclosed in a confined space as they pass through dizzying, winding wilderness, Simon and Jonathan have no other choice but to confront what they have become, reconnect with what is hidden in the depths of their souls and reveal their true natures to one another. Originally planned as a memorial, the fishing trip turns into a journey of discovery that will forever change the two brothers.

Reservoir

7.0 2019
Mavericks

In this posthumous film, shot in Montreal in 2013 and completed by Michka Saäl’s colleagues and friends, the filmmaker salutes the beauty of Montreal and its people. From the back alleys of the Plateau to artists’ apartments, from a passionate recycling advocate to a queen of the night, everyday heroes are the subject of this final film. They are humble folk, faithful to their personal ethical sense, determined to make the world more beautiful. They are true adventurers, especially as seen by Michka Saäl.

Mavericks

NR 2019